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No More Night Sweats Black Friday Sale
daemon@ATHENA.MIT.EDU (John from Sleepgram)
Mon Jan 12 16:59:17 2026
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Date: Mon, 12 Jan 2026 15:58:55 -0600
From: "John from Sleepgram" <Sleepgram@cartsgorilla.ru.com>
Reply-To: "Sleepgram Sheets" <Sleepgram@cartsgorilla.ru.com>
Subject: No More Night Sweats Black Friday Sale
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No More Night Sweats Black Friday Sale
http://cartsgorilla.ru.com/IVQU1kO-XGj1M9Vg1WA2b16WY3-s6k5YTWUCUDI-9obWavvyHQ
http://cartsgorilla.ru.com/tp73jCReZuaT5SdLwMZ7mhV39Pcj435iYKNFYznmIhv6r7uYbA
ough the words emblem and symbol are often used interchangeably, an emblem is a pattern that is used to represent an idea or an individual. An emblem develops in concrete, visual terms some abstraction: a deity, a tribe or nation, or a virtue or vice.[clarification needed]
An emblem may be worn or otherwise used as an identifying badge or patch. For example, in America, police officers' badges refer to their personal metal emblem whereas their woven emblems on uniforms identify members of a particular unit. A real or metal cockle shell, the emblem of James the Great, sewn onto the hat or clothes, identified a medieval pilgrim to his shrine at Santiago de Compostela. In the Middle Ages, many saints were given emblems, which served to identify them in paintings and other images: St. Catherine of Alexandria had a wheel, or a sword, St. Anthony the Abbot, a pig and a small bell. These are also called attributes, especially when shown carried by or close to the saint in art. Monarchs and other grand persons increasingly adopted personal devices or emblems that were distinct from their family heraldry. The most famous include Louis XIV of France's sun, the salamander of Francis I of France, the boar of Richard III of England and the armillary sphere of Manuel I of Portugal. In the fifteenth and sixteenth century, there was a fashion, started in Italy, for making large medals with a portrait head on the obverse and the emblem on the reverse; these would be given to friends and as diplomatic gifts. Pisanello produced many of the earliest and finest of these.
A symbol, on the other hand, substitutes one thing for another, in a more concrete fashion:
The Christian cross is a symbol of the crucifixion of Jesus; it is an emblem of sacrifice.
The Red Cross is one of three symbols representing the International Red Cross. A red cross on a white background is the emblem of humanitarian spirit.
The crescent shape is a symbol of the moon; it is an emblem of Islam.
The skull and crossbones is a symbol identifying a poison. The s
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<center><a href="http://cartsgorilla.ru.com/IVQU1kO-XGj1M9Vg1WA2b16WY3-s6k5YTWUCUDI-9obWavvyHQ" http:="" microsoft.com="" style="font-size:25px;font-weight:bold;padding:8px;line-height:40px;color:#B14232;" target="_blank"><b>No More Night Sweats Black Friday Sale</b></a></center>
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<div style="font-size:8px;color:#ffffff;">ough the words emblem and symbol are often used interchangeably, an emblem is a pattern that is used to represent an idea or an individual. An emblem develops in concrete, visual terms some abstraction: a deity, a tribe or nation, or a virtue or vice.[clarification needed] An emblem may be worn or otherwise used as an identifying badge or patch. For example, in America, police officers' badges refer to their personal metal emblem whereas their woven emblems on uniforms identify members of a particular unit. A real or metal cockle shell, the emblem of James the Great, sewn onto the hat or clothes, identified a medieval pilgrim to his shrine at Santiago de Compostela. In the Middle Ages, many saints were given emblems, which served to identify them in paintings and other images: St. Catherine of Alexandria had a wheel, or a sword, St. Anthony the Abbot, a pig and a small bell. These are also called attributes, especially when shown carried by or close to the saint in art. Monarchs and other grand persons increasingly adopted personal devices or emblems that were distinct from their family heraldry. The most famous include Louis XIV of France's sun, the salamander of Francis I of France, the boar of Richard III of England and the armillary sphere of Manuel I of Portugal. In the fifteenth and sixteenth century, there was a fashion, started in Italy, for making large medals with a portrait head on the obverse and the emblem on the reverse; these would be given to friends and as diplomatic gifts. Pisanello produced many of the earliest and finest of these.</div>
<div style="font-size:8px;color:#ffffff;">A symbol, on the other hand, substitutes one thing for another, in a more concrete fashion: The Christian cross is a symbol of the crucifixion of Jesus; it is an emblem of sacrifice. The Red Cross is one of three symbols representing the International Red Cross. A red cross on a white background is the emblem of humanitarian spirit. The crescent shape is a symbol of the moon; it is an emblem of Islam. The skull and crossbones is a symbol identifying a poison. The s</div>
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