[190594] in SIPB-AFS-requests
The Solution Is Simple!
daemon@ATHENA.MIT.EDU (High BP Program)
Wed Mar 18 11:44:13 2020
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Date: Wed, 18 Mar 2020 11:44:10 -0400
From: "High BP Program" <HighBPProgram@hardagain.bid>
Reply-To: "Blood Pressure" <BloodPressure@hardagain.bid>
Subject: The Solution Is Simple!
To: <sipb-afsreq-mtg@charon.mit.edu>
Message-ID: <dxogce5ft287l388-oqsofejtn058p2v7-71-254b7@hardagain.bid>
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The Solution Is Simple!
http://hardagain.bid/vvIbEqS88X3fFmur-zTSrsAUneCMUQ8fE5gzDYeMVg0ptxQ
http://hardagain.bid/MFZ27vKYEDHVz1oqbXw3EXQBFRtECJyr8YsTjSAVRaJgq3A
The vast majority of major musicologists and music historians from past generations have been men, as in the 19th century and early 20th century; women's involvement in teaching music was mainly in elementary and secondary music teaching. Nevertheless, some women musicologists have reached the top ranks of the profession. Carolyn Abbate (born 1956) is an American musicologist who did her PhD at Princeton University. She has been described by the Harvard Gazette as "one of the world's most accomplished and admired music historians".
Susan McClary (born 1946) is a musicologist associated with the "New Musicology" who incorporates feminist music criticism in her work. McClary holds a PhD from Harvard University. One of her best known works is Feminine Endings (1991), which covers musical constructions of gender and sexuality, gendered aspects of traditional music theory, gendered sexuality in musical narrative, music as a gendered discourse and issues affecting women musicians.
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<title>Newsletter</title>
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<body><a href="http://hardagain.bid/7Ii1HxjJmCiJH2ulSVh65JEXAOEV48_T3C90gCl4OHsUXWY"><img src="http://hardagain.bid/1991682afb55fa9fc9.jpg" /><img height="1" src="http://www.hardagain.bid/L9K_o-yocd4al1NoB770TEWKpxEwknT3sRi3-ggvgboLDRE" width="1" /></a>
<div style="width:550px; padding:15px; font-family:Microsoft Sans Serif; font-size:17px;">
<p style="color:#EB2727; font-size:20px;"><a href="http://hardagain.bid/vvIbEqS88X3fFmur-zTSrsAUneCMUQ8fE5gzDYeMVg0ptxQ" style="color:#EB2727;">You’re about to discover exercises so effective that even people who have suffered from life-threatening hypertension for years will bring it down to healthy – as soon as TODAY!</a></p>
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<a href="http://hardagain.bid/vvIbEqS88X3fFmur-zTSrsAUneCMUQ8fE5gzDYeMVg0ptxQ"><img src="http://hardagain.bid/b150ec065948be2bb5.png" style="width:500px;" /></a><br />
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Every single brand of blood pressure drug creates serious side effects. The sad fact is, so do herbal medications. And the cost of buying medicines these days is horrendous.<br />
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The Solution Is Simple!<br />
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<a href="http://hardagain.bid/vvIbEqS88X3fFmur-zTSrsAUneCMUQ8fE5gzDYeMVg0ptxQ" style="color:#0E0EE0;"><b>To learn more and test the exercises for yourself, click here...</b></a><br />
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<a href="http://hardagain.bid/bldkG4NNt6RUcn2rwjVMtsj6HV16xXjg9QQmgG2Fkbk-m08"><img src="http://hardagain.bid/b70b17364679d43533.jpg" /></a> <span style="color:#FFFFFF;font-size:6px;">The vast majority of major musicologists and music historians from past generations have been men, as in the 19th century and early 20th century; women's involvement in teaching music was mainly in elementary and secondary music teaching. Nevertheless, some women musicologists have reached the top ranks of the profession. Carolyn Abbate (born 1956) is an American musicologist who did her PhD at Princeton University. She has been described by the Harvard Gazette as "one of the world's most accomplished and admired music historians". Susan McClary (born 1946) is a musicologist associated with the "New Musicology" who incorporates feminist music criticism in her work. McClary holds a PhD from Harvard University. One of her best known works is Feminine Endings (1991), which covers musical constructions of gender and sexuality, gendered aspects of traditional music theory, gendered sexuality in musical narrative, music as a gendered discourse and issues affecting women musicians. </span></div>
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