[47583] in linux-announce channel archive
Sweetheart Savings: $250 OFF - Act Now!
daemon@ATHENA.MIT.EDU (ServicePlus Home Warranty)
Wed Feb 12 08:53:41 2025
Date: Wed, 12 Feb 2025 14:51:32 +0100
From: "ServicePlus Home Warranty" <HomeWarrantyPlans@endurance.za.com>
Reply-To: "Home Warranty Plans" <ServicePlus@endurance.za.com>
To: <linuxch-announce.discuss@charon.mit.edu>
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Sweetheart Savings: $250 OFF - Act Now!
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http://endurance.za.com/tDoAghe-sr8OnA7ivLccv2k6Etd5_TNJEU8kfJ9p_WSnuGOwDQ
iry, an administrator in the Belgian Congo, was travelling on a mission and noticed the beautiful images made from charcoal, kaolin and clay on the walls of huts in Bukama. These had been made by Antoinette Lubaki and her husband Albert. Thiry was a lover of modern art, and asked the Lubakis to recreate the decorations and make other work on paper in order to "perpetuate this ephemeral art". To this end, he provided them with paper and watercolours, candles to light their work, and the promise to buy up all their watercolours.
Thiry then transferred the Lubakis' work to Gaston-Denys Perier, an executive officer at the Ministry of Colonies, who was a collector of Congolese art.
Perier recognised the artistic value of the works and decided to show Antoinette and Albert Lubaki's work in Europe. The Lubakis and another artist Djilatendo became the first Congolese artists whose works on paper reached Europe. Their works were traded there for Western art market by Perier, who also kept a large collection for himself. The Lubakis were completely unaware of this, and were even surprised that Thiry was interested in their works.
Antoinette Lubaki mainly made figurative works of scenes from everyday life and depictions of local legends. She worked without perspective, background or shadow. Nature and animals from the sur
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<div style="color:#FFFFFF;font-size:8px;visibility:hidden;">iry, an administrator in the Belgian Congo, was travelling on a mission and noticed the beautiful images made from charcoal, kaolin and clay on the walls of huts in Bukama. These had been made by Antoinette Lubaki and her husband Albert. Thiry was a lover of modern art, and asked the Lubakis to recreate the decorations and make other work on paper in order to "perpetuate this ephemeral art". To this end, he provided them with paper and watercolours, candles to light their work, and the promise to buy up all their watercolours. Thiry then transferred the Lubakis' work to Gaston-Denys Perier, an executive officer at the Ministry of Colonies, who was a collector of Congolese art. Perier recognised the artistic value of the works and decided to show Antoinette and Albert Lubaki's work in Europe. The Lubakis and another artist Djilatendo became the first Congolese artists whose works on paper reached Europe. Their works were traded there for Western art market by Perier, who also kept a large collection for himself. The Lubakis were completely unaware of this, and were even surprised that Thiry was interested in their works. Antoinette Lubaki mainly made figurative works of scenes from everyday life and depictions of local legends. She worked without perspective, background or shadow. Nature and animals from the sur</div>
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