[95474] in tlhIngan-Hol

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Re: [Tlhingan-hol] mIl'oD veDDIr SuvwI' - 'ay' cha': 14. not

daemon@ATHENA.MIT.EDU (Rohan Fenwick - QeS 'utlh)
Sun Jan 6 08:10:27 2013

From: Rohan Fenwick - QeS 'utlh <qeslagh@hotmail.com>
To: <tlhingan-hol@kli.org>
Date: Sun, 6 Jan 2013 23:10:11 +1000
In-Reply-To: <6.2.5.6.2.20121203074205.07870338@flyingstart.ca>
Errors-To: tlhingan-hol-bounces@stodi.digitalkingdom.org

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jIjatlhpu':
> And so=2C the story continues...

(poD vay')

jIjatlhpu':
> tay'taHvIS ba'taH chaH=2C QuchtaH=2C wa'vatlh=20
> Dochmey qeltaH chaH jatlhchuqtaHvIS. QumchuqmeH=20
> QInmey Da jatDu'chaj=2C puSwI'mey Da mInDu'chaj=2C wIymey Da qabDu'chaj.

mujangpu' Qov=2C jatlh:
> So not only are they the most beautiful=2C=20
> intelligent and virtuous people ever=2C they're=20
> also superlative conversationalists.

pupchu' nuv'a'pu'vam! reH pup Subpu' net Sov.

jIjatlhtaH:
> mInDu'Daj lunISlu'pu'=2C bIHDaq nIjlaw' 'IwHey=20
> DoqchoHtaHvIS moQmey=2C QomtaH porghDaj woch. tIqDajvaD tIq ghaj=2C

mujang Qov=2C jatlh:
> latlh ghaj'a'? chay tIqvaD tIq ghaj?

What I intended was an oblique metaphor=2C "he had a heart for his own hear=
t": that is=2C he has captured someone else's heart for his own heart to lo=
ve. In the original Georgian this is actually even more opaque: /da guli hk=
onda gulisatvis/ "and he had heart for heart". (I'm just glad I don't have =
metrical constraints to worry about.)

jIH:
> 'ej parmaqvaD tIqDaj'e' nobta'.
> jatlh'egh: =AB'o jul=2C wIchevlu'pu'DI' tugh tIqwIj=20
> lav SIghchoHlu'pu'. SuDchoH qabwIj 'ej Dargh=20
> tlhorghHa' rurchoH. vaj nuq vIta'laH=2C=20
> qaleghlaHbe'mo' qaStaHvIS poH nI'? chut vImaq: parmaqqayvaD=2C qaq Hegh.=
=BB

Qov:
> Dude needs a painting. Or a Skype account.

choHaghmoHpu'!

jIH:
> SutDaj 'IHqu' tuQ'eghmoH=2C SarghDaj chISqu'Daq toS=2C 'ej 'utlh jatlhmeH=
 voDleH
> juHDaq jaH.

Qov:
> parmaqvam ghovpu''a' 'utlh?

ghovbe'law' 'utlh 'e' vIHar.

jIH:
> DaH roghvaH HochvaD ghu'vam Dun vISovmoH=2C

Qov:
> roghvaH HochvaD =3D the entirety of the population.=20

bIlugh. 'e' vIHech.

> I never use that construction=2C always picking naQ=20
> instead in that context=2C but I don't have a problem with it.

Fair 'nuff. I don't know why I don't use naQ in such constructions=3B I gue=
ss I just like Hoch. (Mentally=2C it's nice to be able to keep the same str=
ucture when I need to say {roghvaH HochHom} "most of the population" instea=
d of "all of the population".)

jIH:
> 'e' Dachaw'qangchugh. jIjaH=2C jIleng=2C jIghob=2C wo' Hoch veHDaq jIghoS=
=3B

Qov:
> That is a seriously lame excuse. If the 'utlh=20
> buys it=2C I shall be disappointed in him.

jIH:
> tIna'tIn cho'pu'ghach vImaqmeH=2C jaghlI' tIqDu'=20
> vIDuQ. matlhwI' vIlopmoH=2C 'urwI' vISaQmoH=3B=20
> nobmey qanobtaHneS=2C reH qavanchu'neS.=BB

Qov:
> Ah=2C that's a better excuse. I would have=20
> understood it sooner had he said wanI'vam Dun=20
> rather than ghu'vam Dun.

maj. vIchoH.

> Initially it sounds like=20
> he's intending to declare to the empire that it=20
> is ruled on account of 'utlh-dude's sword.

Yep=2C now that I reread that section=2C that's absolutely what he seems to=
 be saying. I'll change it right now=2C to wanI' Dun.

jIH:
> SKI: 'avtanDIl and tIna'tIn talk a little=2C

Qov:
> loQ -- LOL

{{:P

jIH:
> then 'avtanDIl goes emo for a while before going=20
> to roStevan to tell him what he's off to do.

Qov:
> The communications among the management of this=20
> kingdom is seriously more touchy-feely than in my=20
> company with is aboriginal female owned.  I think it's very sweet.

jIH je. I'm a bit of a romantic at heart so I kind of like the whole tIqwIj=
-Sa'angnISchu' everyone in this story seems to have going on.

tugh nargh 'ay' chu'. yIloS!

