[5152] in Central_America

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New quotes for Wed Oct 27

daemon@ATHENA.MIT.EDU (Central America)
Wed Oct 27 05:15:02 1993

Date: Wed, 27 Oct 93 05:14:04 -0400
From: Central America <root@charon.mit.edu>
To: ca-mtg@charon.mit.edu


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ckclark (Calvin Clark):

	. . . .  But how to begin a beginning?

	A strange sound interrupted my tossing.  I went to the window,
the cold air against my eyes.  At first I saw only starlight.  Then they
were there.  Up in the March blackness, two entwined skeins of snow and
blue geese honking north, an undulating W-shaped configuration across
the deep sky, white bellies glowing eerily with the reflected light from
town, necks stretched northward.  Then another flock pulled by who knows
what out of the south to breed and remake itself.  A new season.
Answer: begin by following the spring as they did---darkly, with neck
stuck out.

	-William Least Heat Moon, Blue Highways

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geocool (George A Cooley):

Come see West Side Story!

  Coming this November to La Sala De Puerto-Rico...
  
                          West Side Story
  
                    book by:      Arthur Laurents
                    music by:     Leonard Bernstein
                    lyrics by:    Stephen Sondheim


                        Performances will be:
                   November 12, 13, 14, 18, 19, 20.

        Call x3-6294 for more information, or to make reservations.


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hch (Hernando Cortina):

I've got an IDEA!!  Why don't I STARE at you so HARD,
 you forget your SOCIAL SECURITY NUMBER!!

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hooch (Conrad G. T. Yoder):

finger conrad@cs.stanford.edu for more information.


"He who lives far from neighbors may safely praise himself."
 - Erasmus (1466-1536)

"On maths tests, I don't think they should have 'answers' - they should have
'impressions.'  If we get a different 'impression' than everyone else, so what?
Can't we all be brothers?"
 - Deep Thoughts by Jack Handey, SNL

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jkung (Joseph T. Kung):


<*>-------------------------------------------------------------<*> <*>-------------------------------------------------------------<*>    <*>-------------------------------------------------------<*>       <*>-------------------------------------------------------<*>          <*>-------------------------------------------------<*>             <*>-------------------------------------------------<*>                <*>-------------------------------------------<*>                   <*>-------------------------------------------<*>                      <*>-------------------------------------<*>                         <*>-------------------------------------<*>                            <*>-------------------------------<*>                               <*>-------------------------------<*>                                  -------------------------------    
                  Recommended                                                         Recommended                                                         Recommended                                                         Recommended                                                         Recommended                                                         Recommended Listening                                               Recommended Listening                                               Recommended Listening                                               Recommended Listening                                               Recommended Listening                                               Recommended Listening For                                           Recommended Listening For                                           Recommended Listening For                                           Recommended Listening For                                           Recommended Listeni!
ng For                            
               Recommended Listening For Today                                     Recommended Listening For Today                                     Recommended Listening For Today                                     Recommended Listening For Today                                  ** Recommended Listening For Today **                
*                                                                      *    *                                                                *          *                                                          *             *                                                    *                *                                              *                   *                                        *                      *                                  *                         *                            *                            *                      *                               *                *                                  *          *                                     *    *                                      #&^$                                    $*!@                                  <*>                                 >*<                                ---                               -------                             -----------              !
             ---------------      
                   -------------------                       -----------------------                     ---------------------------                   -------------------------------

		Rush		Counterparts

	Last modified : Tue Oct 26 11:44:30 EDT 1993

Work :	Analog Devices, Inc.
	804 Woburn Street
	Wilmington, MA 01887-3462
	Voice : (617) 937-2281
	FAX   : (617) 937-2007
	E-mail: joseph.kung@analog.com


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kdmiller (Kenneth D Miller):

void main(){char b[17];int a=0,c=0,d;  /*  / for a good time, email: \ */
while(c!=-1){printf("%07x0:",a++);for  /* (  kdmiller@athena.mit.edu  ) */
(d=0;d<16;d++){c=getchar();b[d]=(c<' ' /*  \ (Kenneth D. Miller III) / */
||c>'~')?'.':c;printf( "%s%02x",d&3?"":" ",c&255);}printf(" | %s\n",b);}}
Yes!!  I'm online!  Just use 'kdmiller@m66-080-22'...

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leogonz (INSERT NAME HERE):

{from system: This user's .plan file is not world-readable}

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mtg (Musical Theatre Guild):


Coming this November to La Sala De Puerto-Rico...

  	                West Side Story

	          book by:      Arthur Laurents
                  music by:     Leonard Bernstein
                  lyrics by:    Stephen Sondheim

	     	 
                      Performances will be:     
		 November 12, 13, 14, 18, 19, 20.

        Call x3-6294 for more info, or to make reservations.

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nightowl (Heather Grove):

(little boy's voice:)  Here I go again, Up and down alone now.
                       All my friends went home, Years ago.
		       All my toys are broken, And so am I inside, mom.
		       The carnival went home, Years ago.

		       I'm a little boy.
(man's voice:)  No I'm a great big man.
(boy's voice:)         No let's be little boys, for a little while longer?  
                       Maybe an hour?
(man's voice:)  No, Steven, it's time to go back now.
(both:)            Isn't that our mom calling?

