[697492] in Cypherpunks
New product on the market really relieve your back pain
daemon@ATHENA.MIT.EDU (Medical Help)
Wed Sep 11 09:34:40 2019
To: <cpunks-mtg@menelaus.mit.edu>
Message-ID: <13323869262419313323072760593@5k8h1g91.tacthendlamp.co>
Date: Wed, 11 Sep 2019 06:34:37 -0700
From: "Medical Help" <MedicalHelp@tacthendlamp.co>
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Medical Breakthrough: This One Revolutionary Invention Relieves Your Spine and Back Problems Fast.
"Millions of people suffer from bad posture, which leads into daily back pain. The only solution seems to be medical help."
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http://www.tacthendlamp.co/1332-27-307-92624193/cpunks-mtg/tindex9.html
http://www.tacthendlamp.co/1332-27-307-92624193/cpunks-mtg/tindex10.html
ming on its television stations each night and required the networks to spin off their syndication arms as independent companies. Although the intent of the rule was to encourage local stations to produce their own programs for this time slot, budgetary limits instead prompted stations to buy syndicated programs to fill the slot. This, coupled with an increase in UHF independent stations, caused a boom in the syndication market. In the 1970s, first-run syndication continued to be an odd mix: cheaply produced, but not always poor quality, "filler" programming. These included the dance-music show Soul Train, and 20th Century Fox's That's Hollywood, a television variation on the popular That's Entertainment! theatrically released collections of film clips from the Meted programs distributed this way. These include the documentary series Wild, Wild World of Animals (repackaged by Time-Life with narration by William Conrad) and Thames Television's sober and necessarily grim The World at War. The Starlost (1973) was a Canadian series, apparently modified from the vision of science fiction writers Harlan Ellison and Ben Bova. Britain's ITC Entertainment, headed by Lew Grade, made UFO (1970) and Space: 1999 (1975). These two series were created by Gerry Anderson (and his associates), who was previously best known for Supermarionation (a combination of puppetry and animation) series such as Thunderbirds. The most successful syndicated show in the United States in the 1970s was probably The Muppet Show, also from Lew Grade's company. Animated series from the 1980s Dogtanian and the Three Muskehounds and Around the World with Willy Fog came from Spanish animation production company BRB Internacional and their Japanese co-producers Nippon Animsyndication during the decade. Nightly versions of What's My Line?, Truth or Consequences, Beat the Clock and To Tell the Truth premiered in the late 1960s and found loyal audiences for many years. Several daytime network games began producing once-a-week nighttime versions for broadca
st in the early evening hours, usually with bigger prizes and often featuring different hosts (emcees were limited to appearing on one network and one syndicated game simultaneously) and modified titles (Match Game PM, The $100,000 Name That Tune or The $25,000 Pyramid, for example). A few independent game shows, such as Sports Challenge and Celebrity Bowling, also entered the syndication market around this time. Of these shows, Let's Make a Deal and Hollywood Squares were the first to jump to twice-a-week syndicated versions around 1973. Another popular daytime show to have a weekly syndicated version was The Price Is Right, which began concurrently in weekly syndication and on CBS; the syndicated "nighttime" version was hosted by Dennis James for its first five years, after which daytime host Bob Barker took over for another three years of weekly episodes (even though, by this point, the daytime and nighttime shows had diverged noticeably). The nighttime version of Family Feud (1977) quickly jumped from once-weekly to twice, and finally to five-day-a-week airings, and its massive popularity, along with that of new five-day-a-week entries like Jack Barry's The Joker's Wild (1977) and Tic-Tac-Dough (1978), the move of Match Game's daily run from CBS to syndication (1979), and Chuck Barris's increasingly raunchy remakes of his 1960s hits The Newlywed Game and The Dating Game, brought an end (with rare exceptions) to the era of once-a-week games. Also popular in first-run syndication
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ion Relieves Your Spine and Back Problems Fast.</h1>
<div class=3D"quote" style=3D"font-size: 22px;"><i>"Millions of people suff=
er from bad posture, which leads into daily back pain. The only solution se=
ems to be medical help."</i></div>
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<span style=3D"color:#FFFFFF;font-size:6px;">ming on its television station=
s each night and required the networks to spin off their syndication arms a=
s independent companies. Although the intent of the rule was to encourage l=
ocal stations to produce their own programs for this time slot, budgetary l=
imits instead prompted stations to buy syndicated programs to fill the slot=
. This, coupled with an increase in UHF independent stations, caused a boom=
in the syndication market. In the 1970s, first-run syndication continued t=
o be an odd mix: cheaply produced, but not always poor quality, "filler" pr=
ogramming. These included the dance-music show Soul Train, and 20th Century=
Fox's That's Hollywood, a television variation on the popular That's Enter=
tainment! theatrically released collections of film clips from the Meted pr=
ograms distributed this way. These include the documentary series Wild, Wil=
d World of Animals (repackaged by Time-Life with narration by William Conra=
d) and Thames Television's sober and necessarily grim The World at War. The=
Starlost (1973) was a Canadian series, apparently modified from the vision=
of science fiction writers Harlan Ellison and Ben Bova. Britain's ITC Ente=
rtainment, headed by Lew Grade, made UFO (1970) and Space: 1999 (1975). The=
se two series were created by Gerry Anderson (and his associates), who was =
previously best known for Supermarionation (a combination of puppetry and a=
nimation) series such as Thunderbirds. The most successful syndicated show =
in the United States in the 1970s was probably The Muppet Show, also from L=
ew Grade's company. Animated series from the 1980s Dogtanian and the Three =
Muskehounds and Around the World with Willy Fog came from Spanish animation=
production company BRB Internacional and their Japanese co-producers Nippo=
n Animsyndication during the decade. Nightly versions of What's My Line?, T=
ruth or Consequences, Beat the Clock and To Tell the Truth premiered in the=
late 1960s and found loyal audiences for many years. Several daytime netwo=
rk games began producing once-a-week nighttime versions for broadcast in th=
e early evening hours, usually with bigger prizes and often featuring diffe=
rent hosts (emcees were limited to appearing on one network and one syndica=
ted game simultaneously) and modified titles (Match Game PM, The $100,000 N=
ame That Tune or The $25,000 Pyramid, for example). A few independent game =
shows, such as Sports Challenge and Celebrity Bowling, also entered the syn=
dication market around this time. Of these shows, Let's Make a Deal and Hol=
lywood Squares were the first to jump to twice-a-week syndicated versions a=
round 1973. Another popular daytime show to have a weekly syndicated versio=
n was The Price Is Right, which began concurrently in weekly syndication an=
d on CBS; the syndicated "nighttime" version was hosted by Dennis James for=
its first five years, after which daytime host Bob Barker took over for an=
other three years of weekly episodes (even though, by this point, the dayti=
me and nighttime shows had diverged noticeably). The nighttime version of F=
amily Feud (1977) quickly jumped from once-weekly to twice, and finally to =
five-day-a-week airings, and its massive popularity, along with that of new=
five-day-a-week entries like Jack Barry's The Joker's Wild (1977) and Tic-=
Tac-Dough (1978), the move of Match Game's daily run from CBS to syndicatio=
n (1979), and Chuck Barris's increasingly raunchy remakes of his 1960s hits=
The Newlywed Game and The Dating Game, brought an end (with rare exception=
s) to the era of once-a-week games. Also popular in first-run syndication</=
span>
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