[77656] in Daily_Rumour
Limited offer - $300 off Endurance warranty purchase
daemon@ATHENA.MIT.EDU (Endurance Affiliates)
Wed Apr 2 11:44:30 2025
Date: Wed, 2 Apr 2025 17:44:28 +0200
From: "Endurance Affiliates" <TheEnduranceDifference@crisisafter.info>
Reply-To: "Endurance Auto Warranty" <TheEnduranceDifference@crisisafter.info>
To: <rumour-mtg@bloom-picayune.mit.edu>
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Limited offer - $300 off Endurance warranty purchase
http://crisisafter.info/v3YcxoaKmJj6EKDQFPu4DsUcPH505mdUl2PGbLPQdggCcsJY
http://crisisafter.info/PuiC3wymeZ_e0ikubHMAIEwGdm0LACu3ZucTfcUz6I2XU_kZ
eloped in California, particularly in San Francisco, by the mid-1960s, with the first major underground LSD factory established by Owsley Stanley. From 1964, the Merry Pranksters, a loose group that developed around novelist Ken Kesey, sponsored the Acid Tests, a series of events involving the taking of LSD (supplied by Stanley), accompanied by light shows, film projection and discordant, improvised music by the Grateful Dead (financed by Stanley), then known as the Warlocks, known as the psychedelic symphony. The Pranksters helped popularise LSD use, through their road trips across America in a psychedelically decorated converted school bus, which involved distributing the drug and meeting with major figures of the beat movement, and through publications about their activities such as Tom Wolfe's The Electric Kool-Aid Acid Test in 1968.
San Francisco had an emerging music scene of folk clubs, coffee houses and independent radio stations that catered to the population of students at nearby Berkeley and the free thinkers that had gravitated to the city. There was already a culture of drug use among jazz and blues musicians, and in the early 1960s use of drugs including cannabis, peyote, mescaline and LSD began to grow among folk and rock musicians. One of the first musical uses of the term "psychedelic" in the folk scene was by the New York-based folk group The Holy Modal Rounders on their version of Lead Belly's "Hesitation Blues" in 1964. Folk/avant-garde guitarist John Fahey recorded several songs in the early 1960s experiment
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<div style="color:#FFFFFF;font-size:8px;">eloped in California, particularly in San Francisco, by the mid-1960s, with the first major underground LSD factory established by Owsley Stanley. From 1964, the Merry Pranksters, a loose group that developed around novelist Ken Kesey, sponsored the Acid Tests, a series of events involving the taking of LSD (supplied by Stanley), accompanied by light shows, film projection and discordant, improvised music by the Grateful Dead (financed by Stanley), then known as the Warlocks, known as the psychedelic symphony. The Pranksters helped popularise LSD use, through their road trips across America in a psychedelically decorated converted school bus, which involved distributing the drug and meeting with major figures of the beat movement, and through publications about their activities such as Tom Wolfe's The Electric Kool-Aid Acid Test in 1968. San Francisco had an emerging music scene of folk clubs, coffee houses and independent radio stations that catered to the population of students at nearby Berkeley and the free thinkers that had gravitated to the city. There was already a culture of drug use among jazz and blues musicians, and in the early 1960s use of drugs including cannabis, peyote, mescaline and LSD began to grow among folk and rock musicians. One of the first musical uses of the term "psychedelic" in the folk scene was by the New York-based folk group The Holy Modal Rounders on their version of Lead Belly's "Hesitation Blues" in 1964. Folk/avant-garde guitarist John Fahey recorded several songs in the early 1960s experiment</div>
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