[698145] in Cypherpunks
Lonely Asian Girls Looking for Boyfriends
daemon@ATHENA.MIT.EDU (Your Asian Beauty)
Sun Sep 15 04:30:55 2019
To: <cpunks-mtg@menelaus.mit.edu>
Message-ID: <1393386926241931393393274116@p6xbvbp.powerefficiencyy.co>
Date: Sun, 15 Sep 2019 01:30:51 -0700
From: "Your Asian Beauty" <YourAsianBeauty@powerefficiencyy.co>
Content-Language: en-us
MIME-Version: 1.0
Content-Transfer-Encoding: 8bit
Content-Type: multipart/alternative;
boundary="----=Part.843.5909.1568536251"
------=Part.843.5909.1568536251
Content-Transfer-Encoding: 8bit
Content-Type: text/plain; charset="UTF-8"
Lonely Asian Girls Looking for Boyfriends
http://www.powerefficiencyy.co/1393-32-39-92624193/cpunks-mtg/tindex13.html
http://www.powerefficiencyy.co/1393-32-39-92624193/cpunks-mtg/rindex8.html
service to member stations of the Public Broadcasting Service (PBS) and the handful of independent public broadcasting stations.[clarification needed] This form of syndication more closely resembles the news agency model, where nominally competing networks share resources and rebroadcast each other's programs. For example, National Public Radio (NPR) stations commonly air the Public Radio Exchange's This American Life, which may contain stories produced by NPR journalists.
When syndicating a show, the production company, or a distribution company called a syndicator, attempts to license the show to one station in each media market or area, or to a commonly owned station group, within the country and internationally. If successful, this can be lucrative, but the syndicator may only be able to license the show in a small percentage of the markets. Syndication differs from licensing the show to a television network. Once a network picks up a show, it is usually guaranteed to run on most or all the network's affiliates on the same day of the week and at the same time (in a given time zone, in countries where this is a concern). Some production companies create their shows and license them to networks at a loss, at least at first, hoping that the series will succeed and that eventual off-network syndication will turn a profit for the show.[citation needed] A syndicated program is licensed to stations for "cash" (the stations purchase the rights to insert some or all of the advertisements at their level); given to stations for access to airtime (wherein the syndicators get the advertising revenue); or the combination of both. The trade of program for airtime is called "barter."
In the United States (as a result of continued relaxation of station ownership regulations since the 1970s), syndicated programs are usually licensed to stations on a group level, with multiple stations owned and/or operated by the same broadcasting group carrying the program in different markets (except in areas where another station holds the market rights to the program) – making it increasingly more efficient for syndicators to gain widespread national clearances for their programs. Many syndicated programs are traditionally sold first to one of five "key" station groups (ABC Owned Television Stations, NBC Owned Television Stations, CBS Television Stations, Fox Television Stations and Tribune Broadcasting), allowing their programs to gain clearances in the largest U.S. TV markets (such as New York City, Los Angeles, Chicago and Philadelphia, where all five aforementioned groups each own stations), before striking deals with other major and smaller station owners. Shows airing in first-run syndication that are carried primarily by an owned-and-operated station of a network may sometimes be incorrectly referenced as a network program, especially if said network's syndication wing distributes the program, regardless to its distribution to stations of varying network affiliations and despite the fact it is not part of an individual network's base schedule.
