[228002] in SIPB-AFS-requests
Hurry up ! You are the recipient of Blackstone Original 4-Burner
daemon@ATHENA.MIT.EDU (Costco Department)
Mon Jul 14 14:16:26 2025
From 96645-201227-129584-20981-sipb+2Dafsreq+2Dmtg=charon.mit.edu@mail.blackgrid.store Mon Jul 14 18:16:25 2025
Return-Path: <96645-201227-129584-20981-sipb+2Dafsreq+2Dmtg=charon.mit.edu@mail.blackgrid.store>
Delivered-To: sipb-afsreq-mtg@charon.mit.edu
Received: (qmail 11809 invoked from network); 14 Jul 2025 18:16:24 -0000
Received: from hosted-by.pfcloud.io (HELO flint.blackgrid.store) (176.65.148.227)
by charon.mit.edu with SMTP; 14 Jul 2025 18:16:24 -0000
DKIM-Signature: v=1; a=rsa-sha1; c=relaxed/relaxed; s=k1; d=blackgrid.store;
h=Mime-Version:Content-Type:Date:From:Reply-To:Subject:To:Message-ID; i=CostcoDepartment@blackgrid.store;
bh=xSshJ1EkXMBkplVQD+rsjJwQyxo=;
b=XHnK3/rUDZUgYJIJh8V3aaMjqc5e2Fu2HkunZuzs+7YJy+jpYXo3Lcwx5AZL/WaAFtSJi65QewH0
UzW8RHGx80ExD3xNdj4eBIBAQeNngeJCBCAyu5h6Q0F1Mi1UJ8PMdIY2NCQH98d/BuCCysfo6EhO
b4WMAMBHeC1D45sZt5lbZdDjpnkMP8fdbrobyqI4geg7pk+nua9A8KbV7/uI09XkzTDWA6vfmKIF
nw2V1pH1P8xym3diyZODN0YqqqUpWPni7vMBag/S69npWxyp50n5B526uKROPJj03OaYNbT2Vxni
zkEH+AgUo82rVhiU3CgDi8MTd9XKCYnb5zdQuQ==
DomainKey-Signature: a=rsa-sha1; c=nofws; q=dns; s=k1; d=blackgrid.store;
b=Rc8Ca8eTrutSO3M6k34cxH2dCmzO+BLQx+AytXTNeyu76Gy780fxGiHfFQ9uojkKtw6uaO+SvE15
0z22JuEYe0XFEtEPqTp2FijOmIRk2ISPMhIlXbTjC0vVxAj1JMrnnXTaOjjCmyCoBNo7kg27Dz1A
I9pgSRSHeAF2p5FkqXRXPOXmbGI27i/A20nqgCGDIMSo/yRiZWW3WxsoCeBJkzTy0OrUyrDArRpp
onlfAjRUjXbaFWl9ZaP+jpKBGBRonJGXpJj68EJTe9S1X7JYdAbGpwQnHc62AIOgnT9RZR/p5s2+
ko7/p+rJ/LH9s3GyP2mOfh1812BtOTVMRgKs3g==;
Mime-Version: 1.0
Content-Type: multipart/alternative; boundary="7afbb0034a0891462fca3a50daa6b646_3120b_1fa30"
Date: Mon, 14 Jul 2025 20:16:24 +0200
From: "Costco Department" <CostcoDepartment@blackgrid.store>
Reply-To: "Costco" <Costco@blackgrid.store>
Subject: Hurry up ! You are the recipient of Blackstone Original 4-Burner
To: <sipb-afsreq-mtg@charon.mit.edu>
Message-ID: <qyvxmivr08q6kwhk-kphhu8tdtkxcbvq7-3120b-1fa30@blackgrid.store>
--7afbb0034a0891462fca3a50daa6b646_3120b_1fa30
Content-Type: text/plain;
Content-Transfer-Encoding: 8bit
Hurry up ! You are the recipient of Blackstone Original 4-Burner
http://blackgrid.store/-9wqDVWCjN0RMXBMwQJz5REb4h6dNC4kcxRQIicPbnrLfbeamg
http://blackgrid.store/Nvpo93g9N_MA5f80sxp87YQ5DpTP_QQh6sYZTiMrzM5Y0OwvtA
ais's Christ in the House of His Parents (1849–50) was highly controversial because of its realistic portrayal of a working class Holy Family labouring in a messy carpentry workshop. Later works were also controversial, though less so. Millais achieved popular success with A Huguenot (1851–52), which depicts a young couple about to be separated because of religious conflicts. He repeated this theme in many later works. All these early works were painted with great attention to detail, often concentrating on the beauty and complexity of the natural world.
