[78169] in Daily_Rumour
Water independence for under $300
daemon@ATHENA.MIT.EDU (Crisis Survival Briefing)
Wed Jun 18 15:01:21 2025
Date: Wed, 18 Jun 2025 21:01:19 +0200
From: "Crisis Survival Briefing" <CrisisSurvivalBriefing@airbundle.sa.com>
Reply-To: "Emergency Drought Alert" <EmergencyDroughtAlert@airbundle.sa.com>
To: <rumour-mtg@bloom-picayune.mit.edu>
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Water independence for under $300
http://airbundle.sa.com/5lc4NNvYHoRR6rJijURTPOQtLp6Q9IWeBonM76As0-8o5jQ
http://airbundle.sa.com/NpWfuyzzoztyZccl-1e0dHa8uQ011_1eSBxgINywTWIei0_uGg
rous financial subsidies ensured the success of Sergei Diaghilev's Ballets Russes in Europe.
In 1890, he enrolled at the Faculty of Law, St. Petersburg, to prepare for a career in the civil service like many Russian young men of his class. There he was introduced (through his cousin Dmitry Filosofov) to a student clique of artists and intellectuals calling themselves The Nevsky Pickwickians whose most influential member was Alexandre Benois; others included Léon Bakst, Walter Nouvel, and Konstantin Somov. From childhood, Diaghilev had been passionately interested in music. However, his ambition to become a composer was dashed in 1894 when Nikolai Rimsky-Korsakov told him he had no talent.
In 1898, several members of The Pickwickians founded the journal Mir iskusstva (World of Art) under the editorship of Diaghilev. As early as 1902, Mir iskusstva included reviews of concerts, operas, and ballets in Russia. The latter were chiefly written by Benois, who exerted considerable influence on Diaghilev's thinking. Mir iskusstva also sponsored exhibitions of Russian art in St. Petersburg, culminating in Diaghi
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<div style="font-family: Roboto, sans-serif; font-size: 18px; line-height: 2.2; letter-spacing: 0px;">
<div><i>NASA confirms a 100-year megadrought is already underway—<strong>and most Americans are completely unprepared.</strong></i></div>
<div> </div>
<div>Wells are drying up. Lakes are vanishing. Water supplies are being seized. But the Israeli military has been quietly using a <strong>solution that sidesteps all of this…</strong> A <strong>battlefield device</strong> that extracts water <strong>directly from the air</strong>, even in the desert.</div>
<div> </div>
<div><span style="font-weight: 700;"><strong>Why every off-grid American should pay attention:</strong></span></div>
<ul>
<li style="margin-left: 15px;"><strong>Generates over 10 gallons of clean water per day</strong> — even in bone-dry regions where rainwater harvesting is useless and wells have failed</li>
<li style="margin-left: 15px;"><strong>Runs on-grid or completely off-grid</strong> — powered by standard AC or a basic car battery… no noisy generators or solar panels required</li>
<li style="margin-left: 15px;"><strong>Costs less than $300 to build</strong> — no need to spend $6,000+ on overpriced commercial machines being hoarded by the elite</li>
</ul>
<div><strong>Most Americans won't see this coming until it's too late.</strong> But a growing number of <strong>preppers, off-gridders, and ex-military</strong> are already building this device at home using basic supplies and simple instructions.</div>
<div> </div>
<div><strong>No permits. No water bills. No government oversight.</strong><br />
Just <strong>pure, drinkable water—on demand.</strong></div>
<div> </div>
<div><strong><img src="http://airbundle.sa.com/193f4e2e5d4e920727.png" style="vertical-align: middle;" /></strong><span style="color: rgb(44, 99, 210);"><strong> </strong></span><a href="http://airbundle.sa.com/5lc4NNvYHoRR6rJijURTPOQtLp6Q9IWeBonM76As0-8o5jQ" http:="" microsoft.com="" style="color: rgb(17, 85, 204);" target="_blank"><span style="color: rgb(44, 99, 210);"><strong><u>Access the video briefing now before it's taken offline.</u></strong></span></a></div>
<div> </div>
<div><strong>Lois</strong><br />
<span style="letter-spacing: 0px; background-color: transparent;"> </span></div>
<div><i>P.S. Stockpiling water only works until someone notices. This DIY "air fountain" is <strong>invisible, quiet, and portable</strong>—perfect for bug-out plans or defending a homestead. </i><a href="http://airbundle.sa.com/5lc4NNvYHoRR6rJijURTPOQtLp6Q9IWeBonM76As0-8o5jQ" http:="" microsoft.com="" style="color: rgb(17, 85, 204);" target="_blank"><span style="color: rgb(44, 99, 210);"><i><strong><u>See how it works here.</u></strong></i></span></a></div>
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<div style="color:#FFFFFF;font-size:8px;">rous financial subsidies ensured the success of Sergei Diaghilev's Ballets Russes in Europe. In 1890, he enrolled at the Faculty of Law, St. Petersburg, to prepare for a career in the civil service like many Russian young men of his class. There he was introduced (through his cousin Dmitry Filosofov) to a student clique of artists and intellectuals calling themselves The Nevsky Pickwickians whose most influential member was Alexandre Benois; others included Léon Bakst, Walter Nouvel, and Konstantin Somov. From childhood, Diaghilev had been passionately interested in music. However, his ambition to become a composer was dashed in 1894 when Nikolai Rimsky-Korsakov told him he had no talent. In 1898, several members of The Pickwickians founded the journal Mir iskusstva (World of Art) under the editorship of Diaghilev. As early as 1902, Mir iskusstva included reviews of concerts, operas, and ballets in Russia. The latter were chiefly written by Benois, who exerted considerable influence on Diaghilev's thinking. Mir iskusstva also sponsored exhibitions of Russian art in St. Petersburg, culminating in Diaghi</div>
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