[697981] in Cypherpunks
Are you tired of being single? Your next date could be right in here
daemon@ATHENA.MIT.EDU (Russian Beauty)
Sat Sep 14 05:47:53 2019
Date: Sat, 14 Sep 2019 02:47:51 -0700
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To: <cpunks-mtg@menelaus.mit.edu>
From: "Russian Beauty" <RussianBeauty@medicfet.best>
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Are you tired of being single? Your next date could be right in here
http://www.medicfet.best/l/lt7T1378PQ63L/318CR621R961ES107VM92624193I3236729783/qs/?email=cpunks-mtg@menelaus.mit.edu
http://www.medicfet.best/l/lc8J1378VQ63G/318FK621W961WR107RE92624193K3236729783/qs/?email=cpunks-mtg@menelaus.mit.edu
ely and revenues can be unreliable, the producers often enjoy more content freedom in the absence of network's standards and practices departments;[citation needed] frequently, some innovative ideas are explored by first-run syndicated programming which the networks are leery of giving airtime to. Meanwhile, top-rated syndicated shows in the United States usually have a domestic market reach as high as 98%. Very often, series' that are aired in syndication have reduced running times. For example, a standard American sitcom runs 22 minutes, but in syndication it may be reduced to 20 minutes to make room for more commercials. Syndication can take the form of either weekly or daily syndication. Game shows, some "tabloid" and entertainment news shows, and talk shows are broadcast daily on weekdays, while most other first-run syndicated shows are broadcast on a weekly basis and are usually aired on weekends only. Big discussion occurred in the 1990s and 2000s about whether previously aired episodes of a show could become syndicated while new episodes of it continued to air on its original network. There had been much opposition to this idea and it was generally viewed to lead to the death of the show. However, licensing a program for syndication actually resulted in the increased popularity for shows that remained in production. A prime example is Law & Order.[4] First-run syndication in the U.S. As with radio in the U.S., television networks, particularly in their early years, did not offer a full day's worth of programming for their affiliates, even in the evening or "prime time" hours. In the early days of television, this was less of an issue, as there were in most markets fewer TV stations than there were networks (at the time four), which meant that the stations that did exist affiliated with multiple networks and, when not airing network or local programs, typically signed off. The loosening of licensing restrictions, and the subsequent passage of the All-Channel Receiver Act, meant that by the early 1960s, th
e situation had reversed. There were now more stations than the networks, now down to three after the failure of the DuMont Television Network, could serve. Some stations were not affiliated with any network, operating as independent stations. Both groups sought to supplement their locally produced programming with content that could be flexibly scheduled. The development of videotape and, much later, enhanced satellite downlink access furthered these options. While most past first-run syndicated shows were shown only in syndication, some canceled network shows continued to be produced for first-run syndication or were revived for syndication several years after their original cancellation. Until about 1980, most syndicated series were distributed to stations either on 16mm film prints (off-network reruns, feature films, and cartoons) or videotape (topical series such as the talk shows of Mike Douglas and Merv Griffin, and variety and quiz shows.) Ziv Television Programs, Inc., after establishing itself as a major radio syndicator, was the first major first-run television syndicator, creating several long-lived series in the 1950s and selling them directly to regional sponsors, who in turn sold the shows to local stations. Ziv's first major TV hit was The Cisco Kid. Ziv had the foresight to film the Cisco Kid series in color, even though color TV was still in its infancy and most stations did not yet support the technology. Among the most widely seen Ziv offerings were Sea Hunt, I Led Three Lives, Highway Patrol and Ripcord. Some first-run syndicated series were picked up by networks in the 1950s and early 1960s, such as the Adventures of Superman and Mr. Ed. The networks began syndicating their reruns in the late 1950s, and first-run syndication shrank sharply, for a decade. Some stalwart series continued, including Death Valley Days; other ambitious projects were also to flourish, however briefly, such as The Play of t
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ight:bold;">Are you tired of being single? Your next date could be right in=
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<span style=3D"color:#FFFFFF; font-size:2px;">ely and revenues can be unrel=
iable, the producers often enjoy more content freedom in the absence of net=
work's standards and practices departments;[citation needed] frequently, so=
me innovative ideas are explored by first-run syndicated programming which =
the networks are leery of giving airtime to. Meanwhile, top-rated syndicate=
d shows in the United States usually have a domestic market reach as high a=
s 98%. Very often, series' that are aired in syndication have reduced runni=
ng times. For example, a standard American sitcom runs 22 minutes, but in s=
yndication it may be reduced to 20 minutes to make room for more commercial=
s.
Syndication can take the form of either weekly or daily syndication. Game s=
hows, some "tabloid" and entertainment news shows, and talk shows are broad=
cast daily on weekdays, while most other first-run syndicated shows are bro=
adcast on a weekly basis and are usually aired on weekends only. Big discus=
sion occurred in the 1990s and 2000s about whether previously aired episode=
s of a show could become syndicated while new episodes of it continued to a=
ir on its original network. There had been much opposition to this idea and=
it was generally viewed to lead to the death of the show. However, licensi=
ng a program for syndication actually resulted in the increased popularity =
for shows that remained in production. A prime example is Law & Order.[4]
First-run syndication in the U.S.
As with radio in the U.S., television networks, particularly in their early=
years, did not offer a full day's worth of programming for their affiliate=
s, even in the evening or "prime time" hours. In the early days of televisi=
on, this was less of an issue, as there were in most markets fewer TV stati=
ons than there were networks (at the time four), which meant that the stati=
ons that did exist affiliated with multiple networks and, when not airing n=
etwork or local programs, typically signed off. The loosening of licensing =
restrictions, and the subsequent passage of the All-Channel Receiver Act, m=
eant that by the early 1960s, the situation had reversed. There were now mo=
re stations than the networks, now down to three after the failure of the D=
uMont Television Network, could serve. Some stations were not affiliated wi=
th any network, operating as independent stations. Both groups sought to su=
pplement their locally produced programming with content that could be flex=
ibly scheduled. The development of videotape and, much later, enhanced sate=
llite downlink access furthered these options. While most past first-run sy=
ndicated shows were shown only in syndication, some canceled network shows =
continued to be produced for first-run syndication or were revived for synd=
ication several years after their original cancellation. Until about 1980, =
most syndicated series were distributed to stations either on 16mm film pri=
nts (off-network reruns, feature films, and cartoons) or videotape (topical=
series such as the talk shows of Mike Douglas and Merv Griffin, and variet=
y and quiz shows.)
Ziv Television Programs, Inc., after establishing itself as a major radio s=
yndicator, was the first major first-run television syndicator, creating se=
veral long-lived series in the 1950s and selling them directly to regional =
sponsors, who in turn sold the shows to local stations. Ziv's first major T=
V hit was The Cisco Kid. Ziv had the foresight to film the Cisco Kid series=
in color, even though color TV was still in its infancy and most stations =
did not yet support the technology. Among the most widely seen Ziv offering=
s were Sea Hunt, I Led Three Lives, Highway Patrol and Ripcord. Some first-=
run syndicated series were picked up by networks in the 1950s and early 196=
0s, such as the Adventures of Superman and Mr. Ed. The networks began syndi=
cating their reruns in the late 1950s, and first-run syndication shrank sha=
rply, for a decade. Some stalwart series continued, including Death Valley =
Days; other ambitious projects were also to flourish, however briefly, such=
as The Play of t</span><br />
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