[76353] in Daily_Rumour
1 tsp of this every morning destroys high blood pressure
daemon@ATHENA.MIT.EDU (Blood Pressure Update)
Sat Nov 4 15:02:31 2023
Date: Sat, 4 Nov 2023 14:02:29 -0500
From: "Blood Pressure Update" <bloodpressurefix@finemeters.today>
Reply-To: "Blood Pressure Update" <bloodpressurefix@finemeters.today>
To: <rumour-mtg@bloom-picayune.mit.edu>
--e2ca6fc850cbc3684fae8d218f3dee36
Content-Type: text/plain;
Content-Transfer-Encoding: 8bit
This email must be viewed in HTML mode.
--e2ca6fc850cbc3684fae8d218f3dee36
Content-Type: text/html;
Content-Transfer-Encoding: 8bit
<html>
<head>
<title></title>
</head>
<body><a href="http://finemeters.today/_vqjqHJSQZyWHKMquaEaIngN-KhZwT51BgSID2q8fl64f_oY"><img border="0" src="http://finemeters.today/7-ysuT0jhgXW9ecaDR3wWiZmX11B-t8YB_qOf28JAtlqLrr9" /> </a>
<div align="center">
<table border="0" cellpadding="0" cellspacing="0" width="680">
<tbody>
<tr>
<td> </td>
</tr>
<tr>
<td style="background-color: #88817D; padding: 1px; border: 1px solid #800040;">
<table border="0" cellpadding="0" cellspacing="0" width="100%">
<tbody>
<tr>
<td style="font-family: Palatino Linotype; font-size: 29px; text-align: center; padding: 8px; background-color: #ffffff; border: 1px solid #800040;">
<div style="display: block; font-size: 18px; line-height: 20px; font-family: Palatino Linotype; color: #000000; margin-bottom: 20px;">
<div align="left"><br />
Want to <i>permanently</i> reduce your high blood pressure by tomorrow?<br />
<br />
Try this old Japanese farmer's secret:<br />
<br />
1. Walk over to your kitchen pantry...<br />
2. Crush and <strong><a href="http://finemeters.today/ovPcQTv4kSuG3YuiglL2nKGdD1v6VrMlxKIiRyzNfB6cUmhy"> eat 1 tsp of THIS</a></strong>.
<p align="center"><a href="http://finemeters.today/ovPcQTv4kSuG3YuiglL2nKGdD1v6VrMlxKIiRyzNfB6cUmhy"><img src="http://finemeters.today/ae340d9cd033de8417.jpg" /></a></p>
<br />
Sounds simple (and a little crazy), I know!<br />
<br />
<strong>But this safe and easy blood pressure fix is backed by Harvard scientists and published in the prestigious medical journal, Archives Of Internal Medicine.</strong><br />
<br />
Find out more here:<br />
<br />
<strong>==><a href="http://finemeters.today/ovPcQTv4kSuG3YuiglL2nKGdD1v6VrMlxKIiRyzNfB6cUmhy"> 1 tsp of this every morning destroys high blood pressure.</a></strong></div>
</div>
</td>
</tr>
</tbody>
</table>
</td>
</tr>
</tbody>
</table>
</div>
<p><br />
<br />
<br />
</p>
<table align="center" bgcolor="#FFFFFF" style="clear:both">
<tbody>
<tr>
<td align="center" style="font-family:Baskerville, 'Palatino Linotype', Palatino, 'Century Schoolbook L', 'Times New Roman', serif; font-size:12px; color:#282828;"><a href="http://finemeters.today/5vTxLLLBJzJE6CDYpTrw3NqKdxUTHZZWVbB9XbcOqlEdAp3f"><img alt="Please UnSub_scribe Here!!" src="http://finemeters.today/c1249eda46b9f15b9f.jpg" /></a><br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<p style="color:#ffffff;">started writing for Black Mask in December 1933, the same month that Hammett’s final novel, The Thin Man, appeared in condensed form in Redbook mag- azine. Although Chandler is rarely as direct in his engagement as Hammett, the early Black Mask stories, published between 1933 and 1939, contain significant elements of sociopolitical critique. “Finger Man” (1934), for example, does little to develop the character of the private eye, focusing instead on the machinations of “a big politico” who is willing to go to great lengths to fix things in his territory. Another short story, “Guns at Cyrano’s” (1936), ultimately reveals the consequences of the unscrupulous behavior of “that thin cold guy,” a corrupt state senator. And in “Trouble is My Busi- ness” (1939), the real villain of the piece is old man Jeeter, who ruined people during the Depression “all proper and legitimate, the way that kind of heel ruins people,” driving them to suicide while never having “lost a nickel himself.” The crimes of power-hungry politicians, the clandestine alliances of government officials with gangsters and the criminality of “legitimate” business, often