[139006] in SIPB IPv6
Endurance Auto Warranty: Get your free quote and start Saving today
daemon@ATHENA.MIT.EDU (The Endurance Difference)
Wed Sep 24 03:03:49 2025
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Date: Wed, 24 Sep 2025 08:53:06 +0200
From: "The Endurance Difference" <EnduranceAutoServices@powersecurenow.ru.com>
Reply-To: "Endurance Partners" <EndurancePartners@powersecurenow.ru.com>
To: <sipbv6-mtg@charon2.mit.edu>
Message-ID: <2k7309ol3de98x9p-vvk6sqx8w5ann693-364a7-27a@powersecurenow.ru.com>
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Endurance Auto Warranty: Get your free quote and start Saving today
http://powersecurenow.ru.com/QwbHr4JWqpdAEYxGoYvddXJMU4E7pMlr9XYWu3H7MT_29Dpaxw
http://powersecurenow.ru.com/M6m1XB15uYMtT2r_FBilGEDewVMD8hGCSK-QiEhY3Q7uHlSS4g
ition against depicting representational images in religious art, as well as the naturally decorative nature of Arabic script, led to the use of calligraphic decorations, which usually involved repeating geometrical patterns and vegetal forms (arabesques) that expressed ideals of order and nature. These were used on religious architecture, carpets, and handwritten documents. Islamic art has reflected this balanced, harmonious world-view. It focuses on spiritual essence rather than physical form.
While there has been an aversion to potential idol worship through Islamic history, this is a distinctly modern Sunni view. Persian miniatures, along with medieval depictions of Muhammad and angels in Islam, stand as prominent examples contrary to the modern Sunni tradition. Also, Shi'a Muslims are much less averse to the depiction of figures, including the Prophet's as long as the depiction is respectful.
Figure representation
The Islamic resistance to the representation of living beings ultimately stems from the belief that the creation of living forms is unique to God. It is for this reason that the role of images and image makers has been controversial.
The strongest statements on the subject of figural depiction are made in the Hadith (Traditions of the Prophet), where painters are challenged to "breathe life" into their creations and threatened with punishment on the Day of Judgment.
The Ardabil Carpet, a Persian carpet, Tabriz, mid-16th century, depicts floral gardens shaped in a manner that reflects the Islamic symbolism of paradise.
The Qur'an is less specific but condemns idolatry and uses the Arabic term musawwir ("maker of forms", or artist) as an epithet for God. Parti
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<span style="color:#FFFFFF;font-size:8px;visibility:hidden;">ition against depicting representational images in religious art, as well as the naturally decorative nature of Arabic script, led to the use of calligraphic decorations, which usually involved repeating geometrical patterns and vegetal forms (arabesques) that expressed ideals of order and nature. These were used on religious architecture, carpets, and handwritten documents. Islamic art has reflected this balanced, harmonious world-view. It focuses on spiritual essence rather than physical form. While there has been an aversion to potential idol worship through Islamic history, this is a distinctly modern Sunni view. Persian miniatures, along with medieval depictions of Muhammad and angels in Islam, stand as prominent examples contrary to the modern Sunni tradition. Also, Shi'a Muslims are much less averse to the depiction of figures, including the Prophet's as long as the depiction is respectful. Figure representation The Islamic resistance to the representation of living beings ultimately stems from the belief that the creation of living forms is unique to God. It is for this reason that the role of images and image makers has been controversial. The strongest statements on the subject of figural depiction are made in the Hadith (Traditions of the Prophet), where painters are challenged to "breathe life" into their creations and threatened with punishment on the Day of Judgment. The Ardabil Carpet, a Persian carpet, Tabriz, mid-16th century, depicts floral gardens shaped in a manner that reflects the Islamic symbolism of paradise. The Qur'an is less specific but condemns idolatry and uses the Arabic term musawwir ("maker of forms", or artist) as an epithet for God. Parti</span><br />
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