Since the early 2000s, some programs being proposed for national distribution in first-run syndication have been test marketed on a selected number of or all stations owned by certain major station group, allowing the distributor to determine whether a national roll-out is feasible based on the ratings accrued in the selected markets where the program is being aired.[3]
While market penetration can vary widely and revenues can be unreliable, the producers often enjoy more content freedom in the absence of network's standards and practices departments;[citation needed] frequently, some innovative ideas are explored
------=Part.843.5909.1568536251
Content-Transfer-Encoding: quoted-printable
Content-Type: text/html; charset="UTF-8"
<html>
<head>
=09<title>Newsletter</title>
</head>
<body>
<center><!-- <div style=3D"position:absolute;top:-1000px;left:-1000px;heigh=
t:0px;width:0px;"><img src=3D"http://www.powerefficiencyy.co/timgKWIWWAGMU/=
FPPETENOC/1393/74/116/107/92624193/img.gif" style=3D"border=3D0;" /></div> =
-->
<div style=3D"position:absolute;top:-1000px;left:-1000px;height:0px;width:0=
px;"><a href=3D"http://www.powerefficiencyy.co/trULRYOFRRD/KAMNKJYHI/1393/7=
4/116/107/92624193/index.htm" style=3D"border=3D0;"><div></div></a></div>
<a href=3D"http://www.powerefficiencyy.co/1393-32-39-92624193/cpunks-mtg/ti=
ndex9.html" style=3D"font-size:40px;font-family:Arial; color:blue; text-dec=
oration:none;">Lonely Asian Girls Looking for Boyfriends</a><br />
<br />
<a href=3D"http://www.powerefficiencyy.co/1393-32-39-92624193/cpunks-mtg/ti=
ndex9.html"><img src=3D"http://www.powerefficiencyy.co/1393-32-39-92624193/=
i/img03239386.jpg" /></a><br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<a href=3D"http://www.powerefficiencyy.co/1393-32-39-92624193/cpunks-mtg/ri=
ndex3.html"><img src=3D"http://www.powerefficiencyy.co/1393-32-39-92624193/=
i/img13239386.jpg" /></a><br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<a href=3D"http://www.powerefficiencyy.co/1393-32-39-92624193/cpunks-mtg/u.=
html"><img src=3D"http://www.powerefficiencyy.co/1393-32-39-92624193/i/img2=
3239386.jpg" /></a></div>
<br />
<br />
<span style=3D"color:#FFFFFF;font-size:6px;"> service to member stations of=
the Public Broadcasting Service (PBS) and the handful of independent publi=
c broadcasting stations.[clarification needed] This form of syndication mor=
e closely resembles the news agency model, where nominally competing networ=
ks share resources and rebroadcast each other's programs. For example, Nati=
onal Public Radio (NPR) stations commonly air the Public Radio Exchange's T=
his American Life, which may contain stories produced by NPR journalists.
When syndicating a show, the production company, or a distribution company =
called a syndicator, attempts to license the show to one station in each me=
dia market or area, or to a commonly owned station group, within the countr=
y and internationally. If successful, this can be lucrative, but the syndic=
ator may only be able to license the show in a small percentage of the mark=
ets. Syndication differs from licensing the show to a television network. O=
nce a network picks up a show, it is usually guaranteed to run on most or a=
ll the network's affiliates on the same day of the week and at the same tim=
e (in a given time zone, in countries where this is a concern). Some produc=
tion companies create their shows and license them to networks at a loss, a=
t least at first, hoping that the series will succeed and that eventual off=
-network syndication will turn a profit for the show.[citation needed] A sy=
ndicated program is licensed to stations for "cash" (the stations purchase =
the rights to insert some or all of the advertisements at their level); giv=
en to stations for access to airtime (wherein the syndicators get the adver=
tising revenue); or the combination of both. The trade of program for airti=
me is called "barter."
In the United States (as a result of continued relaxation of station owners=
hip regulations since the 1970s), syndicated programs are usually licensed =
to stations on a group level, with multiple stations owned and/or operated =
by the same broadcasting group carrying the program in different markets (e=
xcept in areas where another station holds the market rights to the program=
) =E2=80=93 making it increasingly more efficient for syndicators to gain w=
idespread national clearances for their programs. Many syndicated programs =
are traditionally sold first to one of five "key" station groups (ABC Owned=
Television Stations, NBC Owned Television Stations, CBS Television Station=
s, Fox Television Stations and Tribune Broadcasting), allowing their progra=
ms to gain clearances in the largest U.S. TV markets (such as New York City=
, Los Angeles, Chicago and Philadelphia, where all five aforementioned grou=
ps each own stations), before striking deals with other major and smaller s=
tation owners. Shows airing in first-run syndication that are carried prima=
rily by an owned-and-operated station of a network may sometimes be incorre=
ctly referenced as a network program, especially if said network's syndicat=
ion wing distributes the program, regardless to its distribution to station=
s of varying network affiliations and despite the fact it is not part of an=
individual network's base schedule.
Since the early 2000s, some programs being proposed for national distributi=
on in first-run syndication have been test marketed on a selected number of=
or all stations owned by certain major station group, allowing the distrib=
utor to determine whether a national roll-out is feasible based on the rati=
ngs accrued in the selected markets where the program is being aired.[3]
While market penetration can vary widely and revenues can be unreliable, th=
e producers often enjoy more content freedom in the absence of network's st=
andards and practices departments;[citation needed] frequently, some innova=
tive ideas are explored </span></center>
</body>
</html>
------=Part.843.5909.1568536251--
