[5539] in APO Printshop

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Re: Wedding invitations - ink; brown, location, thinning, etc.

daemon@ATHENA.MIT.EDU (Leonard H Tower Jr.)
Sun Jan 18 17:51:31 2009

Date: Sun, 18 Jan 2009 17:51:18 -0500 (EST)
From: "Leonard H Tower Jr." <tower@alum.MIT.EDU>
To: apo-printshop@MIT.EDU
In-Reply-To: <200901180616.n0I6GTdQ020875@byte-me.mit.edu>

* the big can of brown ink that Cat found can now be opened

  the shop has a one lb can of brown ink, a one lb can of orange brown
  ink, as well as several tubes of brown ink.
  there might be others - i'm not good at finding things

  they are in the drawer trays in the lower half of the stack just to
  the right of the light switch in the back APOffice

  when hunting for a color of ink,
  it's wise to look through all the trays 

  there are some empty film canisters in one or two of the trays.
  if you mix up a special color, you can put the left-overs in one of
  them.
  attach a white label on the outside of the canister.
  and smear the mixed ink on the label

* if high quality is wanted, spread the job out on the empty gallery
  trays 

  e.g. wedding invites

* lori mentioned using linseed oil to thin out dried rubber-based
  inks.
  (these is a small film canister of linseed oil in one of the ink
   trays, as well as part of a plastic pint jar in the solvent cabinet
   (the pint had been moved away from the small tray box of press
   solvents.  it's back there now.  both are drier than optimal for
   thinning)
  linseed oil works even better for non rubber-based inks

  it's also possible to thin out most of the inks we have in the shop
  with the blanket and roller wash used to clean the press

  i do thinning on the platen.
  spread some of the dry ink on the platen.
  start the press running.
  add a few drops of solvent.
  let it mix a minute or two.
  repeat until the ink is useable

* printing is a craft. 
  fair easier to show, then describe in words.
  if needed, ask a friendly local neighborhood journeyman, 
  or experienced press op to show you

* lori mentioned that it's easiest to print on relatively smooth
  non-glossy paper

  it's hard, but possible, to print on stock that is very rough

  it's harder, but possible, to print on glossy stock.
  for glossy stock, it's wise to test the ink a few days before the
  run and make sure it will dry ok.
  you also want to spread it out on gallery trays as you take it out of
  the press

yiLFS -len

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