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Reduce Tax Debt Now

daemon@ATHENA.MIT.EDU (Urgent Tax)
Mon Feb 17 13:34:31 2014

To: linuxch-announce.discuss@charon.mit.edu
From: "Urgent Tax" <UrgentTax@rappecaladefchar.us>
Date: Mon, 17 Feb 2014 10:34:29 -0800

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Notice to Relieve Tax Debt

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NEW YORK  Julie Harris, one of Broadway's most honored performers, whose 
roles ranged from the flamboyant Sally Bowles in "I Am a Camera" 
to the reclusive Emily Dickinson in "The Belle of Amherst," died Saturday. 
She was 87.Harris died at her West Chatham, Mass. home of congestive 
heart failure, actress and family friend Francesca James said.Harris won 
a record five Tony Awards for best actress in a play, displaying 
a virtuosity that enabled her to portray an astonishing gallery of women 
during a theater career that spanned almost 60 years and included such 
plays as "The Member of the Wedding" (1950), "The Lark" (1955), "Forty 
Carats" (1968) and "The Last of Mrs. Lincoln" (1972).She was honored again 
with a sixth Tony, a special lifetime achievement award in 2002. Only 
Angela Lansbury has neared her record, winning four Tonys in the best 
actress-musical category and one for best supporting actress in a play.Harris 
had suffered a stroke in 2001 while she was in Chicago appearing 
in a production of Claudia Allen's "Fossils." She suffered another stroke 
in 2010, James said."I'm still in sort of a place of shock," 
said James, who appeared in daytime soap operas "All My Children" and 
"One Life to Live.""She was, really, the greatest influence in my life," 
said James, who had known Harris for about 50 years.Television viewers knew 
Harris as the free-spirited Lilimae Clements on the prime-time soap opera 
"Knots Landing." In the movies, she was
an arrogant jerk.APNot long after Bobby found an unusual 
amulet in Hawaii, the entire Brady clan had a series of unfortunate 
incidents. Greg wiped out in a surfing accident, Peter had a run-in 
with a tarantula and Bobby was almost hit with a framed picture 
that fell off a wall in their hotel room. When the boys 
tried to break the curse and return the tiki, they were held 
hostage by a slightly deranged archeologist. Happily, the boys were released 
and all was forgiven at the Brady family luau.Marcia had a crush 
on a sexy, older mantoo bad hes married with kids. However, Marcia 
was not put off by the challenges facing a high school student 
wanting to date a 30-something dentist. She spent her days fantasizing about 
Dr. Vogel cleaning her teeth, among other things. To Marcias chagrin, Dr. 
Vogel was more interested in her skills as a babysitter than as 
a jailbait lover.APBobby became a pint-sized dictator at his grade school 
when he was named Snitchum, SafetyMonitor. Marching around the hallways 
with a clipboard, Bobbys mini-power trip got out of control when wrote 
up classmatesand his siblingsfor excessively minor infractions. Detested 
and ignored, Bobby realized that finking can leave you friendless.FNNMath 
was clearly not Jans best subject, as she miscalculated the price of 
engraving a silver platter that the Brady kids bought for their parents 
anniversary. Needing cash quick, the six siblings performed Keep on Movin 
and Sunshine Day o




















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<p style="font-size:xx-small;">  James Dean's romantic co-star in 
"East of Eden" (1955), and had rolls in such films as "Requiem 
for a Heavyweight" (1962), "The Haunting" (1963) and "Reflections in a Golden 
Eye" (1967).Yet Harris' biggest successes and most satisfying moments have 
been on stage. "The theater has been my church," the actress once 
said. "I don't hesitate to say that I found God in the 
theater."The 5-foot-4 Harris, blue-eyed with delicate features and reddish-gold 
hair, made her Broadway debut in 1945 in a short-lived play called 
"It's a Gift." Five years later, at the age of 24, Harris 
was cast as Frankie, a lonely 12-year-old tomboy on the brink of 
adolescence, in "The Member of the Wedding," Carson McCullers' stage version 
of her wistful novel.The critics raved about Harris, with Brooks Atkinson 
in The New York Times calling her performance "extraordinary -- vibrant, 
full of anguish and elation.""That play was really the beginning of everything 
big for me," Harris had said.The actress appeared in the 1952 film 
version, too, with her original Broadway co-stars, Ethel Waters and Brandon 
De Wilde, and received an Academy Award nomination.Harris won her first 
Tony Award for playing Sally Bowles, the confirmed hedonist in "I Am 
a Camera," adapted by John van Druten from Christopher Isherwood's "Berlin 
Stories." The play later became the stage and screen musical "Cabaret." 
In her second Tony-winning performance, Harris played a much more spiritual 
charact
 in writing 
before a dispute arises, otherwise it can look to a court as 
if something was done after the fact as an attempt to cover 
up hostility to gays.Airline Baptist Church Senior Pastor Chad Mills said 
members of the public use their facilities in is Bossier City, La., 
for many activities, including Zumba classes. In the past, anyone who could 
pay the fee was allowed to reserve the space. But recently, the 
church changed its rental policy to allow wedding-related events only for 
male-female couples.Some denominations are less concerned about the Supreme 
Court rulings. The Assemblies of God, the group of churches comprising the 
world's largest Pentecostal denomination, sought legal advice after the 
rulings. An attorney for the group distributed a memo to ministers saying 
there was no reason to change their bylaws.However, the memo also said 
that "doing so is not inappropriate, and may be warranted based on 
future rulings by the Supreme Court and other state and federal courts."The 
bylaw changes are coming at a time when many churches are wrestling 
with gay marriage in general and are working hard to be more 
welcoming to gays and lesbians."It's probably one of the most difficult 
issues our churches are facing right now," said Doug Anderson, a national 
coordinator with the evangelical Vineyard Church. "It's almost an impossible 
situation to reconcile what's going on in our culture, and our whole 
theology of welcoming and loving peopl
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