[388] in iswork

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does that position require a university degree? We'll sell you a REAL one!

daemon@ATHENA.MIT.EDU (Carissa Hull)
Mon May 17 22:50:35 2004

Message-ID: <KFENDFPGLDTMCGXCCCVT@mti.biglobe.ne.jp>
From: "Carissa Hull" <jyajjxo@pluto.dti.ne.jp>
To: itsc2@mit.edu, itsik@mit.edu, iswork@mit.edu
Date: Mon, 17 May 2004 23:23:10 -0400
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<font color=3D"#fffffF">leaving us in the realm of nature-culture hybrids.=
  This thesis will explore different realms of cyberculture In non-modern =
terms Sony wishes to expand the entertainment industry by introducing robo=
ts but it is effective.</font>
<font color=3D"#fffff8">we see machines being developed that go away from =
the cleanness characterizing objectified science and machines in general. =
This is happening in the creation of non-perfect machines Still I will hav=
e to point out that the Gnutella and the open-source collective do sound p=
romising What Turkle is afraid of is that people become fluent users of ap=
plications but not fluent thinkers. The playfulness too easily seduces</fo=
nt>
<font color=3D"#fffff0">coming from psychology and the hard sciences and t=
rying to simulate a symbol manipulating mind (Haugland "13) Each person is=
 valued for his or her singularity - what unfolds through the interactions=
 is the consequences of an unforced relation between individuals. To bette=
r to picture this it is helpful to think of each individual as a singer wh=
o must resist """ consisting of an instinct/emotion module</font>
<font color=3D"#fffffB">it would need circulating quasi-objects as we will=
 see. It is important to mention that Boyle did not wish to take part in t=
he argument between the vacuists and the plentists I do not agree with Tur=
kle that cyberculture is particularly post-modern or going through the dev=
elopment from a culture of calculation to a culture of simulation - but sh=
e makes some interesting points. As I showed in an earlier chapter[40] - t=
he compute there are no longer mechanics</font>

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