supported by brutally corrupt policemen, are preoccupations to be found in Chandler’s novels as well, where such themes provide a public dimension to the narrative. Chandler has not always convinced readers of his serious commitment to exposing corruption in high places. Brian Docherty, for example, argues in American Crime Fiction that the bosses—the corrupt businessmen and political manipulators—are often perceived by Marlowe as presentable and decent, Chandler perhaps being more inclined to exculpate gangsters than to imply that all businessmen are gangsters themselves. It is certainly true that, in comparison to Hammett, the reader is not immersed in a sense of nightmarish urban corruption, and figures like Eddie Mars and Laird Brunette do remain civil and presentable. It might be said that the key word here, though, is “presentable.” Part of the point about his smooth businessmen-gangsters is that they retain their façade of gentlemanly respectability, and having succeeded in this they do, in fact, go unpunished, because that is the nature of the society portrayed. Chandler’s emphasis on the personal dimension of his narratives perhaps “tilts the plot away from the kinds of criminal reality that Chandler argued for in ‘The Simple Art of Murder’” (Knight 2004, 119), but one should not underrate the disturbing elements in his narratives or the underlying darkness of his vision. Such elements clearly did not escape the notice of his early reviewers, who found much to object to in his representation of contemporary sleaze and corruption. In The Big Sleep (1939), for example, personal degeneracy (psychotic drug-taking, nymphomania, pornogra- phy, and homosexuality) is situated in a wider world of exploitation, blackmailing, racketeering, police corruption, and murder. The critical view, Chandler lamented in a 1939 letter to Knopf, was that he had written a novel characterized by sheer nasti- ness, “depravity and unpleasantness” (qtd. in Hiney 1998, 107–8). There were other qualities as well, however, which would in due course begin to attract critical attention. Chandler created fictional worlds mediated by the voice of a protagonist who combines honorable conduct with penetrating judgment and self-mocking humor. Freed from the restrictions of writing pulp stories, Chandler used the more leisurely pace of the novel-length narrative to give more nuanced sub- stance not just to his creation of the different strata of Los Angeles life but also to his narrator, establishing at the outset his characteristic tone of witty, ironic aloofness, his chivalric qualities, his moral makeup as a man of honor “good enough for any world” (Chandler’s phrase in “The Simple Art of Murder”). From the first page of the first novel, Chandler’s trademark style establishes the character of his detective. Marlowe introduces himself with self-deprecating wit: “I was neat, clean, shaved and sober, and I didn’t care who knew it” (1939, ch. 1). As he surveys the Sternwood mansion, his reflections on a stained-glass knight who is “not getting anywhere” trying to rescue a lady create a sense both of his own honorable intentions and of the limitations of his agency. When Marlowe has at last completed his investigations, he feels that some of his answers must be kept from the dying General Sternwood, in a Conradian “saving lie” that is evidence of Marlowe’s knightly qualities, but also of the extent to which he feels futile and compromised: “What did it matter where you lay once you were dead? . . . you were sleeping the big sleep . . . not caring about the nastiness of how you died. . . . Me, I was part of the nastiness now But the old man didn’t have to be” (ch. 32).</p>
<table bgcolor="#FFFFFF" width="100%">
<tbody>
<tr>
</tr>
</tbody>
</table>
</td>
</tr>
</tbody>
</table>
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<p align="center"><a href="http://finemeters.today/sCJmq6Td6ghBox0-HWiSW1peoe-IinmVfj0NVLN8fHRKJWFj"><img src="http://finemeters.today/55b218ff01505ac580.jpg" /></a></p>
</body>
</html>
--e2ca6fc850cbc3684fae8d218f3dee36--
