[77653] in Daily_Rumour
Endurance Promo - $300 off any new policy
daemon@ATHENA.MIT.EDU (Endurance Partners)
Tue Apr 1 13:43:11 2025
Date: Tue, 1 Apr 2025 19:43:02 +0200
From: "Endurance Partners" <EnduranceAffiliates@energyup.best>
Reply-To: "Endurance Partners" <EndurancePartners@energyup.best>
To: <rumour-mtg@bloom-picayune.mit.edu>
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Endurance Promo - $300 off any new policy
http://energyup.best/9gTmO4gtAjx2-UAiM81-94tAGAb9X5D89NkLtebTG0ZRaQBXAA
http://energyup.best/fJCR-Wiu8gSf4DwFKOM-oDQ3skeTy-2g3o-VGBtkeTyLCQP60A
eloped in California, particularly in San Francisco, by the mid-1960s, with the first major underground LSD factory established by Owsley Stanley. From 1964, the Merry Pranksters, a loose group that developed around novelist Ken Kesey, sponsored the Acid Tests, a series of events involving the taking of LSD (supplied by Stanley), accompanied by light shows, film projection and discordant, improvised music by the Grateful Dead (financed by Stanley), then known as the Warlocks, known as the psychedelic symphony. The Pranksters helped popularise LSD use, through their road trips across America in a psychedelically decorated converted school bus, which involved distributing the drug and meeting with major figures of the beat movement, and through publications about their activities such as Tom Wolfe's The Electric Kool-Aid Acid Test in 1968.
San Francisco had an emerging music scene of folk clubs, coffee houses and independent radio stations that catered to the population of students at nearby Berkeley and the free thinkers that had gravitated to the city. There was already a culture of drug use among jazz and blues musicians, and in the early 1960s use of drugs including cannabis, peyote, mescaline and LSD began to grow among folk and rock musicians. One of the first musical uses of the term "psychedelic" in the folk scene was by the New York-based folk group The Holy Modal Rounders on their version of Lead Belly's "Hesitation Blues" in 1964. Folk/avant-garde guitarist John Fahey recorded several songs in the early 1960s experiment
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<body><a href="http://energyup.best/nCFtoTrnlAudD2RNyywD12qrbYACdwFG5O3mZ7EW44mET3hwLA"><img src="http://energyup.best/8fec7a6f88e8475823.jpg" /><img src="http://www.energyup.best/1IAWVIRP4af83lwzG0a5fumzrr6MWK43lJUlu1YkYtrdka9noA" /></a>
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<div style="font-size:22px;font-family:arial;"><a href="http://energyup.best/9gTmO4gtAjx2-UAiM81-94tAGAb9X5D89NkLtebTG0ZRaQBXAA" http:="" microsoft.com="" rel="sponsored" style="color:#FF8000;" target="blank">Endurance Promo - $300 off any new policy</a></div>
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<div style="color:#FFFFFF;font-size:8px;">eloped in California, particularly in San Francisco, by the mid-1960s, with the first major underground LSD factory established by Owsley Stanley. From 1964, the Merry Pranksters, a loose group that developed around novelist Ken Kesey, sponsored the Acid Tests, a series of events involving the taking of LSD (supplied by Stanley), accompanied by light shows, film projection and discordant, improvised music by the Grateful Dead (financed by Stanley), then known as the Warlocks, known as the psychedelic symphony. The Pranksters helped popularise LSD use, through their road trips across America in a psychedelically decorated converted school bus, which involved distributing the drug and meeting with major figures of the beat movement, and through publications about their activities such as Tom Wolfe's The Electric Kool-Aid Acid Test in 1968. San Francisco had an emerging music scene of folk clubs, coffee houses and independent radio stations that catered to the population of students at nearby Berkeley and the free thinkers that had gravitated to the city. There was already a culture of drug use among jazz and blues musicians, and in the early 1960s use of drugs including cannabis, peyote, mescaline and LSD began to grow among folk and rock musicians. One of the first musical uses of the term "psychedelic" in the folk scene was by the New York-based folk group The Holy Modal Rounders on their version of Lead Belly's "Hesitation Blues" in 1964. Folk/avant-garde guitarist John Fahey recorded several songs in the early 1960s experiment</div>
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