[137074] in SIPB IPv6
Congrats ! You have won a Kobalt Tool set
daemon@ATHENA.MIT.EDU (Congratulations)
Sun Apr 13 01:04:51 2025
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Date: Sun, 13 Apr 2025 07:04:48 +0200
From: "Congratulations" <CustomerOffers@medigarden.best>
Reply-To: "Congratulations" <Congratulations@medigarden.best>
To: <sipbv6-mtg@charon2.mit.edu>
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Congrats ! You have won a Kobalt Tool set
http://medigarden.best/qTBD_9BcwLW51_WUhOL1NGEHynDtHbWnuBKeumH5Ga7i8vi-xA
http://medigarden.best/atFt6PMlA7MuYxUm8nf6SGmBlqN_0Tns0umTxf3wNSwXfrGpAw
enerally speculative in nature but inspired by climate science, works of climate fiction may take place in the world as we know it, in the near future, or in fictional worlds experiencing climate change. The genre frequently includes science fiction and dystopian or utopian themes, imagining potential futures based on research about the impacts of climate change and speculations about how humans may respond to these and the problem of climate change. Climate fiction typically involves anthropogenic climate change and other environmental issues as opposed to weather and disaster more generally. Technologies such as climate engineering or climate adaptation practices often feature prominently in works exploring their impacts on society.
The term "cli-fi" is generally credited to freelance news reporter and climate activist Dan Bloom, who coined it in either 2007 or 2008. References to "climate fiction" appear to have begun in the 2010s, although the term has also been retroactively applied to a number of works. Pioneering 20th century authors of climate fiction include J. G. Ballard and Octavia E. Butler, while dystopian fiction from Margaret Atwood is often cited as an immediate precursor to the genre's emergence. Since 2010, prominent cli-fi authors include Kim Stanley Robinson, Richard Powers, Paolo Bacigalupi, and Barbara Kingsolver. The publication of Robinson's The Ministry for the Future in 2020 helped cement the genre's emergence; the work generated presidential and United Nations mentions and an invitation for Robinson to meet planners at the Pentagon.
University courses on literature and environmental issues may include climate change fiction in their syllabi. This bod
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<div style="color:#FFFFFF;font-size:8px;">enerally speculative in nature but inspired by climate science, works of climate fiction may take place in the world as we know it, in the near future, or in fictional worlds experiencing climate change. The genre frequently includes science fiction and dystopian or utopian themes, imagining potential futures based on research about the impacts of climate change and speculations about how humans may respond to these and the problem of climate change. Climate fiction typically involves anthropogenic climate change and other environmental issues as opposed to weather and disaster more generally. Technologies such as climate engineering or climate adaptation practices often feature prominently in works exploring their impacts on society. The term "cli-fi" is generally credited to freelance news reporter and climate activist Dan Bloom, who coined it in either 2007 or 2008. References to "climate fiction" appear to have begun in the 2010s, although the term has also been retroactively applied to a number of works. Pioneering 20th century authors of climate fiction include J. G. Ballard and Octavia E. Butler, while dystopian fiction from Margaret Atwood is often cited as an immediate precursor to the genre's emergence. Since 2010, prominent cli-fi authors include Kim Stanley Robinson, Richard Powers, Paolo Bacigalupi, and Barbara Kingsolver. The publication of Robinson's The Ministry for the Future in 2020 helped cement the genre's emergence; the work generated presidential and United Nations mentions and an invitation for Robinson to meet planners at the Pentagon. University courses on literature and environmental issues may include climate change fiction in their syllabi. This bod</div>
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