[48194] in linux-announce channel archive
Say goodbye to clogged gutters with 75% off installation and an additional $250 off
daemon@ATHENA.MIT.EDU (Welcome to Gutter Guard Offer)
Wed Apr 9 09:54:10 2025
Date: Wed, 9 Apr 2025 08:53:08 -0500
From: "Welcome to Gutter Guard Offer" <WelcometoSpringGutterGuardOffer@portraits.ru.com>
Reply-To: "Welcome to Gutter Guard Offer" <WelcometoGutterGuardOffer@portraits.ru.com>
To: <linuxch-announce.discuss@charon.mit.edu>
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Say goodbye to clogged gutters with 75% off installation and an additional $250 off
http://portraits.ru.com/ShqIz-LLfbEDTdo5hlR0b-d_arL8jt-pft60MF6FJNb5f5j0BA
http://portraits.ru.com/dXzI-S-hTKAbBAA84DXk_AzCiLFe1LJtwJ1HfBuSbPCoC0AEZQ
ated with extraordinary intensity" in the 18th century. It played a role in many areas of public life, including church services, but a particularly strong area of support for symphonic performances was the aristocracy. In Vienna, perhaps the most important location in Europe for the composition of symphonies, "literally hundreds of noble families supported musical establishments, generally dividing their time between Vienna and their ancestral estate [elsewhere in the Empire]". Since the normal size of the orchestra at the time was quite small, many of these courtly establishments were capable of performing symphonies. The young Joseph Haydn, taking up his first job as a music director in 1757 for the Morzin family, found that when the Morzin household was in Vienna, his own orchestra was only part of a lively and competitive musical scene, with multiple aristocrats sponsoring concerts with their own ensembles.
LaRue, Bonds, Walsh, and Wilson's article traces the gradual expansion of the symphonic orchestra through the 18th century. At first, symphonies were string symphonies, written in just four parts: first violin, second violin, viola, and bass (the bass line was taken by cello(s), double bass(es) playing the part an octave below, and perhaps also a bassoon). Occasionally the early symphonists even dispensed with the viola part, thus creating three-part symphonies. A basso continuo part including a bassoon together with a harpsichord or other chording instrument was also possible.
The first additions to this simple ensemble were a pair of horns, occ
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<div style="color:#FFFFFF;font-size:8px;">ated with extraordinary intensity" in the 18th century. It played a role in many areas of public life, including church services, but a particularly strong area of support for symphonic performances was the aristocracy. In Vienna, perhaps the most important location in Europe for the composition of symphonies, "literally hundreds of noble families supported musical establishments, generally dividing their time between Vienna and their ancestral estate [elsewhere in the Empire]". Since the normal size of the orchestra at the time was quite small, many of these courtly establishments were capable of performing symphonies. The young Joseph Haydn, taking up his first job as a music director in 1757 for the Morzin family, found that when the Morzin household was in Vienna, his own orchestra was only part of a lively and competitive musical scene, with multiple aristocrats sponsoring concerts with their own ensembles. LaRue, Bonds, Walsh, and Wilson's article traces the gradual expansion of the symphonic orchestra through the 18th century. At first, symphonies were string symphonies, written in just four parts: first violin, second violin, viola, and bass (the bass line was taken by cello(s), double bass(es) playing the part an octave below, and perhaps also a bassoon). Occasionally the early symphonists even dispensed with the viola part, thus creating three-part symphonies. A basso continuo part including a bassoon together with a harpsichord or other chording instrument was also possible. The first additions to this simple ensemble were a pair of horns, occ</div>
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