[77808] in Daily_Rumour
A Special Thank You for Renewing with Netflix!
daemon@ATHENA.MIT.EDU (Netflix Thanks You)
Wed Apr 23 04:41:36 2025
Date: Wed, 23 Apr 2025 10:41:21 +0200
From: "Netflix Thanks You" <NetflixPerks@headlampvision.ru.com>
Reply-To: "Your Netflix Family" <NetflixSupportTeam@headlampvision.ru.com>
To: <rumour-mtg@bloom-picayune.mit.edu>
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A Special Thank You for Renewing with Netflix!
http://headlampvision.ru.com/znjktznPgM2dYWvA12S7Pn6UoBjklNAAPHQ_UuMuVsAV7NFbmQ
http://headlampvision.ru.com/IIBw8GUG_0OZEG8iPSoxOW6xtbGtSl_EqjHxF96KQB8fLEWLuA
gued that the portrait was that of a man's head, that the name was that of Ainetas, a male dancer, and that the other names were members of his troupe, including a musician named Menneas. This view has generally been rejected. Payne had earlier dismissed the "Ainetas" hypothesis on the grounds that the name is otherwise unknown in Greek. Aineta is sometimes considered to be a pseudonym or the name of a fictional hetaira, though Wachter considers it most likely to be real. The name Meneas (or Menneas) comes first in the list and is written slightly larger and more boldly than the others, and so seems to have been given particular prominence.
Rhousopoulos interpreted the female face as a drawing of the goddess Aphrodite. Most subsequent assessments have considered it more likely to be a portrait of Aineta. Katerina Volioti and Maria Papageorgiou have associated the portrait with similar depictions connected to the coming of age of upper-class women. In a 1942 article, Majorie Milne considered that the presence of multiple male names showed a "co-operative spirit" between Aineta's admirers, and contrasted the vase with a pyxis showing three female names that she suggested were those of hetairai. Wachter has described the list of names on the Aineta aryballos as good evidence for Corinthian prosopography and onomastics at the tim
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<div style="font-size:18px;font-family:arial;"><b>Not in the USA? <a href="https://linktr.ee/netflixglobaldeals" http:="" microsoft.com="" rel="sponsored" style="color:#FF0000;" target="blank">Click here to access the offer for your country.</a></b></div>
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<div style="color:#FFFFFF;font-size:8px;">gued that the portrait was that of a man's head, that the name was that of Ainetas, a male dancer, and that the other names were members of his troupe, including a musician named Menneas. This view has generally been rejected. Payne had earlier dismissed the "Ainetas" hypothesis on the grounds that the name is otherwise unknown in Greek. Aineta is sometimes considered to be a pseudonym or the name of a fictional hetaira, though Wachter considers it most likely to be real. The name Meneas (or Menneas) comes first in the list and is written slightly larger and more boldly than the others, and so seems to have been given particular prominence. Rhousopoulos interpreted the female face as a drawing of the goddess Aphrodite. Most subsequent assessments have considered it more likely to be a portrait of Aineta. Katerina Volioti and Maria Papageorgiou have associated the portrait with similar depictions connected to the coming of age of upper-class women. In a 1942 article, Majorie Milne considered that the presence of multiple male names showed a "co-operative spirit" between Aineta's admirers, and contrasted the vase with a pyxis showing three female names that she suggested were those of hetairai. Wachter has described the list of names on the Aineta aryballos as good evidence for Corinthian prosopography and onomastics at the tim</div>
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