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Bathe in this to melt weight off

daemon@ATHENA.MIT.EDU (Fat Fountain)
Wed Apr 9 12:39:10 2025

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Date: Wed, 9 Apr 2025 18:39:08 +0200
From: "Fat Fountain" <FatFountain@erectilebooster.shop>
Reply-To: "Dead Sea" <SlimSecret@erectilebooster.shop>
Subject: Bathe in this to melt weight off
To: <sipb-afsreq-mtg@charon.mit.edu>
Message-ID: <k54flc8thzwfnj2j-97utdl3tlui5qpih-2c395-5176f@erectilebooster.shop>

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Bathe in this to melt weight off

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ddle Ages and later, the Latin form symphonia was used to describe various instruments, especially those capable of producing more than one sound simultaneously. Isidore of Seville was the first to use the word symphonia as the name of a two-headed drum, and from c.?1155 to 1377 the French form symphonie was the name of the organistrum or hurdy-gurdy. In late medieval England, symphony was used in both of these senses, whereas by the 16th century it was equated with the dulcimer. In German, Symphonie was a generic term for spinets and virginals from the late 16th century to the 18th century.

In the sense of "sounding together", the word begins to appear in the titles of some works by 16th- and 17th-century composers including Giovanni Gabrieli's Sacrae symphoniae, and Symphoniae sacrae, liber secundus, published in 1597 and 1615, respectively; Adriano Banchieri's Eclesiastiche sinfonie, dette canzoni in aria francese, per sonare, et cantare, Op. 16, published in 1607; Lodovico Grossi da Viadana's Sinfonie musicali, Op. 18, published in 1610; and Heinrich Schütz's Symphoniae sacrae, Op. 6, and Symphoniarum sacraru

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<div style="color:#FFFFFF;font-size:8px;">ddle Ages and later, the Latin form symphonia was used to describe various instruments, especially those capable of producing more than one sound simultaneously. Isidore of Seville was the first to use the word symphonia as the name of a two-headed drum, and from c.&thinsp;1155 to 1377 the French form symphonie was the name of the organistrum or hurdy-gurdy. In late medieval England, symphony was used in both of these senses, whereas by the 16th century it was equated with the dulcimer. In German, Symphonie was a generic term for spinets and virginals from the late 16th century to the 18th century. In the sense of &quot;sounding together&quot;, the word begins to appear in the titles of some works by 16th- and 17th-century composers including Giovanni Gabrieli&#39;s Sacrae symphoniae, and Symphoniae sacrae, liber secundus, published in 1597 and 1615, respectively; Adriano Banchieri&#39;s Eclesiastiche sinfonie, dette canzoni in aria francese, per sonare, et cantare, Op. 16, published in 1607; Lodovico Grossi da Viadana&#39;s Sinfonie musicali, Op. 18, published in 1610; and Heinrich Sch&uuml;tz&#39;s Symphoniae sacrae, Op. 6, and Symphoniarum sacraru</div>
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