  (woman's distant voice:)
Steven!  Steven!
Steven, where are you?
    		--Alice Cooper

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rjbarbal (Richard J. Barbalace):

Date: Sat, 23 Oct 93 17:08:03 EDT
From: clarinews@clarinet.com (Judith Martin)
Newsgroups: clari.feature.miss_manners
Copyright: 1993 by United Feature Syndicate, Inc., R
Subject: Misguided attempts at sympathy

	If you are a good person, the sad chances are that you 
will be called upon, every now and then, to comfort a friend. Bad 
people take off like a shot when their friends suffer illness or 
failure, lose their jobs or lose their relatives. But the good 
stick around and visit the unfortunate, offering them the benefit 
of their sympathy and wisdom. 
	And making them feel worse. 
	Miss Manners hastens to say that it is not the fact of 
friends sticking around that troubles people at the low points of 
their lives. It is a duty of mercy to do so, and generally people 
are most appropriately grateful to those who stand by them when 
they are in trouble. 
	What gets to them is the sympathy and wisdom that those 
friends feel compelled to offer. 
	Rather than say the simple, perhaps even banal, but 
deeply touching thing that etiquette requires ("I'm so sorry -- I 
hope you know how much I care, and that you can count on me"), 
most people feel obliged to come up with something more 
elaborate. 
	Here are some currently popular styles in comforting the 
downtrodden, who are apparently not yet miserable enough. 
	1. Things Could Be Worse. 
	Rather than deal with the tragedy that actually has 
occurred, the person who favors this approach recites to the 
victim all the things that didn't occur, and then offers 
congratulations that they didn't. 
	If you broke your leg, you are fortunate that it wasn't 
your arm. If you lost a parent, you are fortunate that it wasn't 
your child. If your house burned down, you are fortunate that it 
was insured. If you got mugged, you are fortunate that you didn't 
get killed. 
	And so on. There is a clear suggestion that you ought to 
be rejoicing instead of moping. 
	2. You Think You Have Troubles? 
	This is a more personal variation of the previous 
technique. It offers a troubles competition, that the person 
being comforted is bound to lose. In order to show the victim 
that other acquaintances of the comforter's, not the person with 
the immediate problem, should be the center of sympathetic 
attention. 
	It is characterized by the phrase "That's nothing." 
	You had an automobile accident? That's nothing. A friend 
of mine was in a plane that nearly crashed on takeoff. Your 
husband asked for a trial separation? That's nothing. I know 
someone whose husband has a contract out to have her killed. 
	The point is that the sufferer is being selfish for 
dwelling on his or her own troubles instead of worrying about 
unknown others who really ought to be the center of sympathetic 
attention instead. 
	3. It's All for the Best. 
	This is not an attempt to deny the importance of the 
tragedy, only to redefine it as a gain. The key phrase is "better 
off." 
	The person who died is better off no longer suffering, 
and the survivors are better off because they no longer have to 
offer care or worry. You are better off that your car was stolen, 
because you probably would have had to trade it in soon anyway, 
and this way you get the insurance. You are better off not 
getting promoted, because there would have been so much more 
work. 
	This also suggests that the victim is ungrateful to feel 
bad, when everything is actually going very well. 
	4. It's All Your Fault. 
	This technique does away with the phony optimism and the 
pretense that there shouldn't be any bad feelings. On the 
contrary, feeling sorry about your fate isn't enough; you should 
feel guilty. 
	The line of comfort is "Well, what did you expect?" 
	Of course you had a heart attack. You were eating all 
that heavy food. What did you expect? Of course your property was 
vandalized. You didn't have an alarm system. What did you expect? 
	The comfort that is being offered here is that justice 
is being done. 
	5. Go Ahead and Feel Terrible. 
	This may be Miss Manners' all-time favorite, because it 
attacks the person who is coping well, even if only momentarily, 
with tragedy, and encourages a display of misery. 
	You don't have to keep up a brave front with me. You 
look terrible. You've got to start working through your grief. 
Give yourself permission to cry. Come on, don't try to kid me, I 
know you're miserable. 
	This is the comfort that says I know you're unhappy, but 
you're not unhappy enough. 
	After all, what are friends for? 

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rlcarr (Richard L. Carreiro):


>I think MacKinnon's views on the First Amendment are bogus, too, but
>...  this is *netnews*, dammit!  I don't want to read the proceedings
>of a mutual admiration society, I want *argument*!  Vituperation!
>Flame wars!  I want blood to leak out of my Ethernet socket!
>
>--
>seth gordon // sethg@gnu.ai.mit.edu // standard disclaimer // pgp2-compatible
>"Fear the government that fears your privacy."
>  --Mark Brown <mbrown@testsys.austin.ibm.com>

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therese (Therese):


	So I'm walking through the desert
	and I'm not frightened although it's hot
	I have all that I requested
	and I do not want what I haven't got
		
			- Sinead O'Connor


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wamprat (Irwin Lee):

Last logged in on w20-575-62
at Wed Oct 27 04:03:32 EDT 1993

--- End of Central America ---

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