[201498] in Zephyr_Bugs
=?UTF-8?Q?Books_of_Struggle_and_Liberation:_Fro?=
daemon@ATHENA.MIT.EDU (t r u t h o u t)
Thu Sep 10 11:45:31 2015
Date: Thu, 10 Sep 2015 11:45:29 -0400 (EDT)
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t r u t h o u t | Just like the journalism we publish at Truthout, the book=
s we offer as Progressive Picks are concerned with the most urgent issues o=
f our past, present and future. Those issues range from the Palestinian peo=
ple's struggle for liberation to the ongoing injustices at Guant=C3=A1namo =
Bay, and from the historical exploitation of Latin America to the racism th=
at permeates almost all modern-day institutions and society in the United S=
tates.
All of these choices have been hand-picked for our readers by Truthout staf=
f. If you're looking for books that educate and inspire, you'll find them h=
ere: http://org2.salsalabs.com/o/6694/t/17304/shop/index.jsp?storefront_KEY=
=3D661
Two of our picks this month were written in incredibly difficult conditions=
while incarcerated: by Mumia Abu-Jamal in solitary confinement on death ro=
w, and by Mohamedou Slahi in captivity in Guant=C3=A1namo. "Guant=C3=A1namo=
Diary" is the first the first and only diary written by a still-imprisoned=
detainee at that notorious prison - an unique and historically important b=
ook.
Many of this month's choices cover a broad range of vital issues: like Mumi=
a's "Writing on the Wall," the new collection of poems by poet and organize=
r Remi Kanazi links racist police violence within the US to imperialist for=
eign policy abroad. We're offering both established classics, like the late=
Eduardo Galeano's "Open Veins of Latin America," hailed as "a monument in =
our Latin American history" by former Venezuelan President Hugo Ch=C3=A1vez=
, and future classics like the already acclaimed "Between the World and Me"=
by Ta-Nehisi Coates.
Support independent journalism by ordering a Progressive Pick now! Just cli=
ck the link and make the minimum contribution to Truthout, or call (213) 48=
9-1971 Monday to Friday between 8 a.m. and 5 p.m. Pacific Time. For our ful=
l catalog, click here.
Between the World and Me
http://org2.salsalabs.com/o/6694/t/17304/shop/item.jsp?storefront_KEY=3D661=
&t=3D&store_item_KEY=3D3099
By Ta-Nehisi Coates
Why are Black Americans so under attack, and what is it like to live within=
that experience? Ta-Nehisi Coates has written an open letter to his adoles=
cent son in book form, in which the acclaimed journalist wrestles with the =
racist history, violent present and possible future of the United States. F=
ind out why Toni Morrison calls "Between the World and Me" "required readin=
g."
Open Veins of Latin America: Five Centuries of the Pillage of a Continent
http://org2.salsalabs.com/o/6694/t/17304/shop/item.jsp?storefront_KEY=3D661=
&t=3D&store_item_KEY=3D3106
By Eduardo Galeano
First published in 1971, this ambitious work of history by the late Eduardo=
Galeano tells the story of an entire continent over 500 years. Galeano dis=
plays a masterful understanding of colonialism, exploitation, capitalism, a=
nd racism against Latin America's indigenous populations.
