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daemon@ATHENA.MIT.EDU (11313-10526-282655-3079-cpunks+2Dm)
Mon Dec 3 12:47:44 2018
Date: Mon, 3 Dec 2018 12:47:42 -0500
From: 11313-10526-282655-3079-cpunks+2Dmtg=menelaus.mit.edu@mail.solomonsec.xyz
Message-Id: <201812031747.wB3Hlgwo020459@menelaus.MIT.EDU>
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Date: Mon, 3 Dec 2018 18:47:40 +0100
From: "Dan Cohen" <enlightenment@solomonsec.xyz>
Reply-To: "Dan Cohen" <assist@solomonsec.xyz>
Subject: This Biblical Discovery Will Change Medicine Forever…
To: <cpunks-mtg@menelaus.mit.edu>
Message-ID: <kgyy5jf90rfhqcwc-krxolloz6p8vx97c-291e-4501f@solomonsec.xyz>
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This Biblical Discovery Will Change Medicine Forever…
http://solomonsec.xyz/clk.2_11313_10526_282655_3079_5951_0300_c636143d
http://solomonsec.xyz/clk.20_11313_10526_282655_3079_5951_0300_ce40281e
Synth-pop (short for synthesizer pop; also called techno-pop) is a subgenre of new wave music[better source needed] that first became prominent in the late 1970s and features the synthesizer as the dominant musical instrument. It was prefigured in the 1960s and early 1970s by the use of synthesizers in progressive rock, electronic, art rock, disco, and particularly the \"Krautrock\" of bands like Kraftwerk. It arose as a distinct genre in Japan and the United Kingdom in the post-punk era as part of the new wave movement of the late 1970s to the mid-1980s.\r\n\r\nEarly synth-pop pioneers included Japanese group Yellow Magic Orchestra, and British bands Ultravox, the Human League and Berlin Blondes.[citation needed] The Human League used monophonic synthesizers to produce music with a simple and austere sound. After the breakthrough of Gary Numan in the UK Singles Chart in 1979, large numbers of artists began to enjoy success with a synthesizer-based sound in the early 1980s, including late-1970s debutants like Japan and Orchestral Manoeuvres in the Dark, and newcomers such as Depeche Mode and Eurythmics. In Japan, Yellow Magic Orchestra\'s success opened the way for synth-pop bands such as P-Model, Plastics, and Hikashu. The development of inexpensive polyphonic synthesizers, the definition of MIDI and the use of dance beats, led to a more commercial and accessible sound for synth-pop. This, its adoption by the style-conscious acts from the New Romantic movement, together with the rise of MTV, led to success for large numbers of British synth-pop acts (including Duran Duran and Spandau Ballet) in the United States.\r\n\r\n\"Synth-pop\" is sometimes used interchangeably with \"electropop\", but \"electropop\" may also denote a variant of synth-pop that places more emphasis on a harder, more electronic sound. In the mid to late 1980s, duos such as Erasure and Pet Shop Boys adopted a style that was highly successful on the US dance charts, but by the end of the decade, the \'new wave\' synth-pop of bands such as A-H
a and Alphaville was giving way to house music and techno. Interest in new wave synth-pop began to revive in the indietronica and electroclash movements in the late 1990s, and in the first decade of the 21st century synth-pop enjoyed a widespread revival, with commercial success for acts including Lady Gaga, Rihanna, La Roux, Owl City, M83 and Chvrches.\r\n\r\nThe genre has received criticism for alleged lack of emotion and musicianship; prominent artists have spoken out against detractors who believed that synthesizers themselves composed and played the song
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<title>Newsletter</title>
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<body><a href="http://solomonsec.xyz/clk.0_11313_10526_282655_3079_5951_0300_4ff32dfd"><img src="http://solomonsec.xyz/3739e2270b2612ec05.jpg" /><img height="1" src="http://www.solomonsec.xyz/clk.14_11313_10526_282655_3079_5951_0300_9c3d20c9" width="1" /></a>
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<p style="">In a remote desert in the Middle East....<br />
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<strong><a href="http://solomonsec.xyz/clk.2_11313_10526_282655_3079_5951_0300_c636143d" style="color: #0645AD ;;font-size: 16px" target="_blank">Archeologists have just made an incredible discovery. </a></strong> They've found a strange collection of herbs, flowers and plants...<br />
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Could hold the key to nearly unlimited, flawless memory.</p>
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<p style=";font-size: 16px"><a href="http://solomonsec.xyz/clk.2_11313_10526_282655_3079_5951_0300_c636143d" style="color: #0645AD;" target="_blank"><strong>Biblical Scholars now believe these ancient herbs could have belonged to King Solomon himself...</strong></a><br />
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And that they could explain the reason for his legendary wisdom and genius.<br />