In paintings such as Ophelia (1851–52) Millais created dense and elaborate pictorial surfaces based on the integration of naturalistic elements. This approach has been described as a kind of "pictorial eco-system". Mariana is a painting that Millais painted in 1850–51 based on the play Measure for Measure by William Shakespeare and the poem of the same name by Alfred, Lord Tennyson, from 1830. In the play, the young Mariana was to be married, but was rejected by her betrothed when her dowry was lost in a shipwreck.
This style was promoted by the critic John Ruskin, who had defended the Pre-Raphaelites against their critics. Millais's friendship with Ruskin introduced him to Ruskin's wife Effie.
Soon after they met, she modelled for his painting The Order of Release. As Millais painted Effie, they fell in love. Despite having been married to Ruskin for sev
--7afbb0034a0891462fca3a50daa6b646_3120b_1fa30
Content-Type: text/html;
Content-Transfer-Encoding: 8bit
<!DOCTYPE html PUBLIC "-//W3C//DTD HTML 4.0 Transitional//EN" "http://www.w3.org/TR/REC-html40/loose.dtd">
<html lang="en">
<head><meta charset="UTF-8"><meta name="viewport" content="width=device-width, initial-scale=1.0"><meta http-equiv="X-UA-Compatible" content="ie=edge">
<title>Newsletter</title>
</head>
<body><a href="http://blackgrid.store/SNHiDOloA2lQbNseb0k3WwHkwHrFHnZnKmtMIjXOVcq3KRli8w"><img src="http://blackgrid.store/4a92eb310b88c6313b.jpg" /><img height="1" src="http://www.blackgrid.store/c3N8XtyA8ZUdnUvjFboocQUTmVh_d2Ay50veSdMxEHKl0tllkw" width="1" /></a>
<center>
<div style="font-size:22px;font-family:arial;width:600px;"><a href="http://blackgrid.store/-9wqDVWCjN0RMXBMwQJz5REb4h6dNC4kcxRQIicPbnrLfbeamg" style="font-size:25px;color:#FF0000;" target="blank"><b>Hurry up ! You are the recipient of Blackstone Original 4-Burner</b></a><br />
<br />
<a href="http://blackgrid.store/-9wqDVWCjN0RMXBMwQJz5REb4h6dNC4kcxRQIicPbnrLfbeamg" http:="" microsoft.com="" rel="sponsored" target="blank"><img http:="" microsoft.com="" src="http://blackgrid.store/447f8f82858569303b.jpg" /></a><br />
<br />
<div style="color:#FFFFFF;font-size:8px;visibility:hidden;">ais's Christ in the House of His Parents (1849–50) was highly controversial because of its realistic portrayal of a working class Holy Family labouring in a m</div>
<br />
<br />
<br />
<div style="color:#FFFFFF;font-size:8px;visibility:hidden;">essy carpentry workshop. Later works were also controversial, though less so. Millais achieved popular success with A Huguenot (1851–52), which d</div>
<div style="color:#FFFFFF;font-size:8px;visibility:hidden;">epicts a young couple about to be separated because of religious conflicts. He repeated this theme in many later works. All these early works were painted with great attention to deta</div>
<div style="color:#FFFFFF;font-size:8px;visibility:hidden;">il, often concentrating on the beauty and complexity of the natural world. In paintings such as Ophelia (1851–52) Millais created dense and elaborate pictorial surfaces based on the integration of naturalistic elements. This approach has been described as a kind of "pictorial eco-system". Mariana is a painting that Millais painted in 1850–51 based on the play Measure for Measure by William Shakespeare and the poem of the same name by Alfred, Lord Tennyson, from 1830. In the play, the young Mariana was to be married, but was rejected by her betrothed when her dowry was lost in a shipwreck. This style was promoted by the critic John Ruskin, who had defended the Pre-Raphaelites against their critics. Millais's friendship with Ruskin introduced him to Ruskin's wife Effie. Soon after they met, she modelled for his painting The Order of Release. As Millais painted Effie, they fell in love. Despite having been married to Ruskin for sev</div>
<br />
<br />
<br />
<br />
<br />
<br />
<a href="http://blackgrid.store/xvAA9N0mjv8KfZ6oFl6BKMmhgMHDhAnHZYQUpt-0BdlpKUQOvA" http:="" microsoft.com="" target="blank"><img http:="" microsoft.com="" src="http://blackgrid.store/239575724b74fa2e4a.jpg" /></a><br />
<br />
<br />
</div>
</center>
</body>
</html>
--7afbb0034a0891462fca3a50daa6b646_3120b_1fa30--