Guant=C3=A1namo Diary
http://org2.salsalabs.com/o/6694/t/17304/shop/item.jsp?storefront_KEY=3D661=
&t=3D&store_item_KEY=3D3102
By Mohamedou Ould Slahi=20
For 13 years, Mohamedou Slahi has been imprisoned at the Guant=C3=A1namo Ba=
y detainee camp, without ever being charged with a crime by the US governme=
nt, and in spite of a federal judge ordering his release. For the last deca=
de, Slahi has been writing this frightening but often darkly funny memoir, =
telling the story of his life before and after he fell victim to a terrible=
miscarriage of justice.=20
Before the Next Bomb Drops: Rising Up from Brooklyn to Palestine
http://org2.salsalabs.com/o/6694/t/17304/shop/item.jsp?storefront_KEY=3D661=
&t=3D&store_item_KEY=3D3113
By Remi Kanazi
"Before the Next Bomb Drops" paints a picture of militarism and repression =
from the occupied territories of Palestine to the United States, but also c=
elebrates international solidarity and the promise of liberation. The Natio=
n's Dave Zirin says "Kanazi has raised the bar for how art and politics can=
serve one another for the greater good."=20
Writing on the Wall: Selected Prison Writings of Mumia Abu-Jamal
http://org2.salsalabs.com/o/6694/t/17304/shop/item.jsp?storefront_KEY=3D661=
&t=3D&store_item_KEY=3D3097
By Mumia Abu-Jamal
"Revolutionary love, revolutionary memory and revolutionary analysis are at=
work in every page," says Cornel West in his foreword to this collection o=
f over 100 previously unpublished essays. Mumia Abu-Jamal gives his perspec=
tives on issues ranging from racism in the US to the possibilities for soci=
al change, and from Edward Snowden to Ferguson.
You can read exclusive interviews with Progressive Picks authors, book exce=
rpts, reviews and more, at Truthout's Progressive Picks section: http://tru=
th-out.org/progressive-picks. Order more choices using the links in any Pro=
gressive Picks article!
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<p style="margin: 0px; padding: 0px;">Just like the journalism we publish at Truthout, the books we offer as Progressive Picks are concerned with the most urgent issues of our past, present and future. Those issues range from the Palestinian people’s struggle for liberation to the ongoing injustices at Guantánamo Bay, and from the historical exploitation of Latin America to the racism that permeates almost all modern-day institutions and society in the United States.</p>
<br />
<p style="margin: 0px; padding: 0px;"><a href="http://org2.salsalabs.com/dia/track.jsp?v=2&c=v%2F87mwEBrs%2F6sNp78xQZofL8G4djg9N%2F">All of these choices</a> have been hand-picked for our readers by Truthout staff. <b>If you’re looking for books that educate and inspire, you’ll find them here!</b></p>
<br />
<p style="margin: 0px; padding: 0px;">Two of our picks this month were written in incredibly difficult conditions while incarcerated: by Mumia Abu-Jamal in solitary confinement on death row, and by Mohamedou Slahi in captivity in Guantánamo. <i>Guantánamo Diary</i> is the first the first and only diary written by a still-imprisoned detainee at that notorious prison - an unique and historically important book.</p>
<br />
<p style="margin: 0px; padding: 0px;">Many of this month’s choices cover a broad range of vital issues: like Mumia’s <i>Writing on the Wall</i>, the new collection of poems by poet and organizer Remi Kanazi links racist police violence within the US to imperialist foreign policy abroad. We’re offering both established classics, like the late Eduardo Galeano’s <i>Open Veins of Latin America</i>, hailed as "a monument in our Latin American history" by former Venezuelan President Hugo Chávez, and future classics like the already acclaimed <i>Between the World and Me</i> by Ta-Nehisi Coates.</p>
