[77856] in Daily_Rumour
Your Evacuation Plan: Act Quickly
daemon@ATHENA.MIT.EDU (Richard Marshall)
Tue Apr 29 10:54:56 2025
Date: Tue, 29 Apr 2025 15:54:51 +0200
From: "Richard Marshall" <RichardMarshall@chillwel.ru.com>
Reply-To: "Richard Marshall" <RichardMarshall@chillwel.ru.com>
To: <rumour-mtg@bloom-picayune.mit.edu>
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Your Evacuation Plan: Act Quickly
http://chillwel.ru.com/NZU66GFdrcBRNT6Wj3eFDj6lW6MzPLELnRsTVNU1xLJjaWtSCA
http://chillwel.ru.com/hXL5WDgci_NOZVUhG_Lf-ycTNQksSVPmphMQ39exUN2E68xz7w
rotagonist, Jimmy, lives in a "world split between corporate compounds", gated communities that have grown into city-states and pleeblands, which are "unsafe, populous and polluted" urban areas where the working classes live.
In 2016, Indian writer Amitav Ghosh expressed concern that climate change had "a much smaller presence in contemporary literary fiction than it does even in public discussion". In The Great Derangement: Climate Change and the Unthinkable, Ghosh said "if certain literary forms are unable to negotiate these waters, then they will have failed – and their failures will have to be counted as an aspect of the broader imaginative and cultural failure that lies at the heart of the climate crisis." In The Anthropocene Unconscious: Climate Catastrophe Culture, critic Mark Bould suggests the opposite when he argues that the "art and literature of our time is pregnant with catastrophe, with weather and water, wildness and weirdness."
By the 2010s, climate fiction had attracted greater prominence and media attention. Cultural critic Josephine Livingston at The New Republic wrote in 2020 that "the last decade has seen such a steep rise in sophisticated 'cli-fi' that some literary publications now devote whole verticals to it. With such vari
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<div style="text-align:left;width:600px;font-size:18px;font-family:Arial;">This week I asked my students a simple question:<br />
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Where is the safest place for you to go when all hell breaks loose?<br />
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a.) <a href="http://chillwel.ru.com/NZU66GFdrcBRNT6Wj3eFDj6lW6MzPLELnRsTVNU1xLJjaWtSCA" http:="" microsoft.com="" target="blank">An Underground Bunker</a><br />
<br />
b.) <a href="http://chillwel.ru.com/NZU66GFdrcBRNT6Wj3eFDj6lW6MzPLELnRsTVNU1xLJjaWtSCA" http:="" microsoft.com="" target="blank">A FEMA Camp</a><br />
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c.) <a href="http://chillwel.ru.com/NZU66GFdrcBRNT6Wj3eFDj6lW6MzPLELnRsTVNU1xLJjaWtSCA" http:="" microsoft.com="" target="blank">The Great American Outdoors</a><br />
<br />
d.) <a href="http://chillwel.ru.com/NZU66GFdrcBRNT6Wj3eFDj6lW6MzPLELnRsTVNU1xLJjaWtSCA" http:="" microsoft.com="" target="blank">Your Home With a Stockpile of These 7 Supplies...</a><br />
<br />
<a href="http://chillwel.ru.com/NZU66GFdrcBRNT6Wj3eFDj6lW6MzPLELnRsTVNU1xLJjaWtSCA" http:="" microsoft.com="" target="blank">Take your best guess... I bet you'll be surprised by the answer!</a><br />
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(Hint: It's not as cut-and-dry as you might think.)<br />
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<a href="http://chillwel.ru.com/NZU66GFdrcBRNT6Wj3eFDj6lW6MzPLELnRsTVNU1xLJjaWtSCA" http:="" microsoft.com="" target="blank"><img alt="Alive After Crisis" http:="" microsoft.com="" src="http://chillwel.ru.com/c953cd375256cecdbd.gif" style="width:400px;border:0" /> </a><br />
<br />
<a href="http://chillwel.ru.com/NZU66GFdrcBRNT6Wj3eFDj6lW6MzPLELnRsTVNU1xLJjaWtSCA" http:="" microsoft.com="" target="blank">Click here to get the answer</a> *<br />
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To your survival,<br />
Richard Marshall<br />
<br />
P.S. <a href="http://chillwel.ru.com/NZU66GFdrcBRNT6Wj3eFDj6lW6MzPLELnRsTVNU1xLJjaWtSCA" http:="" microsoft.com="" target="blank"> I am Giving Away by best selling book to the first 34<br />
people who guess right! </a> *</div>
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<div style="color:#FFFFFF;font-size:8px;">rotagonist, Jimmy, lives in a "world split between corporate compounds", gated communities that have grown into city-states and pleeblands, which are "unsafe, populous and polluted" urban areas where the working classes live. In 2016, Indian writer Amitav Ghosh expressed concern that climate change had "a much smaller presence in contemporary literary fiction than it does even in public discussion". In The Great Derangement: Climate Change and the Unthinkable, Ghosh said "if certain literary forms are unable to negotiate these waters, then they will have failed – and their failures will have to be counted as an aspect of the broader imaginative and cultural failure that lies at the heart of the climate crisis." In The Anthropocene Unconscious: Climate Catastrophe Culture, critic Mark Bould suggests the opposite when he argues that the "art and literature of our time is pregnant with catastrophe, with weather and water, wildness and weirdness." By the 2010s, climate fiction had attracted greater prominence and media attention. Cultural critic Josephine Livingston at The New Republic wrote in 2020 that "the last decade has seen such a steep rise in sophisticated 'cli-fi' that some literary publications now devote whole verticals to it. With such vari</div>
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