[136887] in SIPB IPv6
Keep your memories protected
daemon@ATHENA.MIT.EDU (The PhotoStick Omni)
Mon Mar 24 05:44:06 2025
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Date: Mon, 24 Mar 2025 10:41:43 +0100
From: "The PhotoStick Omni" <ThePhotoStickOmni@revaslim.best>
Reply-To: "PhotoStick" <PhotoStorage@revaslim.best>
To: <sipbv6-mtg@charon2.mit.edu>
Message-ID: <qwiws8hzd0dbejpy-y4cn9f3v1kn4rgva-2c395-56fef@revaslim.best>
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Keep your memories protected
http://revaslim.best/2pQ1Vjo_khha_gLzeUrdJz_RgPH3caW2ZmrcsK9gZT1p1-w05w
http://revaslim.best/6xt5GxCWMkF5SotsaDg-a_ABV_IGUldJcNoKb5xCFSaGo7W5zg
uction of decimal coinage in 1971. The coin mechanisms were difficult to convert, and many machines were subsequently destroyed. Some were exported to Denmark where pornography had recently been legalised. The typical arcade installation included multiple machines offering a mixture of fare. Both in the early days and during the revival, that mixture usually included "girlie" reels which ran the gamut from risqué to outright soft-core pornography. It was common for these reels to have suggestive titles that implied more than the reel actually delivered. The title of one such reel, What the Butler Saw, became a by-word, and Mutoscopes are commonly known in the UK as "What-the-Butler-Saw machines." (What the butler saw, presumably through a keyhole, was a woman partially disrobing.)
Public response
The San Francisco Call printed a short piece about the Mutoscope in 1898, which claimed that the device was extremely popular: "Twenty machines, all different and amusing views...are crowded day and night with sightseers." However, just a few months later, the same newspaper published an editorial railing against the Mutoscope and similar machines: "...a new instrument has been placed in the hands of the vicious for the corruption of youth...These vicious exhibitions are displayed in San Francisco with an effrontery that is as audacious as it is shameless."
In 1899, The Times also printed a letter inveighing against "vicious demoralising picture shows in the penny-in-the-slot machines. It is hardly possible to exaggerate the corruption of the young that comes from exhibiting under a strong light, nude female figures represented as living and moving, goi
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<div style="color:#FFFFFF;line-height:7px;">uction of decimal coinage in 1971. The coin mechanisms were difficult to convert, and many machines were subsequently destroyed. Some were exported to Denmark where pornography had recently been legalised. The typical arcade installation included multiple machines offering a mixture of fare. Both in the early days and during the revival, that mixture usually included "girlie" reels which ran the gamut from risqué to outright soft-core pornography. It was common for these reels to have suggestive titles that implied more than the reel actually delivered. The title of one such reel, What the Butler Saw, became a by-word, and Mutoscopes are commonly known in the UK as "What-the-Butler-Saw machines." (What the butler saw, presumably through a keyhole, was a woman partially disrobing.) Public response The San Francisco Call printed a short piece about the Mutoscope in 1898, which claimed that the device was extremely popular: "Twenty machines, all different and amusing views...are crowded day and night with sightseers." However, just a few months later, the same newspaper published an editorial railing against the Mutoscope and similar machines: "...a new instrument has been placed in the hands of the vicious for the corruption of youth...These vicious exhibitions are displayed in San Francisco with an effrontery that is as audacious as it is shameless." In 1899, The Times also printed a letter inveighing against "vicious demoralising picture shows in the penny-in-the-slot machines. It is hardly possible to exaggerate the corruption of the young that comes from exhibiting under a strong light, nude female figures represented as living and moving, goi</div>
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