<p style="margin: 0px; padding: 0px;"><font color="#444444" face="Arial, Helvetica, sans-serif"><span style="line-height: 13.199999809265137px;"><br />
</span></font></p>
<p style="margin: 0px; padding: 0px;"><font color="#444444" face="Arial, Helvetica, sans-serif"><span style="line-height: 13.1999998092651px;"><b>Support independent journalism by ordering a Progressive Pick now! Just click the link and make the minimum contribution to Truthout, or call (213) 489-1971 Monday to Friday between 8 a.m. and 5 p.m. Pacific Time.</b></span></font><b><font color="#444444" face="Arial, Helvetica, sans-serif"><span style="line-height: 13.199999809265137px;"> For our full catalog, </span></font></b><font color="#444444" face="Arial, Helvetica, sans-serif"><span style="line-height: 13.199999809265137px;"><a href="http://org2.salsalabs.com/dia/track.jsp?v=2&c=U3uaMvWNgMh8l%2FPmRgKdaiQPIh%2B2tT2%2F"><b>click here</b></a></span><b><span style="line-height: 13.199999809265137px;">.</span></b></font></p>
<br />
<p style="margin: 0px; padding: 0px;"><font color="#910000" face="Arial, Helvetica, sans-serif"><span style="font-size: 14px; line-height: 13.2px;"><b><a href="http://org2.salsalabs.com/dia/track.jsp?v=2&c=uDS5bGa%2F34qDpwnMRlNIAiQPIh%2B2tT2%2F" style="text-decoration: none; color: rgb(145, 0, 0);">Between the World and Me</a></b></span></font><b><font color="#910000" face="Arial, Helvetica, sans-serif"><span style="font-size: 14px; line-height: 13.2px;"> </span></font></b></p>
<p style="margin: 0px; padding: 0px;"><font color="#333333" face="Arial, Helvetica, sans-serif"><span style="line-height: 13.2px;"><b>By Ta-Nehisi Coates</b></span><span style="line-height: 13.2px;"><b>  </b></span></font></p>
<p style="margin: 0px; padding: 0px;"></p>
<p style="margin: 0px; padding: 0px;"></p>
<p style="margin: 0px; padding: 0px;">Why are Black Americans so under attack, and what is it like to live within that experience? Ta-Nehisi Coates has written an open letter to his adolescent son in book form, in which the acclaimed journalist wrestles with the racist history, violent present and possible future of the United States. Find out why Toni Morrison calls <i>Between the World and Me </i>"required reading.”</p>
<br />
<p style="margin: 0px; padding: 0px;"><font color="#910000" face="Arial, Helvetica, sans-serif"><span style="font-size: 14px; line-height: 13.2px;"><b><a href="http://org2.salsalabs.com/dia/track.jsp?v=2&c=aLS79ARcFVMOjPmrGjFVpiQPIh%2B2tT2%2F" style="text-decoration: none; color: rgb(145, 0, 0);">Open Veins of Latin America: Five Centuries of the Pillage of a Continent</a></b></span></font><font color="#333333" face="Arial, Helvetica, sans-serif"><span style="line-height: 13.2px;"><b>  </b></span></font></p>
<p style="margin: 0px; padding: 0px;"></p>
<p style="margin: 0px; padding: 0px;"><font color="#333333" face="Arial, Helvetica, sans-serif"><span style="line-height: 13.2px;"><b>By Eduardo Galeano</b></span></font></p>
<p style="margin: 0px; padding: 0px;">First published in 1971, this ambitious work of history by the late Eduardo Galeano tells the story of an entire continent over 500 years. Galeano displays a masterful understanding of colonialism, exploitation, capitalism, and racism against Latin America's indigenous populations.</p>
