[48312] in linux-announce channel archive
Take advantage of Nutrisystem's BOGO sales and live the life you want
daemon@ATHENA.MIT.EDU (Nutrisystem Affiliate)
Fri Apr 18 11:24:29 2025
Date: Fri, 18 Apr 2025 10:23:56 -0500
From: "Nutrisystem Affiliate" <NutrisystemAffiliate@savbrain.ru.com>
Reply-To: "Nutrisystem Partner" <NutrisystemPartner@savbrain.ru.com>
To: <linuxch-announce.discuss@charon.mit.edu>
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Take advantage of Nutrisystem's BOGO sales and live the life you want
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te period (c.?1500 until his death). According to Stefan Fischer, thirteen of Bosch's surviving paintings were completed in the late period, with seven attributed to his middle period. Bosch's early period is studied in terms of his workshop activity and possibly some of his drawings. Indeed, he taught pupils in the workshop, who were influenced by him. The recent dendrochronological investigation of the oak panels by the scientists at the Bosch Research and Conservation Project led to a more precise dating of the majority of Bosch's paintings.
Bosch sometimes painted in a comparatively sketchy manner, contrasting with the traditional Early Netherlandish style of painting in which the smooth surface—achieved by the application of multiple transparent glazes—conceals the brushwork. His paintings with their rough surfaces, so-called impasto painting, differed from the tradition of the great Netherlandish painters of the end of the 15th and the beginning of the 16th centuries, who wished to hide the work done and thus suggest their paintings as more nearly divine creations.
Bosch did not date his paintings, but—unusually for the time—seems to have signed several of them, although some signatures purporting to be his are certainly not. About twenty-five paintings remain today that can be attributed to him. In the late 16th century, Philip II of Spain acquire
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<div style="color:#FFFFFF;font-size:8px;">te period (c. 1500 until his death). According to Stefan Fischer, thirteen of Bosch's surviving paintings were completed in the late period, with seven attributed to his middle period. Bosch's early period is studied in terms of his workshop activity and possibly some of his drawings. Indeed, he taught pupils in the workshop, who were influenced by him. The recent dendrochronological investigation of the oak panels by the scientists at the Bosch Research and Conservation Project led to a more precise dating of the majority of Bosch's paintings. Bosch sometimes painted in a comparatively sketchy manner, contrasting with the traditional Early Netherlandish style of painting in which the smooth surface—achieved by the application of multiple transparent glazes—conceals the brushwork. His paintings with their rough surfaces, so-called impasto painting, differed from the tradition of the great Netherlandish painters of the end of the 15th and the beginning of the 16th centuries, who wished to hide the work done and thus suggest their paintings as more nearly divine creations. Bosch did not date his paintings, but—unusually for the time—seems to have signed several of them, although some signatures purporting to be his are certainly not. About twenty-five paintings remain today that can be attributed to him. In the late 16th century, Philip II of Spain acquire</div>
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