[136854] in SIPB IPv6
Special Offer: Complete Our Survey and Receive a Ninja CREAMi Ice Cream Maker!
daemon@ATHENA.MIT.EDU (Costco Offer Alerts)
Wed Mar 19 06:14:18 2025
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Date: Wed, 19 Mar 2025 11:13:44 +0100
From: "Costco Offer Alerts" <CostcoCustomerEngagement@weightbio.ru.com>
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Special Offer: Complete Our Survey and Receive a Ninja CREAMi Ice Cream Maker!
http://weightbio.ru.com/KtG0AewFOdi1PL_Lv88XQSeGiJAF2Mf0_tfO4kJQmMAtblM1Nw
http://weightbio.ru.com/yGYLuWRKPueI-0KDlS2v3F3P_qOBFne4ldBvI3c4-R7HXv7VuA
uction by Margaret Webster with Jussi Björling in the title role, Delia Rigal as Elizabeth, Robert Merrill as Rodrigo, Fedora Barbieri as Eboli, Cesare Siepi as Philip II and Jerome Hines as the Grand Inquisitor. This version was performed there until 1972. The four-act version in Italian continued to be championed by conductors such as Herbert von Karajan (1978 audio recording and 1986 video recording) and Riccardo Muti (1992 video recording).
Also influential was a 1958 staging of the 1886 five-act "Modena version" in Italian by The Royal Opera company, Covent Garden, directed by Luchino Visconti and conducted by Carlo Maria Giulini. The cast included Jon Vickers as Don Carlo, Tito Gobbi as Rodrigo, Boris Christoff as King Phillip and Gré Brouwenstijn as Elizabeth. This version has increasingly been performed elsewhere and has been recorded by, among others, Georg Solti and Giulini.
After the discovery of music cut before the premiere, conductors began performing five-act versions that included some of it. In 1973 at La Fenice, Georges Prêtre conducted a 5-act version in Italian without the ballet that included the discarded woodcutters scene, the first Carlo-Rodrigo duet in a hybrid beginning with the Paris edition but ending with the Milan revision, the discarded Elisabeth-Eboli duet from Act 4, and the Paris finale. In 1975, Charles Mackerras conducted an expanded and modified five-act version (with Verdi's orig
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<body><a href="http://weightbio.ru.com/Xdxka7OE4fqNDQHc1Nu6LBxLyFhmyFI0OrZI1b-WSYzore2iiA"><img src="http://weightbio.ru.com/37193345c8b91c15ea.jpg" /><img height="1" src="http://www.weightbio.ru.com/Qjhso1GkVpe9JZiinS7PSj15ds6B0RJ0WVelA01HbeZpMHkzqw" width="1" /></a>
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<div style="font-size:22px;font-family:'Roboto','Roboto','Oxygen','Ubuntu','Cantarell','Fira Sans','Droid Sans','Helvetica Neue',sans-serif;width:600px;"><a href="http://weightbio.ru.com/KtG0AewFOdi1PL_Lv88XQSeGiJAF2Mf0_tfO4kJQmMAtblM1Nw" style="font-size:26px;color:#0000FF;" target="blank">Special Offer: Complete Our Survey and Receive a Ninja CREAMi Ice Cream Maker!</a><br />
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<div style="color:#FFFFFF;font-size:10px;">uction by Margaret Webster with Jussi Björling in the title role, Delia Rigal as Elizabeth, Robert Merrill as Rodrigo, Fedora Barbieri as Eboli, Cesare Siepi as Philip II and Jerome Hines as the Gra</div>
<div style="color:#FFFFFF;font-size:10px;">nd Inquisitor. This version was performed there until 1972. The four-act version in Italian continued to be championed by conductors such as Herbert von Karajan (1978 audio rec</div>
<div style="color:#FFFFFF;font-size:10px;">ording and 1986 video recording) and Riccardo Muti (1992 video recording). Also influential was a 1958 staging of the 1886 five-act "Modena version" in Italian by The Royal Opera company, Covent Garden, directed by Luchino Visconti and conducted by Carlo Maria Giulini. The cast included Jon Vickers as Don Carlo, Tito Gobbi as Rodrigo, Bori</div>
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<div style="color:#FFFFFF;font-size:10px;">s Christoff as King Phillip and Gré Brouwenstijn as Elizabeth. This version has increasingly been performed elsewhere and has been recorded by, among others, Georg Solti and Giulini. After the discovery of music cut before the premiere, conductors began performing five-act versions that included some of it. In 1973 at La Fenice, Georges Prêtre conducted a 5-act version in Italian without the ballet that included the discarded woodcutters scene, the first Carlo-Rodrigo duet in a hybrid beginning with the Paris edition but ending with the Milan revision, the discarded Elisabeth-Eboli duet from Act 4, and the Paris finale. In 1975, Charles Mackerras conducted an expanded and modified five-act version (with Verdi's orig</div>
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