<br />
<p style="margin: 0px; padding: 0px;"><font color="#910000" face="Arial, Helvetica, sans-serif"><span style="font-size: 14px; line-height: 13.2px;"><b><a href="http://org2.salsalabs.com/dia/track.jsp?v=2&c=UktG%2BFm4D7TUGTmSous24iQPIh%2B2tT2%2F" style="text-decoration: none; color: rgb(145, 0, 0);">Guantánamo Diary</a></b></span></font><font color="#333333" face="Arial, Helvetica, sans-serif"><span style="line-height: 13.2px;"><b>  </b></span></font></p>
<p style="margin: 0px; padding: 0px;"></p>
<p style="margin: 0px; padding: 0px;"><strong><font face="Arial, Helvetica, sans-serif"><font color="#333333"><span style="line-height: 13.2px;">By </span></font></font></strong><font color="#333333" face="Arial, Helvetica, sans-serif"><span style="line-height: 13.2px;"><b>Mohamedou Ould Slahi</b></span></font></p>
<p style="margin: 0px; padding: 0px;">For 13 years, Mohamedou Slahi has been imprisoned at the Guantánamo Bay detainee camp, without ever being charged with a crime by the US government, and in spite of a federal judge ordering his release. For the last decade, Slahi has been writing this frightening but often darkly funny memoir, telling the story of his life before and after he fell victim to a terrible miscarriage of justice.</p>
<br />
<p style="margin: 0px; padding: 0px;"></p>
<font color="#910000" face="Arial, Helvetica, sans-serif"><span style="font-size: 14px; line-height: 13.2px;"><b><a href="http://org2.salsalabs.com/dia/track.jsp?v=2&c=D2JW2zwRThOyF3k09r23hiQPIh%2B2tT2%2F" style="text-decoration: none; color: rgb(145, 0, 0);">Before the Next Bomb Drops: Rising Up from Brooklyn to Palestine</a></b></span></font><br />
<p style="margin: 0px; padding: 0px;"><font color="#333333" face="Arial, Helvetica, sans-serif"><span style="line-height: 13.2px;"><b>By Remi Kanazi</b></span></font></p>
<p style="margin: 0px; padding: 0px;"><i>Before the Next Bomb Drops</i> paints a picture of militarism and repression from the occupied territories of Palestine to the United States, but also celebrates international solidarity and the promise of liberation. The Nation's Dave Zirin says "Kanazi has raised the bar for how art and politics can serve one another for the greater good." </p>
<br />
<p style="margin: 0px; padding: 0px;"></p>
<p style="margin: 0px; padding: 0px;"><font color="#910000" face="Arial, Helvetica, sans-serif"><span style="font-size: 14px; line-height: 13.2px;"><b><a href="http://org2.salsalabs.com/dia/track.jsp?v=2&c=3Mj0t2Az5Jl4u1DUur9rGCQPIh%2B2tT2%2F" style="text-decoration: none; color: rgb(145, 0, 0);">Writing on the Wall: Selected Prison Writings of Mumia Abu-Jamal</a></b></span></font></p>
<p style="margin: 0px; padding: 0px;"><font color="#333333" face="Arial, Helvetica, sans-serif"><span style="line-height: 13.2px;"><b>By Mumia Abu-Jamal</b></span></font></p>
<p style="margin: 0px; padding: 0px;"></p>
<p style="margin: 0px; padding: 0px;">"Revolutionary love, revolutionary memory and revolutionary analysis are at work in every page," says Cornel West in his foreword to this collection of over 100 previously unpublished essays. Mumia Abu-Jamal gives his perspectives on issues ranging from racism in the US to the possibilities for social change, and from Edward Snowden to Ferguson.</p>
<p style="margin: 0px; padding: 0px;"></p>
<p style="margin: 0px; padding: 0px;"></p>
