[227045] in SIPB-AFS-requests
60-second routine for 30 minutes of pleasure
daemon@ATHENA.MIT.EDU (Edwin)
Tue Apr 22 11:27:22 2025
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Date: Tue, 22 Apr 2025 17:27:18 +0200
From: "Edwin" <Linda@liversupply.za.com>
Reply-To: "Joseph" <Paige@liversupply.za.com>
Subject: 60-second routine for 30 minutes of pleasure
To: <sipb-afsreq-mtg@charon.mit.edu>
Message-ID: <y3b0rs6h99ql9nzq-07rbykpl2op3t2k4-3120b-1fa30@liversupply.za.com>
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60-second routine for 30 minutes of pleasure
http://liversupply.za.com/0hUHjXYhmol3lg6wzwL7tTtaJUNFb6PDvhkuteqF5ZVo3u9qow
http://liversupply.za.com/1nerD6eBWdpqMsDuvnHqWIn4uL4A4oY55eodowLqb5P48N3Rpg
mount I had never seen brought together". He later described the San Moisè as an ideal theatre for a young composer learning his craft – "everything tended to facilitate the début of a novice composer": it had no chorus, and a small company of principals; its main repertoire consisted of one-act comic operas (farse), staged with modest scenery and minimal rehearsal. Rossini followed the success of his first piece with three more farse for the house: L'inganno felice (1812),[n 6] La scala di seta (1812),[n 7] and Il signor Bruschino (1813).
Rossini maintained his links with Bologna, where in 1811 he had a success directing Haydn's The Seasons, and a failure with his first full-length opera, L'equivoco stravagante.[n 8] He also worked for opera houses in Ferrara and Rome. In mid-1812 he received a commission from La Scala, Milan, where his two-act comedy La pietra del paragone[n 9] ran for fifty-three performances, a considerable run for the time, which brought him not only financial benefits, but exemption from military service and the title of maestro di cartello – a composer whose name on advertising posters guaranteed a full house. The following year his first opera seria, Tancredi, did well at La Fenice in Venice, and even better at Ferrara, with a rewritt
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<div style="font-family: Arial; font-size: 18px; max-width: 600px; text-align: left;padding:10px;background-color:#E9E9E9;">Did you know that a common sex position destroys erections immediately?<br />
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Studies have shown that 63% of men who have sex in this position lose their erection after the first minutes..<br />
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Daniel , 48: "I was SHOCKED to discover I'd also been using this position that was silently ATTACKING my hardness in the bedroom... Making me feel ashamed most times..."<br />
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Doctors confirmed this position triggers a point that no longer allows the release of nitric oxide, which leads to the loss of an erection.<br />
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<div style="color:#fefefe; font-size:8px">mount I had never seen brought together". He later described the San Moisè as an ideal theatre for a young composer learning his craft – "everything tended to facilitate the début of a novice composer": it had no chorus, and a small company of principals; its main repertoire consisted of one-act comic operas (farse), staged with modest scenery and minimal rehearsal. Rossini followed the success of his first piece with three more farse for the house: L'inganno felice (1812),[n 6] La scala di seta (1812),[n 7] and Il signor Bruschino (1813). Rossini maintained his links with Bologna, where in 1811 he had a success directing Haydn's The Seasons, and a failure with his first full-length opera, L'equivoco stravagante.[n 8] He also worked for opera houses in Ferrara and Rome. In mid-1812 he received a commission from La Scala, Milan, where his two-act comedy La pietra del paragone[n 9] ran for fifty-three performances, a considerable run for the time, which brought him not only financial benefits, but exemption from military service and the title of maestro di cartello – a composer whose name on advertising posters guaranteed a full house. The following year his first opera seria, Tancredi, did well at La Fenice in Venice, and even better at Ferrara, with a rewritt</div>
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