[76730] in Daily_Rumour
ChillWell 2.0: Your Perfect Summer Companion at $89.99
daemon@ATHENA.MIT.EDU (Your ChillWell Expert)
Sun Jul 21 05:15:29 2024
Date: Sun, 21 Jul 2024 10:29:57 +0200
From: "Your ChillWell Expert" <YourChillWellExpert@darkhorizon.shop>
Reply-To: "Your ChillWell Expert" <YourChillWellExpert@darkhorizon.shop>
To: <rumour-mtg@bloom-picayune.mit.edu>
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ChillWell 2.0: Your Perfect Summer Companion at $89.99
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nd producing three episodes of the television documentary Tale of Three Seaside Towns alongside producer Alistair Clarke. The programme followed media personalities Russell Grant, Honor Blackman and Pam Ayres visiting and exploring the South Coast towns of Brighton, Eastbourne and Weymouth. Yates directed his fifth short film Punch before making his feature film debut in 1998 with the release of the independent historical-drama film The Tichborne Claimant. The film, which was shown at the Edinburgh International Film Festival, was written by Joe Fisher and based on the true events of the Tichborne Case. It starred Stephen Fry and Robert Hardy and was shot on location in Merseyside and on the Isle of Man.
Yates returned to television in 2000 to direct the episodes of Greed, Envy and Lust for the BBC miniseries The Sins, starring Pete Postlethwaite, as well as The Way We Live Now, the four-part television adaptation of the novel of the same name by Anthony Trollope. Yates shared the British Academy Television Award for Best Drama Serial with screenwriter Andrew Davies and producer Nigel Stafford-Clark at the 2002 BAFTA Awards.
One year later, Yates attended the 56th BAFTA Awards with a British Academy Film Award nomination for Best Short Film for the fourteen-minute production, Rank, which expressed the social elements of racism, friendship and adolescence through the story of a street gang that cross Glasgow to witness the arrival of a group of Somali refugees. Yates said that even though The Way We Live Now was "a very big production" and "enormous fun to do", Rank was an opportunity to "shake all that off" and "get back to roots". Of the casting, Yates said that he "wanted to use non-actors to tell the story, to create a reality ... the kids we cast in Glasgow had never done a film before." The film was noted for its gritty style and cinematography, with a review from Eye For Film stating that "such int
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<td style="color:#FFFFFF;font-size:10px;">nd producing three episodes of the television documentary Tale of Three Seaside Towns alongside producer Alistair Clarke. The programme followed media personalities Russell Grant, Honor Blackman and Pam Ayres visiting and exploring the South Coast towns of Brighton, Eastbourne and Weymouth. Yates directed his fifth short film Punch before making his feature film debut in 1998 with the release of the independent historical-drama film The Tichborne Claimant. The film, which was shown at the Edinburgh International Film Festival, was written by Joe Fisher and based on the true events of the Tichborne Case. It starred Stephen Fry and Robert Hardy and was shot on location in Merseyside and on the Isle of Man. Yates returned to television in 2000 to direct the episodes of Greed, Envy and Lust for the BBC miniseries The Sins, starring Pete Postlethwaite, as well as The Way We Live Now, the four-part television adaptation of the novel of the same name by Anthony Trollope. Yates shared the British Academy Television Award for Best Drama Serial with screenwriter Andrew Davies and producer Nigel Stafford-Clark at the 2002 BAFTA Awards. One year later, Yates attended the 56th BAFTA Awards with a British Academy Film Award nomination for Best Short Film for the fourteen-minute production, Rank, which expressed the social elements of racism, friendship and adolescence through the story of a street gang that cross Glasgow to witness the arrival of a group of Somali refugees. Yates said that even though The Way We Live Now was "a very big production" and "enormous fun to do", Rank was an opportunity to "shake all that off" and "get back to roots". Of the casting, Yates said that he "wanted to use non-actors to tell the story, to create a reality ... the kids we cast in Glasgow had never done a film before." The film was noted for its gritty style and cinematography, with a review from Eye For Film stating that "such int<br />
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