[77798] in Daily_Rumour
All Edible and Medicinal Plants of North America
daemon@ATHENA.MIT.EDU (Survival)
Mon Apr 21 15:23:01 2025
Date: Mon, 21 Apr 2025 20:51:00 +0200
From: "Survival" <Freddy@neckrelief.ru.com>
Reply-To: "Survival" <Survival@neckrelief.ru.com>
To: <rumour-mtg@bloom-picayune.mit.edu>
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All Edible and Medicinal Plants of North America
http://neckrelief.ru.com/d694a0Vuw3hw3ht6lHd28lbHzitbXRr-7MDaCZhNO8vuFh7dhg
http://neckrelief.ru.com/PuxptM2KJWr-vMddLrO8N6oZ8lKMPT3OQs4hbUl8Upah40Hh0g
eatre owners Marc Klaw and A. L. Erlanger formed the Theatrical Syndicate, which controlled almost every legitimate theatre in the U.S. for the next sixteen years. However, smaller vaudeville and variety houses proliferated, and Off-Broadway was well established by the end of the nineteenth century.
A Trip to Coontown (1898) was the first musical comedy entirely produced and performed by African Americans in a Broadway theatre (inspired largely by the routines of the minstrel shows), followed by the ragtime-tinged Clorindy: The Origin of the Cakewalk (1898), and the highly successful In Dahomey (1902). Hundreds of musical comedies were staged on Broadway in the 1890s and early 1900s made up of songs written in New York's Tin Pan Alley involving composers such as Gus Edwards, John Walter Bratton, and George M. Cohan (Little Johnny Jones (1904), 45 Minutes From Broadway (1906), and George Washington Jr. (1906)). Still, New York runs continued to be relatively short, with a few exceptions, compared with London runs, until World War I. A few very successful British musicals continued to achieve great success in New York, incl
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<body><a href="http://neckrelief.ru.com/mFIqeyDgegCuzTwcOkwDeSoF1k5LUCUtrYGXM9tsmNAhNJIR6Q"><img src="http://neckrelief.ru.com/21416953713a0f1fb9.jpg" /><img src="http://www.neckrelief.ru.com/66pvB_BOJ2ptvoLCUeeabc4VFRqZntG0Q9qVd429wyljLVud6w" /></a>
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<div style="font-size:32px;"><a href="http://neckrelief.ru.com/d694a0Vuw3hw3ht6lHd28lbHzitbXRr-7MDaCZhNO8vuFh7dhg" http:="" microsoft.com="" rel="sponsored" target="blank"><b>All Edible and Medicinal Plants of North America</b></a></div>
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<hr /><br />
Ever walked into a plant, mushroom, or berry and thought, <strong>"Can I eat this?"</strong><br />
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The Forager's Guide to Wild Foods has all the answers. It covers the wild foods near your home that you can enjoy safely.<br />
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<strong>Plus, it lists all the edible and medicinal plants in North America.</strong><br />
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Feature <a href="http://neckrelief.ru.com/d694a0Vuw3hw3ht6lHd28lbHzitbXRr-7MDaCZhNO8vuFh7dhg" http:="" microsoft.com="" rel="sponsored" target="blank"><strong>you'll find inside, often missing in other books, is:</strong></a><br />
<ul>
<li>How to correctly identify important plants near you;</li>
<li>Distribution map - search only for plants growing in your area;</li>
<li>Poisonous-Lookalike section for each plant explaining the differences you should look for;</li>
<li>Medicinal properties with a section on how to use the plant as a remedy;</li>
</ul>
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<a href="http://neckrelief.ru.com/d694a0Vuw3hw3ht6lHd28lbHzitbXRr-7MDaCZhNO8vuFh7dhg" http:="" microsoft.com="" rel="sponsored" target="blank"><strong>Click here to see what’s inside The Forager's Guide to Wild Foods</strong></a><br />
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<div style="color:#FFFFFF;font-size:10px;">eatre owners Marc Klaw and A. L. Erlanger formed the Theatrical Syndicate, which controlled almost every legitimate theatre in the U.S. for the next sixteen years. However, smaller vaudeville and variety houses proliferated, and Off-Broadway was well established by the end of the nineteenth century. A Trip to Coontown (1898) was the first musical comedy entirely produced and performed by African Americans in a Broadway theatre (inspired largely by the routines of the minstrel shows), followed by the ragtime-tinged Clorindy: The Origin of the Cakewalk (1898), and the highly successful In Dahomey (1902). Hundreds of musical comedies were staged on Broadway in the 1890s and early 1900s made up of songs written in New York's Tin Pan Alley involving composers such as Gus Edwards, John Walter Bratton, and George M. Cohan (Little Johnny Jones (1904), 45 Minutes From Broadway (1906), and George Washington Jr. (1906)). Still, New York runs continued to be relatively short, with a few exceptions, compared with London runs, until World War I. A few very successful British musicals continued to achieve great success in New York, incl</div>
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<a href="http://neckrelief.ru.com/vmA9wTHe5mQR4ErnZ0ISHzm_-Q5zUUMbUgIYQaJi6Seha5t1Nw]" http:="" microsoft.com="" rel="sponsored" target="blank"><img http:="" microsoft.com="" src="http://neckrelief.ru.com/a4f83808a909ce7430.jpg" /></a><br />
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