<p style="margin: 0px; padding: 0px;"><font face="Arial, Helvetica, sans-serif" color="#444444"><span style="line-height: 13.199999809265137px;"><br />
</span></font></p>
<p style="margin: 0px; padding: 0px;"></p>
<p style="margin: 0;padding: 0;font-size: 100%;color: #444 !important;font-family: Arial, Helvetica, sans-serif;line-height: 1.1"></p>
<p style="margin: 0px; padding: 0px;"></p>
<p style="margin: 0px; padding: 0px;"></p>
<p style="margin: 0px; padding: 0px;"></p>
<p style="margin: 0;padding: 0;font-size: 100%;color: #444 !important;font-family: Arial, Helvetica, sans-serif;line-height: 1.1"></p>
<p style="margin: 0px; padding: 0px;"><b><font color="#444444" face="Arial, Helvetica, sans-serif"><span style="line-height: 13.1999998092651px;">You can read exclusive interviews with Progressive Picks authors, book excerpts, reviews and more, at <a href="http://org2.salsalabs.com/dia/track.jsp?v=2&c=SgShtQndv5K5%2F6xJ9dyI8CQPIh%2B2tT2%2F">Truthout's Progressive Picks section</a>. Order more choices using the links in any Progressive Picks article!</span></font></b></p>
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<td width="15"> </td>
<td width="150" valign="top" bgcolor="#e4e2d7">
<table width="150" cellspacing="0" cellpadding="15" border="0">
<tbody>
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<td>
<p style="margin: 0px 0px 0.1em; font-size: 10px; font-family: Arial, Helvetica, sans-serif; color: rgb(69, 66, 66) !important;"><span style="font-size: 18px;"><a href="http://org2.salsalabs.com/dia/track.jsp?v=2&c=rABu1uO6npTMuMd4zUXJhCQPIh%2B2tT2%2F"><img width="120" border="0" alt="placeholder" src="https://org2.salsalabs.com/o/6694/images/WritingontheWallHI%20(1).jpg" height="180" /></a></span><span style="color: rgb(0, 0, 0); font-family: Arial, Verdana, sans-serif; font-size: 12px;"> </span></p>
<p style="margin: 0px 0px 0.1em;"><font face="Arial, Helvetica, sans-serif"><span style="font-size: 11px;"><b>WRITING ON THE WALL</b></span></font></p>
<p style="margin: 0px 0px 0.1em; font-size: 10px; font-family: Arial, Helvetica, sans-serif; color: rgb(69, 66, 66) !important;"></p>
<p style="margin: 0px 0px 0.1em; font-size: 10px; font-family: Arial, Helvetica, sans-serif; color: rgb(69, 66, 66) !important;"><strong><a href="http://org2.salsalabs.com/dia/track.jsp?v=2&c=1gC4wNNVFA8VbbyTPbCBeCQPIh%2B2tT2%2F" style="text-decoration: none; color: rgb(145, 0, 0);">Get it now!</a></strong></p>
<br />
<p style="margin: 0px 0px 0.1em; font-size: 10px; font-family: Arial, Helvetica, sans-serif; color: rgb(69, 66, 66) !important;"><a href="http://org2.salsalabs.com/dia/track.jsp?v=2&c=G1B3T9QbYob3%2FGjhSpaqMiQPIh%2B2tT2%2F"><img src="https://org2.salsalabs.com/o/6694/images/Kanazi_cover.jpg" width="120" height="180" alt="" /></a></p>
<br />
<p style="margin: 0px 0px 0.1em; font-size: 10px; font-family: Arial, Helvetica, sans-serif; color: rgb(69, 66, 66) !important;"></p>
<p style="margin: 0px 0px 0.1em;"><font face="Arial, Helvetica, sans-serif"><span style="font-size: 11px;"><b>BEFORE THE NEXT BOMB DROPS</b></span></font></p>
<p style="margin: 0px 0px 0.1em; font-size: 10px; font-family: Arial, Helvetica, sans-serif; color: rgb(69, 66, 66) !important;"></p>
<p style="margin: 0px 0px 0.1em; font-size: 10px; font-family: Arial, Helvetica, sans-serif; color: rgb(69, 66, 66) !important;"><strong><a href="http://org2.salsalabs.com/dia/track.jsp?v=2&c=r42h9kzDSAqm1fvq5RnJkSQPIh%2B2tT2%2F" style="text-decoration: none; color: rgb(145, 0, 0);">Get it now!</a></strong></p>
<br />
