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We Would like to Thank you
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Date: Fri, 26 Sep 2025 13:09:51 +0200
From: "Confirmation Needed" <LastMinuteGiveaway@avintiq.space>
Reply-To: "Limited Time Only" <LastMinuteGiveaway@avintiq.space>
Subject: We Would like to Thank you
To: <sipb-afsreq-mtg@charon.mit.edu>
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We Would like to Thank you
http://avintiq.space/K_wecwbUsnWoPjZ7Jtg6x4FG-yaETPC3eyeHdvuhibP1SKY
http://avintiq.space/caszJ7J-0aWc_Wo0H6cidcjRtNkd533awhdkvLQEyy9h5GOH
ss (Spring/Summer 2001), stylised in all capitals and sometimes informally called the "asylum show", is the seventeenth collection McQueen created for his eponymous fashion house. McQueen intended it as a critique of the fashion industry in several ways, framing it as a "mental asylum" in which designers were treated like lab animals to be observed and harassed. The unusual designs and materials were intended to challenge conventional ideas about what could be seen as beautiful.
The palette mainly comprised muted tones: white, grey, beige, light green, and soft pink, as well as black and flourishes of red. McQueen said he sought to make a collection that would be broadly palatable at retail, so he included stylish suits and "simple black dresses". Many items had pintucks and ruffles. Another repeated motif was faux-"Oriental" fashion, which appeared in the form of roundels stylised like chrysanthemum flowers, a grey ensemble with Asian-inspired embroidery, and the use of an antique Japanese silk wall screen. These items also exemplified McQueen's love of traditional handicrafts like embroidery. A half-completed jigsaw puzzle of a castle used as a top and a model sandcastle worn as a shoulder-piece provided a touch of surrealism.
The collection is named for Voss, a Norwegian town well-known as a wildlife habitat; accordingly, McQueen made extensive use of unconventional natural materials for the clothing. Most prominently, Voss features garments covered the shells of razor clams, mussels, and oysters. Some four thousand seashells were sourced from beaches on the coast of Norfolk, with the rest coming from Billingsgate Fish Market in London. McQueen's love of birds was represented in feathered skirts, avian-themed embroidery, and a dress made with taxidermied hawks position
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<div style="color:#FFFFFF;">ss (Spring/Summer 2001), stylised in all capitals and sometimes informally called the "asylum show", is the seventeenth collection McQueen created for his eponymous fashion house. McQueen intended it as a critique of the fashion industry in several ways, framing it as a "mental asylum" in which designers were treated like lab animals to be observed and harassed. The unusual designs and materials were intended to challenge conventional ideas about what could be seen as beautiful. The palette mainly comprised muted tones: white, grey, beige, light green, and soft pink, as well as black and flourishes of red. McQueen said he sought to make a collection that would be broadly palatable at retail, so he included stylish suits and "simple black dresses". Many items had pintucks and ruffles. Another repeated motif was faux-"Oriental" fashion, which appeared in the form of roundels stylised like chrysanthemum flowers, a grey ensemble with Asian-inspired embroidery, and the use of an antique Japanese silk wall screen. These items also exemplified McQueen's love of traditional handicrafts like embroidery. A half-completed jigsaw puzzle of a castle used as a top and a model sandcastle worn as a shoulder-piece provided a touch of surrealism. The collection is named for Voss, a Norwegian town well-known as a wildlife habitat; accordingly, McQueen made extensive use of unconventional natural materials for the clothing. Most prominently, Voss features garments covered the shells of razor clams, mussels, and oysters. Some four thousand seashells were sourced from beaches on the coast of Norfolk, with the rest coming from Billingsgate Fish Market in London. McQueen's love of birds was represented in feathered skirts, avian-themed embroidery, and a dress made with taxidermied hawks position</div>
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