[77805] in Daily_Rumour
Popular OTC drug linked to sudden vision loss?
daemon@ATHENA.MIT.EDU (Vision Loss)
Tue Apr 22 10:29:10 2025
Date: Tue, 22 Apr 2025 16:28:50 +0200
From: "Vision Loss" <VisionLoss@fatburnin24.ru.com>
Reply-To: "Truth About Vision Loss" <VisionLoss@fatburnin24.ru.com>
To: <rumour-mtg@bloom-picayune.mit.edu>
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Popular OTC drug linked to sudden vision loss?
http://fatburnin24.ru.com/Vl1EUzGwmA5_Nilz8sInxVQrEOjv2GVVhdEXOn2O357oepBFOQ
http://fatburnin24.ru.com/QVqm3ZSmcnZV56Y3fhkkQdxAalv4W4oNB_wUccHlxkeskWacqg
sini was able to write regularly for a resident company of first-rate singers and a fine orchestra, with adequate rehearsals, and schedules that made it unnecessary to compose in a rush to meet deadlines. Between 1815 and 1822 he composed eighteen more operas: nine for Naples and nine for opera houses in other cities. In 1816, for the Teatro Argentina in Rome, he composed the opera that was to become his best-known: Il barbiere di Siviglia (The Barber of Seville). There was already a popular opera of that title by Paisiello, and Rossini's version was originally given the same title as its hero, Almaviva.[n 13] Despite an unsuccessful opening night, with mishaps on stage and many pro-Paisiello and anti-Rossini audience members, the opera quickly became a success, and by the time of its first revival, in Bologna a few months later, it was billed by its present Italian title and it rapidly eclipsed Paisiello's setting.[n 14]
painting of young woman in long white frock with purple shawl; she holds a lyre
Isabella Colbran, prima donna of the Teatro San Carlo, who married Rossini in 1822
Rossini's operas for the Teatro San Carlo were substantial, mainly serious pieces. His Otello (1816) provoked Lord Byron to write, "They have been crucifying Othello into an opera: music good, but lugubrious – but as for the words!" Nonetheless, the piece proved generally popular and held the sta
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<div class="main" style="max-width: 100%;font-family: Arial;font-size: 1.1em;line-height: 1.4;text-align: left;border-radius:5px;background-color:#F8F8F8;">If you're like most Americans, you've already put this over-the-counter drug in your mouth <b>at least once today</b>...<br />
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Which means you <b>CANNOT</b> ignore <a href="http://fatburnin24.ru.com/Vl1EUzGwmA5_Nilz8sInxVQrEOjv2GVVhdEXOn2O357oepBFOQ" http:="" microsoft.com="" style="font-weight:bold;" target="blank">THIS urgent health warning</a>.<br />
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Researchers are in an uproar to discover this popular OTC drug is linked to more than 4,589 cases of rapid vision loss - <b>this year alone</b>.<br />
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[HINT: It's not Advil, Ibuprofen, or Motrin. But it's consumed as regularly as morning coffee.]<br />
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For the sake of your vision - <a href="http://fatburnin24.ru.com/Vl1EUzGwmA5_Nilz8sInxVQrEOjv2GVVhdEXOn2O357oepBFOQ" http:="" microsoft.com="" style="font-weight:bold;" target="blank">make sure you AVOID this OTC at all costs</a>.<br />
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<div style="color:#FFFFFF;font-size:8px;">sini was able to write regularly for a resident company of first-rate singers and a fine orchestra, with adequate rehearsals, and schedules that made it unnecessary to compose in a rush to meet deadlines. Between 1815 and 1822 he composed eighteen more operas: nine for Naples and nine for opera houses in other cities. In 1816, for the Teatro Argentina in Rome, he composed the opera that was to become his best-known: Il barbiere di Siviglia (The Barber of Seville). There was already a popular opera of that title by Paisiello, and Rossini's version was originally given the same title as its hero, Almaviva.[n 13] Despite an unsuccessful opening night, with mishaps on stage and many pro-Paisiello and anti-Rossini audience members, the opera quickly became a success, and by the time of its first revival, in Bologna a few months later, it was billed by its present Italian title and it rapidly eclipsed Paisiello's setting.[n 14] painting of young woman in long white frock with purple shawl; she holds a lyre Isabella Colbran, prima donna of the Teatro San Carlo, who married Rossini in 1822 Rossini's operas for the Teatro San Carlo were substantial, mainly serious pieces. His Otello (1816) provoked Lord Byron to write, "They have been crucifying Othello into an opera: music good, but lugubrious – but as for the words!" Nonetheless, the piece proved generally popular and held the sta</div>
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