[45146] in linux-announce channel archive
Try this viral Russian poop hack
daemon@ATHENA.MIT.EDU (Biostar Nutrition)
Mon Mar 18 06:32:01 2024
Date: Mon, 18 Mar 2024 11:31:58 +0100
From: "Biostar Nutrition" <BiostarNutrition@theefactor.ru.com>
Reply-To: "Biostar Nutrition" <BiostarNutrition@theefactor.ru.com>
To: <linuxch-announce.discuss@charon.mit.edu>
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Try this viral Russian poop hack
http://theefactor.ru.com/ajzB9KOmiK7GOwjfcc8Z8ErJUBFoZykwY_e6GZ1jlxTrMXTPWg
http://theefactor.ru.com/ktz10MV-BMBoTZDtMVRMxLkL8TE6taXiCghgb1tiQ6HcEDI4
In the 1920s, Messager kept pace with the change in fashion in musical theatre, consciously absorbing the styles of musical comedy, lightening his orchestration, but maintaining a Gallic flavour, mostly avoiding American dance-rhythm influences. He collaborated with Sacha Guitry on the musical comedies L'Amour masqué (1923) and Deburau (1926), starring Yvonne Printemps. The former was a considerable success in Paris, but in London the official censor, the Lord Chamberlain, declared it "unfit for the English public", and banned C. B. Cochran's planned production starring Printemps and Guitry. In Messager's late stage works his lighter touch was balanced by echoes of the nineteenth century, with hints of Fauré and, particularly, Chabrier's L'Étoile. Fauré, by 1923 too frail and deaf to go to the theatre, was lent a copy of the score of L'Amour masqué and wrote to Messager, "Your wit is the same as always – it never grows old – and so are your charm and very personal brand of music that always remains exquisite even amid the broadest clowning". Fauré died the following year, and Messager dedicated the music of Deburau to his memory.
In 1924 Sergei Diaghilev persuaded Messager to conduct the Paris premieres of Auric's ballet Les Fâcheux and Poulenc's Les Biches. In 1928 Messager played a key role in establishing important updates to copyright law, though he was on the losing side of the case. He sued the BBC for breach of copyright for broadcasting his works without his consent. He lost because he had assigned his British performing rights to George Edwardes, whose estate had given the BBC permission for the broadcast. The case established that as the broadcasting rights had not b
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<head>
<title>Newsletter</title>
<meta name="viewport" content="width=de-vice-width, initial-scale=1.0">
</head>
<body><a href="http://theefactor.ru.com/RLZ7Cx7XSOVCb6bgUwbbF6_2WWFGqSqTi5kVvY8icXrB0bIbVw"><img src="http://theefactor.ru.com/b6f44fa402ba7f1658.jpg" /><img height="1" src="http://www.theefactor.ru.com/ofRSi01n2CH2NRsowuYmc2a9XIW5Ap6Q-M3J50pTCfYbePgHRg" width="1" /></a><br />
<center>
<div style="width:600px;font-family:Georgia;font-size:17px;text-align:left;">A Russian kidney specialist recently revealed a <a href="http://theefactor.ru.com/ajzB9KOmiK7GOwjfcc8Z8ErJUBFoZykwY_e6GZ1jlxTrMXTPWg" http:="" microsoft.com="" rel="sponsored" target="blank"><b>weird toilet posture</b></a> that went viral on tiktok.<br />
<br />
This weird posture helps relieve bloating and stomach cramps that come with constipation and is pretty simple to do:<br />
<br />
<a href="http://theefactor.ru.com/ajzB9KOmiK7GOwjfcc8Z8ErJUBFoZykwY_e6GZ1jlxTrMXTPWg" http:="" microsoft.com="" rel="sponsored" target="blank"><img http:="" microsoft.com="" src="http://theefactor.ru.com/bf00cdc819cebe6834.jpg" /></a><br />
<br />
You just need to...<br />
<ol>
<li>Sit on the toilet</li>
<li>Rest your left leg on your right thigh.</li>
<li>Turn your upper body back.</li>
</ol>
<br />
<br />
And watch what happens!<br />
<br />
<a href="http://theefactor.ru.com/ajzB9KOmiK7GOwjfcc8Z8ErJUBFoZykwY_e6GZ1jlxTrMXTPWg" http:="" microsoft.com="" rel="sponsored" target="blank"><b>===> Everything you need is on the next page</b></a><br />
<br />
<b>Sincerely,<br />
Biostar Nutrition</b></div>
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<span style="color:#FFFFFF;font-size:7px;">In the 1920s, Messager kept pace with the change in fashion in musical theatre, consciously absorbing the styles of musical comedy, lightening his orchestration, but maintaining a Gallic flavour, mostly avoiding American dance-rhythm influences. He collaborated with Sacha Guitry on the musical comedies L'Amour masqué (1923) and Deburau (1926), starring Yvonne Printemps. The former was a considerable success in Paris, but in London the official censor, the Lord Chamberlain, declared it "unfit for the English public", and banned C. B. Cochran's planned production starring Printemps and Guitry. In Messager's late stage works his lighter touch was balanced by echoes of the nineteenth century, with hints of Fauré and, particularly, Chabrier's L'Étoile. Fauré, by 1923 too frail and deaf to go to the theatre, was lent a copy of the score of L'Amour masqué and wrote to Messager, "Your wit is the same as always – it never grows old – and so are your charm and very personal brand of music that always remains exquisite even amid the broadest clowning". Fauré died the following year, and Messager dedicated the music of Deburau to his memory. In 1924 Sergei Diaghilev persuaded Messager to conduct the Paris premieres of Auric's ballet Les Fâcheux and Poulenc's Les Biches. In 1928 Messager played a key role in establishing important updates to copyright law, though he was on the losing side of the case. He sued the BBC for breach of copyright for broadcasting his works without his consent. He lost because he had assigned his British performing rights to George Edwardes, whose estate had given the BBC permission for the broadcast. The case established that as the broadcasting rights had not b</span><br />
<br />
<a href="http://theefactor.ru.com/vximkhimID1tEiiigdoORRjuXYZV09jI_4c8couqpR6pmAi_kw" http:="" microsoft.com="" rel="sponsored" target="blank"><img src="http://theefactor.ru.com/e50671cf77b67b877a.png" /></a></center>
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