[136363] in SIPB IPv6
Carving poultry struggles?
daemon@ATHENA.MIT.EDU (Knife)
Thu Jan 2 08:13:31 2025
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Date: Thu, 2 Jan 2025 13:56:49 +0100
From: "Knife" <ChefsKnife@ultimategenerate.ru.com>
Reply-To: "Japanese Knife" <Knife@ultimategenerate.ru.com>
To: <sipbv6-mtg@charon2.mit.edu>
Message-ID: <tv2mhd5rm8e5dlz5-0pwg4wf59d6egqfa-274fe-4b03c@ultimategenerate.ru.com>
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Carving poultry struggles?
http://ultimategenerate.ru.com/UvrVW_cHoCPxAASwiCx8jO3S4rfklLHsTgKzi2O-ntWLtO0p1A
http://ultimategenerate.ru.com/Q7vKWR1-GnSsojMcokQGOyRKo6OQsQblyoAjg2qvwRUTENmnwg
ding on the popularity of fables and fairy tales, children's literature began to emerge in the nineteenth century with works such as Alice's Adventures in Wonderland (1865) by Lewis Carroll, The Adventures of Pinocchio (1883) by Carlo Collodi and The Jungle Book (1894) by Rudyard Kipling, all employing anthropomorphic elements. This continued in the twentieth century with many of the most popular titles having anthropomorphic characters, examples being The Tale of Peter Rabbit (1901) and later books by Beatrix Potter; The Wind in the Willows by Kenneth Grahame (1908); Winnie-the-Pooh (1926) and The House at Pooh Corner (1928) by A. A. Milne; and The Lion, the Witch, and the Wardrobe (1950) and the subsequent books in The Chronicles of Narnia series by C. S. Lewis.
In many of these stories the animals can be seen as representing facets of human personality and character. As John Rowe Townsend remarks, discussing The Jungle Book in which the boy Mowgli must rely on his new friends the bear Baloo and the black panther Bagheera, "The world of the jungle is in fact both itself and our world as well". A notable work aimed at an adult audience is George Orwell's Animal Farm, in which all the main characters are anthropomorphic animals. Non-animal examples include Rev. W. Awdry's Railway Series stories featuring Thomas the Tank Engine and other anthropomorphic locomotives.
The fantasy genre developed from mythological, fairy tale, and Romance motifs sometimes have anthropomor
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<div style="color:#ffffff; font-size:10px;">ding on the popularity of fables and fairy tales, children's literature began to emerge in the nineteenth century with works such as Alice's Adventures in Wonderland (1865) by Lewis Carroll, The Adventures of Pinocchio (1883) by Carlo Collodi and The Jungle Book (1894) by Rudyard Kipling, all employing anthropomorphic elements. This continued in the twentieth century with many of the most popular titles having anthropomorphic characters, examples being The Tale of Peter Rabbit (1901) and later books by Beatrix Potter; The Wind in the Willows by Kenneth Grahame (1908); Winnie-the-Pooh (1926) and The House at Pooh Corner (1928) by A. A. Milne; and The Lion, the Witch, and the Wardrobe (1950) and the subsequent books in The Chronicles of Narnia series by C. S. Lewis. In many of these stories the animals can be seen as representing facets of human personality and character. As John Rowe Townsend remarks, discussing The Jungle Book in which the boy Mowgli must rely on his new friends the bear Baloo and the black panther Bagheera, "The world of the jungle is in fact both itself and our world as well". A notable work aimed at an adult audience is George Orwell's Animal Farm, in which all the main characters are anthropomorphic animals. Non-animal examples include Rev. W. Awdry's Railway Series stories featuring Thomas the Tank Engine and other anthropomorphic locomotives. The fantasy genre developed from mythological, fairy tale, and Romance motifs sometimes have anthropomor</div>
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