QeS
 		 	   		  =

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<body class=3D'hmmessage'><div dir=3D'ltr'>
jIjatlhpu':<br>&gt=3B And so=2C the story continues...<br><div><br>(poD vay=
')<br><br>jIjatlhpu':<br>&gt=3B tay'taHvIS ba'taH chaH=2C QuchtaH=2C wa'vat=
lh <br>&gt=3B Dochmey qeltaH chaH jatlhchuqtaHvIS. QumchuqmeH <br>&gt=3B QI=
nmey Da jatDu'chaj=2C puSwI'mey Da mInDu'chaj=2C wIymey Da qabDu'chaj.<br><=
br>mujangpu' Qov=2C jatlh:<br>&gt=3B So not only are they the most beautifu=
l=2C <br>&gt=3B intelligent and virtuous people ever=2C they're <br>&gt=3B =
also superlative conversationalists.<br><br>pupchu' nuv'a'pu'vam! reH pup S=
ubpu' net Sov.<br><br>jIjatlhtaH:<br>&gt=3B mInDu'Daj lunISlu'pu'=2C bIHDaq=
 nIjlaw' 'IwHey <br>&gt=3B DoqchoHtaHvIS moQmey=2C QomtaH porghDaj woch. tI=
qDajvaD tIq ghaj=2C<br><br>mujang Qov=2C jatlh:<br>&gt=3B latlh ghaj'a'? ch=
ay tIqvaD tIq ghaj?<br><br>What I intended was an oblique metaphor=2C "he h=
ad a heart for his own heart": that is=2C he has captured someone else's he=
art for his own heart to love. In the original Georgian this is actually ev=
en more opaque: /da guli hkonda gulisatvis/ "and he had heart for heart". (=
I'm just glad I don't have metrical constraints to worry about.)<br><br>jIH=
:<br>&gt=3B 'ej parmaqvaD tIqDaj'e' nobta'.<br>&gt=3B jatlh'egh: =AB'o jul=
=2C wIchevlu'pu'DI' tugh tIqwIj <br>&gt=3B lav SIghchoHlu'pu'. SuDchoH qabw=
Ij 'ej Dargh <br>&gt=3B tlhorghHa' rurchoH. vaj nuq vIta'laH=2C <br>&gt=3B =
qaleghlaHbe'mo' qaStaHvIS poH nI'? chut vImaq: parmaqqayvaD=2C qaq Hegh.=BB=
<br><br>Qov:<br>&gt=3B Dude needs a painting. Or a Skype account.<br><br>ch=
oHaghmoHpu'!<br><br>jIH:<br>&gt=3B SutDaj 'IHqu' tuQ'eghmoH=2C SarghDaj chI=
Squ'Daq toS=2C 'ej 'utlh jatlhmeH voDleH<br>&gt=3B juHDaq jaH.<br><br>Qov:<=
br>&gt=3B parmaqvam ghovpu''a' 'utlh?<br><br>ghovbe'law' 'utlh 'e' vIHar.<b=
r><br>jIH:<br>&gt=3B DaH roghvaH HochvaD ghu'vam Dun vISovmoH=2C<br><br>Qov=
:<br>&gt=3B roghvaH HochvaD =3D the entirety of the population. <br><br>bIl=
ugh. 'e' vIHech.<br><br>&gt=3B I never use that construction=2C always pick=
ing naQ <br>&gt=3B instead in that context=2C but I don't have a problem wi=
th it.<br><br>Fair 'nuff. I don't know why I don't use naQ in such construc=
tions=3B I guess I just like Hoch. (Mentally=2C it's nice to be able to kee=
p the same structure when I need to say {roghvaH HochHom} "most of the popu=
lation" instead of "all of the population".)<br><br>jIH:<br>&gt=3B 'e' Dach=
aw'qangchugh. jIjaH=2C jIleng=2C jIghob=2C wo' Hoch veHDaq jIghoS=3B<br><br=
>Qov:<br>&gt=3B That is a seriously lame excuse. If the 'utlh <br>&gt=3B bu=
ys it=2C I shall be disappointed in him.<br><br>jIH:<br>&gt=3B tIna'tIn cho=
'pu'ghach vImaqmeH=2C jaghlI' tIqDu' <br>&gt=3B vIDuQ. matlhwI' vIlopmoH=2C=
 'urwI' vISaQmoH=3B <br>&gt=3B nobmey qanobtaHneS=2C reH qavanchu'neS.=BB<b=
r><br>Qov:<br>&gt=3B Ah=2C that's a better excuse. I would have <br>&gt=3B =
understood it sooner had he said wanI'vam Dun <br>&gt=3B rather than ghu'va=
m Dun.<br><br>maj. vIchoH.<br><br>&gt=3B Initially it sounds like <br>&gt=
=3B he's intending to declare to the empire that it <br>&gt=3B is ruled on =
account of 'utlh-dude's sword.<br><br>Yep=2C now that I reread that section=
=2C that's absolutely what he seems to be saying. I'll change it right now=
=2C to wanI' Dun.<br><br>jIH:<br>&gt=3B SKI: 'avtanDIl and tIna'tIn talk a =
little=2C<br><br>Qov:<br>&gt=3B loQ -- LOL<br><br>{{:P<br><br>jIH:<br>&gt=
=3B then 'avtanDIl goes emo for a while before going <br>&gt=3B to roStevan=
 to tell him what he's off to do.<br><br>Qov:<br>&gt=3B The communications =
among the management of this <br>&gt=3B kingdom is seriously more touchy-fe=
ely than in my <br>&gt=3B company with is aboriginal female owned.  I think=
 it's very sweet.<br><br>jIH je. I'm a bit of a romantic at heart so I kind=
 of like the whole tIqwIj-Sa'angnISchu' everyone in this story seems to hav=
e going on.<br><br>tugh nargh 'ay' chu'. yIloS!<br><br>QeS<br></div> 		 	  =
 		  </div></body>
</html>=

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