[136346] in SIPB IPv6
ED: When You Just Can't Get It Up, Do This for an Instant Hard On!
daemon@ATHENA.MIT.EDU (Jacquelyn)
Sat Dec 28 08:19:44 2024
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Date: Sat, 28 Dec 2024 13:56:40 +0100
From: "Jacquelyn" <Abigail@electrosim.click>
Reply-To: "Lois" <Jacquelyn@electrosim.click>
To: <sipbv6-mtg@charon2.mit.edu>
Message-ID: <ms39adly15okv7ja-g5373p6w5u27cusv-274fe-4b03c@electrosim.click>
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ED: When You Just Can't Get It Up, Do This for an Instant Hard On!
http://electrosim.click/qts6DFRL1G0Hhd6t01INGVXLQ31oZ0rfnL_U6sFyHQ3uXmsMwQ
http://electrosim.click/3pbHdQVrgaXKdgPM8WxFCc04M-uSgqNmvZYWoxc5z6QJdCXNiw
rian Jones, in his article "The Sword that Never Fell", notes that "the further removed in time the writer is from the incident, the more graphically it is recalled." Leslie Baily, for instance, told it this way in 1952:
A day or so later Gilbert was striding up and down his library in the new house at Harrington Gardens, fuming at the impasse, when a huge Japanese sword decorating the wall fell with a clatter to the floor. Gilbert picked it up. His perambulations stopped. 'It suggested the broad idea,' as he said later. His journalistic mind, always quick to seize on topicalities, turned to a Japanese Exhibition which had recently been opened in the neighbourhood. Gilbert had seen the little Japanese men and women from the Exhibition shuffling in their exotic robes through the streets of Knightsbridge. Now he sat at his writing desk and picked up the quill pen. He began making notes in his plot-book.
The story was dramatised in more or less this form in the 1999 film Topsy-Turvy. But although the 1885–87 Japanese exhibition in Knightsbridge had not opened when Gilbert conceived of The Mikado, European trade with Japan had increased in recent decades, and an English craze for all things Japanese had built through the 1860s and 1870s. This made the time ripe for an opera set in Japan.[n 2] Gilbert told a journalist, "I cannot give you a good reason for our ... piece being laid in Japan. It ... afforded scope for picturesque treatme
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<div style="color:#E9E9E9;font-size:8px;">rian Jones, in his article "The Sword that Never Fell", notes that "the further removed in time the writer is from the incident, the more graphically it is recalled." Leslie Baily, for instance, told it this way in 1952: A day or so later Gilbert was striding up and down his library in the new house at Harrington Gardens, fuming at the impasse, when a huge Japanese sword decorating the wall fell with a clatter to the floor. Gilbert picked it up. His perambulations stopped. 'It suggested the broad idea,' as he said later. His journalistic mind, always quick to seize on topicalities, turned to a Japanese Exhibition which had recently been opened in the neighbourhood. Gilbert had seen the little Japanese men and women from the Exhibition shuffling in their exotic robes through the streets of Knightsbridge. Now he sat at his writing desk and picked up the quill pen. He began making notes in his plot-book. The story was dramatised in more or less this form in the 1999 film Topsy-Turvy. But although the 1885–87 Japanese exhibition in Knightsbridge had not opened when Gilbert conceived of The Mikado, European trade with Japan had increased in recent decades, and an English craze for all things Japanese had built through the 1860s and 1870s. This made the time ripe for an opera set in Japan.[n 2] Gilbert told a journalist, "I cannot give you a good reason for our ... piece being laid in Japan. It ... afforded scope for picturesque treatme</div>
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