<p style="margin: 0px 0px 0.1em; font-size: 10px; font-family: Arial, Helvetica, sans-serif; color: rgb(69, 66, 66) !important;"><a href="http://org2.salsalabs.com/dia/track.jsp?v=2&c=sIgiUD0ROxbPe2rr4slcxyQPIh%2B2tT2%2F"><img width="120" border="0" alt="placeholder" src="https://org2.salsalabs.com/o/6694/images/Coates_Between%20the%20World%20and%20Me.jpg" /></a></p>
<br />
<p style="margin: 0px 0px 0.1em;"><font face="Arial, Helvetica, sans-serif"><span style="font-size: 11px;"><b>BETWEEN THE WORLD AND ME</b></span></font></p>
<p style="margin: 0px 0px 0.1em; font-size: 10px; font-family: Arial, Helvetica, sans-serif; color: rgb(69, 66, 66) !important;"></p>
<p style="margin: 0px 0px 0.1em; font-size: 10px; font-family: Arial, Helvetica, sans-serif; color: rgb(69, 66, 66) !important;"><strong><a href="http://org2.salsalabs.com/dia/track.jsp?v=2&c=IGiPY5TL5qK0LWuDEUmD%2FSQPIh%2B2tT2%2F" style="text-decoration: none; color: rgb(145, 0, 0);">Get it now!</a></strong></p>
<p style="margin: 0px 0px 0.1em; font-size: 10px; font-family: Arial, Helvetica, sans-serif; color: rgb(69, 66, 66) !important;"></p>
<br />
<p style="margin: 0px 0px 0.1em; font-size: 10px; font-family: Arial, Helvetica, sans-serif; color: rgb(69, 66, 66) !important;"><span style="font-size: 18px;"><a href="http://org2.salsalabs.com/dia/track.jsp?v=2&c=7VDyPDL%2FT97ExPau%2BsxNQiQPIh%2B2tT2%2F"><img width="120" border="0" alt="placeholder" src="https://org2.salsalabs.com/o/6694/images/open%20veins%20new%20cover.jpg" height="180" /></a></span><span style="color: rgb(0, 0, 0); font-family: Arial, Verdana, sans-serif; font-size: 12px;"> </span></p>
<p style="margin: 0px 0px 0.1em;"><font face="Arial, Helvetica, sans-serif"><span style="font-size: 11px;"><b>OPEN VEINS OF LATIN AMERICA</b></span></font></p>
<p style="margin: 0px 0px 0.1em; font-size: 10px; font-family: Arial, Helvetica, sans-serif; color: rgb(69, 66, 66) !important;"></p>
<p style="margin: 0px 0px 0.1em; font-size: 10px; font-family: Arial, Helvetica, sans-serif; color: rgb(69, 66, 66) !important;"><strong><a href="http://org2.salsalabs.com/dia/track.jsp?v=2&c=MDPlIrtmyNE8YEOP1265FTSVribouPtU" style="text-decoration: none; color: rgb(145, 0, 0);">Get it now!</a></strong></p>
<br />
<p style="margin: 0px 0px 0.1em; font-size: 10px; font-family: Arial, Helvetica, sans-serif; color: rgb(69, 66, 66) !important;"><span style="font-size: 18px;"><a href="http://org2.salsalabs.com/dia/track.jsp?v=2&c=jFpljL3NNNb0tINIRaZwKCQPIh%2B2tT2%2F"><img width="120" border="0" alt="placeholder" src="https://org2.salsalabs.com/o/6694/images/Slahi_GuantanamoDiary.JPG" height="180" /></a></span><span style="color: rgb(0, 0, 0); font-family: Arial, Verdana, sans-serif; font-size: 12px;"> </span></p>
<p style="margin: 0px 0px 0.1em;"><font face="Arial, Helvetica, sans-serif"><span style="font-size: 11px;"><b>GUANTÁNAMO DIARY</b></span></font></p>
<p style="margin: 0px 0px 0.1em; font-size: 10px; font-family: Arial, Helvetica, sans-serif; color: rgb(69, 66, 66) !important;"></p>
<p style="margin: 0px 0px 0.1em; font-size: 10px; font-family: Arial, Helvetica, sans-serif; color: rgb(69, 66, 66) !important;"></p>
<p style="margin: 0px 0px 0.1em; font-size: 10px; font-family: Arial, Helvetica, sans-serif; color: rgb(69, 66, 66) !important;"><strong><a href="http://org2.salsalabs.com/dia/track.jsp?v=2&c=NPmrjeh0gvS4RTnDuMCNDyQPIh%2B2tT2%2F" style="text-decoration: none; color: rgb(145, 0, 0);">Get it now!</a></strong></p>
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