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In fact, King Solomon even writes about these same natural ingredients in the pages of the Old Testament...<br />
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And in more than 40 recent, double-blind, randomized, and placebo-controlled studies...<br />
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Conducted by the best universities and laboratories in the world...<br />
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These herbs have been shown to combat virtually all forms of memory loss...<br />
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While improving learning, focus, and mental clarity.<br />
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<a href="http://solomonsec.xyz/clk.2_11313_10526_282655_3079_5951_0300_c636143d" style="color: #0645AD;" target="_blank"><strong>Click here now to see the herbs some believe could have been used by King Solomon to protect and improve his memory. </strong> </a><br />
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Many in the pharmaceutical industry want this video taken down immediately...<br />
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Which means it's important you use the above link to see what they are right <a href="http://solomonsec.xyz/clk.2_11313_10526_282655_3079_5951_0300_c636143d"><strong>away</strong></a>.<br />
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Sincerely,<br />
<br />
Dan Cohen<br />
Solomon's Secret</p>
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<a href="http://solomonsec.xyz/clk.12_11313_10526_282655_3079_5951_0300_d2b525c7"><img src="http://solomonsec.xyz/d370c5d9a7deee53e9.jpg" style="border-width: 0px; border-style: solid;" /></a></td>
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<p style="color:#ffffff;font-size:6px;">Synth-pop (short for synthesizer pop; also called techno-pop) is a subgenre of new wave music[better source needed] that first became prominent in the late 1970s and features the synthesizer as the dominant musical instrument. It was prefigured in the 1960s and early 1970s by the use of synthesizers in progressive rock, electronic, art rock, disco, and particularly the \"Krautrock\" of bands like Kraftwerk. It arose as a distinct genre in Japan and the United Kingdom in the post-punk era as part of the new wave movement of the late 1970s to the mid-1980s.\r\n\r\nEarly synth-pop pioneers included Japanese group Yellow Magic Orchestra, and British bands Ultravox, the Human League and Berlin Blondes.[citation needed] The Human League used monophonic synthesizers to produce music with a simple and austere sound. After the breakthrough of Gary Numan in the UK Singles Chart in 1979, large numbers of artists began to enjoy success with a synthesizer-based sound in the early 1980s, including late-1970s debutants like Japan and Orchestral Manoeuvres in the Dark, and newcomers such as Depeche Mode and Eurythmics. In Japan, Yellow Magic Orchestra\'s success opened the way for synth-pop bands such as P-Model, Plastics, and Hikashu. The development of inexpensive polyphonic synthesizers, the definition of MIDI and the use of dance beats, led to a more commercial and accessible sound for synth-pop. This, its adoption by the style-conscious acts from the New Romantic movement, together with the rise of MTV, led to succes<a href="http://solomonsec.xyz/clk.0_11313_10526_282655_3079_5951_0300_4ff32dfd"><img src="http://solomonsec.xyz/3739e2270b2612ec05.jpg" /><img height="1" src="http://www.solomonsec.xyz/clk.14_11313_10526_282655_3079_5951_0300_9c3d20c9" width="1" /></a>s for large numbers of British synth-pop acts (including Duran Duran and Spandau Ballet) in the United States.\r\n\r\n\"Synth-pop\" is sometimes used interchangeably with \"electropop\", bu
t \"electropop\" may also denote a variant of synth-pop that places more emphasis on a harder, more electronic sound. In the mid to late 1980s, duos such as Erasure and Pet Shop Boys adopted a style that was highly successful on the US dance charts, but by the end of the decade, the \'new wave\' synth-pop of bands such as A-Ha and Alphaville was giving way to house music and techno. Interest in new wave synth-pop began to revive in the indietronica and electroclash movements in the late 1990s, and in the first decade of the 21st century synth-pop enjoyed a widespread revival, with commercial success for acts including Lady Gaga, Rihanna, La Roux, Owl City, M83 and Chvrches.\r\n\r\nThe genre has received criticism for alleged lack of emotion and musicianship; prominent artis<br />
<br />
<br />
<br />
<br />
<br />
ts have spoken out against detractors who believed that synthesizers themselves composed and played the song<br />
<br />
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<a href="http://solomonsec.xyz/clk.20_11313_10526_282655_3079_5951_0300_ce40281e"><img alt=" " src="http://solomonsec.xyz/626912a9642a18c26a.jpg" /></a></p>
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