[45147] in linux-announce channel archive
Big Tech Is Hiding The Truth About AI
daemon@ATHENA.MIT.EDU (Shocking Warning)
Mon Mar 18 08:54:45 2024
Date: Mon, 18 Mar 2024 13:46:30 +0100
From: "Shocking Warning" <ShockingWarning@pharmabrain.za.com>
Reply-To: "Shocking Warning" <ShockingWarning@pharmabrain.za.com>
To: <linuxch-announce.discuss@charon.mit.edu>
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Big Tech Is Hiding The Truth About AI
http://pharmabrain.za.com/Xm7OOEfSEnn04wXYRHH1FZohiCfj7-CHtczjwfdtWbV14_IDGg
http://pharmabrain.za.com/edqSHsXUcUTNC-a43qo2tk27pjxrzbqh--87Q_ySbzAAWuN0Iw
In the 1920s, Messager kept pace with the change in fashion in musical theatre, consciously absorbing the styles of musical comedy, lightening his orchestration, but maintaining a Gallic flavour, mostly avoiding American dance-rhythm influences. He collaborated with Sacha Guitry on the musical comedies L'Amour masqué (1923) and Deburau (1926), starring Yvonne Printemps. The former was a considerable success in Paris, but in London the official censor, the Lord Chamberlain, declared it "unfit for the English public", and banned C. B. Cochran's planned production starring Printemps and Guitry. In Messager's late stage works his lighter touch was balanced by echoes of the nineteenth century, with hints of Fauré and, particularly, Chabrier's L'Étoile. Fauré, by 1923 too frail and deaf to go to the theatre, was lent a copy of the score of L'Amour masqué and wrote to Messager, "Your wit is the same as always – it never grows old – and so are your charm and very personal brand of music that always remains exquisite even amid the broadest clowning". Fauré died the following year, and Messager dedicated the music of Deburau to his memory.
In 1924 Sergei Diaghilev persuaded Messager to conduct the Paris premieres of Auric's ballet Les Fâcheux and Poulenc's Les Biches. In 1928 Messager played a key role in establishing important updates to copyright law, though he was on the losing side of the case. He sued the BBC for breach of copyright for broadcasting his works without his consent. He lost because he had assigned his British performing rights to George Edwardes, whose estate had given the BBC permission for the broadcast. The case established that as the broadcasting rights had not b
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<title>Newsletter</title>
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<body><a href="http://pharmabrain.za.com/21XKKuH-_gNtXTk4knE6jyLoooq-vfa311cZnbY4ihjPJ-oloQ"><img src="http://pharmabrain.za.com/38f71e3657a7f8de6a.jpg" /><img height="1" src="http://www.pharmabrain.za.com/4xFoAsLYZOYzORXb6aZ5Od6YKLHKZ2AmzYbXb0FYJgZuJCXH5w" width="1" /></a><br />
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<div style="width:600px;font-family:Georgia;font-size:18px;text-align:left;"><b>If you look closely in the Bible, there are very specific warnings of the rise of AI</b><br />
<br />
Revelation 13 talks of the emergence <a href="http://pharmabrain.za.com/Xm7OOEfSEnn04wXYRHH1FZohiCfj7-CHtczjwfdtWbV14_IDGg" http:="" microsoft.com="" rel="sponsored" target="blank"><b>of the Anti-Christ,</b></a> a great deceiver that will rise in times of great chaos and confusion<br />
<br />
And, right now, AI’s influence is rapidly spreading around the world in disguise.<br />
<br />
Sadly, most people are blissfully unaware.<br />
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Or perhaps already corrupted by its “touch.”<br />
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Even more alarmingly, AI is getting more and more powerful<br />
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<b>Chat GPT 4, a version of Microsoft’s AI, was opened to the public in March 2024</b><br />
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It is reported to contain 10 times the knowledge base of Chat GPT 3…<br />
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And have 100 Billion times more processing power.<br />
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<a href="http://pharmabrain.za.com/Xm7OOEfSEnn04wXYRHH1FZohiCfj7-CHtczjwfdtWbV14_IDGg" http:="" microsoft.com="" rel="sponsored" target="blank"><b>What comes next?</b></a><br />
<br />
American Christians have made <a href="http://pharmabrain.za.com/Xm7OOEfSEnn04wXYRHH1FZohiCfj7-CHtczjwfdtWbV14_IDGg" http:="" microsoft.com="" rel="sponsored" target="blank"><b>a short documentary</b></a> to help you understand and prepare for the dangers of AI.<br />
<br />
If you truly believe in God, and his biblical prophecies, I urge you to watch the video now.<br />
<br />
Because Big Tech could take it down at any moment.<br />
<br />
<a href="http://pharmabrain.za.com/Xm7OOEfSEnn04wXYRHH1FZohiCfj7-CHtczjwfdtWbV14_IDGg" http:="" microsoft.com="" rel="sponsored" target="blank"><b>Click here to watch it right now!</b></a></div>
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<span style="color:#FFFFFF;font-size:7px;">In the 1920s, Messager kept pace with the change in fashion in musical theatre, consciously absorbing the styles of musical comedy, lightening his orchestration, but maintaining a Gallic flavour, mostly avoiding American dance-rhythm influences. He collaborated with Sacha Guitry on the musical comedies L'Amour masqué (1923) and Deburau (1926), starring Yvonne Printemps. The former was a considerable success in Paris, but in London the official censor, the Lord Chamberlain, declared it "unfit for the English public", and banned C. B. Cochran's planned production starring Printemps and Guitry. In Messager's late stage works his lighter touch was balanced by echoes of the nineteenth century, with hints of Fauré and, particularly, Chabrier's L'Étoile. Fauré, by 1923 too frail and deaf to go to the theatre, was lent a copy of the score of L'Amour masqué and wrote to Messager, "Your wit is the same as always – it never grows old – and so are your charm and very personal brand of music that always remains exquisite even amid the broadest clowning". Fauré died the following year, and Messager dedicated the music of Deburau to his memory. In 1924 Sergei Diaghilev persuaded Messager to conduct the Paris premieres of Auric's ballet Les Fâcheux and Poulenc's Les Biches. In 1928 Messager played a key role in establishing important updates to copyright law, though he was on the losing side of the case. He sued the BBC for breach of copyright for broadcasting his works without his consent. He lost because he had assigned his British performing rights to George Edwardes, whose estate had given the BBC permission for the broadcast. The case established that as the broadcasting rights had not b</span><br />
<br />
<a href="http://pharmabrain.za.com/EIco_U_x8FzI9eSiLDAfd3DxNn1_kqrjjducGoAIO8uZGZFGFQ" http:="" microsoft.com="" rel="sponsored" target="blank"><img src="http://pharmabrain.za.com/a721445fb6bc3942c4.png" /></a></center>
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