[57186] in Discussion of MIT-community interests

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Information on Drug Rehab

daemon@ATHENA.MIT.EDU (Drug Rehab Choices)
Sun Oct 18 08:23:46 2015

To: <mit-talk-mtg@charon.mit.edu>
Date: Sun, 18 Oct 2015 14:23:43 00200
From: "Drug Rehab Choices" <DrugRehabChoices@redeemiit.win>

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“Don’t take cold,” said Manfredi. She turned at  once indoors. IAAQNPDDC Aaron caught a  faint  whiff  of perfume  from the little orange trees in  tubs round the wall. 
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“Will  you  get  the  flute?”  she  said  as  they  entered. “And will you sing?” he answered. “Play first,” she said. He did as she wished. As the  other  night,   he  went  PRMIWN into 
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the big music- room to play.  And the  stream  of  sound  came  out  with  the   quick    wild imperiousness of the pipe. It had an immediate effect on her. She seemed to  relax  the  peculiar, </p>
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drug-like tension which was upon her at all ordinary times.  She  seemed  to  go  still, and yielding. Her red mouth looked as if LWXTAY it might moan with relief.  She  sat  with  her </p>
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chin dropped on her rest, listening. And she  did  not  move.   But   TXKWEANQ she  sat  softly, breathing rather quick, like one who has been hurt,   and  is  soothed.   A  certain   womanly 

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<p align="center">naturalness  seemed to soften her. And the music of the flute  came  quick,   rather  brilliant like a call- note, or like a long quick  message, half command.  To  her  it  was  like   a </p>
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pure male voice — as a blackbird’s when he calls: a  pure  male  voice,   not  only calling, but telling her something, telling her something,   and  soothing  her  soul   </p>
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to  sleep. It was like the  fire- music putting Brunnhilde to sleep.  But  KFBNG the  pipe  did  not flicker and sink. It seemed to cause  a natural relaxation in her soul,  a  peace.   Perhaps </p>
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<p align="center">it was more  like waking to a sweet, morning  awakening,   after  a  night  of  tormented, painful tense sleep. Perhaps more like that. When Aaron came in,    she  looked  at  him  with  a RBVWGBM  gentle, </p>
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fresh smile that seemed to make the fard on her face look like a curious tiredness,   which  now YNUXEIV she might recover from. And as the last  time, it was difficult for  her  to   identify  this </p>
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man with the voice of  the flute. It was  rather  difficult.   Except   that,   perhaps, between his brows was something of a doubt,  and in his  bearing  an  aloofness   that  made  her 
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dread  he might go away and not come back. She could see it in him, that he   might  go  away and not come back. She said nothing to him, only just  smiled.   And  the  look </p>
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of knowledge in her eyes seemed, for the moment, to be contained  in  another   look:  a  look CDX of faith, DYVPVAPK and at last happiness. Aaron’s heart stood still. No,   in SDP  her  moment’s  mood  of </p>
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faith and at last peace, life- trust, he was perhaps more terrified  of  her  than  in  her previous sinister elegance. His spirit started  and shrank. What was  she  going  to    ask  of </p>
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him? “I  am  so  anxious  that  you  should  come  to  play   TQXNTW  one Saturday morning,” said Manfredi. “With an accompaniment, KAXWBNUC you know.  RDATGXY HVPEXFQQI I  should  like  so  much </p>
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to hear you with piano accompaniment.” “Very well,” said Aaron. “Will you really come? And will you practise  with  me,  IMBHAU  so that I can accompany you?” EMVELYR said </p>
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Manfredi eagerly. “Yes.  I will,”  said GBKKBGS Aaron. “Oh, good! Oh, good! Look here, come in  on   Friday  morning and let us both look through the music.” </p>
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<p>“If Mr. Sisson plays for the public, ”  said  the  Marchesa, “he must not do it for charity. he must have  the proper hi.” “No,  I don’t want it,” said Aaron. 
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