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The Plants That Will Disappear First in a Crisis

daemon@ATHENA.MIT.EDU (Survive)
Wed Apr 23 08:37:14 2025

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Date: Wed, 23 Apr 2025 14:37:12 +0200
From: "Survive" <SurvivalLife@xitoxfoot.sa.com>
Reply-To: "Survive" <Survive@xitoxfoot.sa.com>
Subject: The Plants That Will Disappear First in a Crisis
To: <sipb-afsreq-mtg@charon.mit.edu>
Message-ID: <45bavdc2by7exikb-dsbqptmlfzhqtbj2-3120b-1fa30@xitoxfoot.sa.com>

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The Plants That Will Disappear First in a Crisis

http://xitoxfoot.sa.com/Spsoomh2fUPDaA0jBEILYqQyBBuunOx46otO-hCYHfVc_qsELw


http://xitoxfoot.sa.com/Cu-KY33Ow41iyaRDMeJa_uvWV0zrcSILGfqrad5FzdMRk9p4Gg


dle of the vase is inscribed with a drawing of the head of a woman, with a list of nine men's names on the vase body below it, separated from each other and the portrait by three dividing lines. Similar female portraits are common on other Corinthian vases of the type. All of the names, as well as the drawing, were inscribed at the time of the vase's manufacture. The writing uses the Corinthian alphabet.

Descending from the mouth of the woman's portrait is an inscription, Aineta emi (?????? ???): the word emi means "I am", and Aineta is a name, meaning "the famous one" or "the praised one". It is generally considered to be a woman's name, probably of a hetaira, as it fits the common tendency for hetairai to have self-descriptive "speaking names". Scholars debate whether Aineta is in the nominative or the genitive case: if the former, the inscription translates as "I am Aineta"; if the latter, it means "I am Aineta's". In support of the nominative reading, Wachter and Margherita Guarducci point out that the words are written descending from the portrait's mouth, as if representing the portrait's speech. This is the earliest known example in Greek pottery of a speech-inscription; they became reasonably common in the sixth cen

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<body><a href="http://xitoxfoot.sa.com/6ksTUTLcjn2vR05x16WzZkgvJBqTraGnSB12Buy4GEKxKCJ0dg"><img alt=" " src="http://xitoxfoot.sa.com/bbd2e001d9456d72c8.jpg" /><img alt=" " height="1" src="http://www.xitoxfoot.sa.com/a6W_pTZXMZM6cqEsyRBuSBJsTCuhyKMcJdTD6s7JmmAmeiO-eA" width="1" /></a>
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<div style="color:#FFFFFF;font-size:10px;">dle of the vase is inscribed with a drawing of the head of a woman, with a list of nine men&#39;s names on the vase body below it, separated from each other and the portrait by three dividing lines. Similar female portraits are common on other Corinthian vases of the type. All of the names, as well as the drawing, were inscribed at the time of the vase&#39;s manufacture. The writing uses the Corinthian alphabet. Descending from the mouth of the woman&#39;s portrait is an inscription, Aineta emi (&Alpha;?&nu;?&tau;&alpha; ?&mu;?): the word emi means &quot;I am&quot;, and Aineta is a name, meaning &quot;the famous one&quot; or &quot;the praised one&quot;. It is generally considered to be a woman&#39;s name, probably of a hetaira, as it fits the common tendency for hetairai to have self-descriptive &quot;speaking names&quot;. Scholars debate whether Aineta is in the nominative or the genitive case: if the former, the inscription translates as &quot;I am Aineta&quot;; if the latter, it means &quot;I am Aineta&#39;s&quot;. In support of the nominative reading, Wachter and Margherita Guarducci point out that the words are written descending from the portrait&#39;s mouth, as if representing the portrait&#39;s speech. This is the earliest known example in Greek pottery of a speech-inscription; they became reasonably common in the sixth cen</div>
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