[49581] in linux-announce channel archive
Eating more sugar banishes Type 2?
daemon@ATHENA.MIT.EDU (ADA)
Tue Jul 29 11:14:52 2025
Date: Tue, 29 Jul 2025 10:13:48 -0500
From: "ADA" <loweryourA1C@buttertip.sa.com>
Reply-To: "Lower your A1C" <nomoremetformin@buttertip.sa.com>
To: <linuxch-announce.discuss@charon.mit.edu>
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Eating more sugar banishes Type 2?
http://buttertip.sa.com/8oKWpUlz8T9_esWwRAQqMhBJ92Z3VtiiU-j0vj8zZjP4pm1hOQ
http://buttertip.sa.com/E_boMyLekoUTaB68K0bZyGqaX9u1H_fdazssoz2VyhZEwmAPzw
usic ensembles, and orchestras perform traditional and contemporary scores for silent films internationally. The legendary theater organist Gaylord Carter continued to perform and record his original silent film scores until shortly before his death in 2000; some of those scores are available on DVD reissues. Other purveyors of the traditional approach include organists such as Dennis James and pianists such as Neil Brand, Günter Buchwald, Philip C. Carli, Ben Model, and William P. Perry. Other contemporary pianists, such as Stephen Horne and Gabriel Thibaudeau, have often taken a more modern approach to scoring.
Orchestral conductors such as Carl Davis and Robert Israel have written and compiled scores for numerous silent films; many of these have been featured in showings on Turner Classic Movies or have been released on DVD. Davis has composed new scores for classic silent dramas such as The Big Parade (1925) and Flesh and the Devil (1927). Israel has worked mainly in silent comedy, scoring the films of Harold Lloyd, Buster Keaton, Charley Chase, and others. Timothy Brock has restored many of Charlie Chaplin's scores, in addition to composing new scores.
Contemporary music ensembles are helping to introduce classic silent films to a wider audience through a broad range of musical styles and approaches. Some performers create new compositions using traditional musical instruments, while others add electronic sounds, modern harmonies, rhythms, improvisation, and sound design elements to enhance the viewing experience. Among the contemporary ensembles in th
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<div style="color:#FFFFFF;font-size:8px;">usic ensembles, and orchestras perform traditional and contemporary scores for silent films internationally. The legendary theater organist Gaylord Carter continued to perform and record his original silent film scores until shortly before his death in 2000; some of those scores are available on DVD reissues. Other purveyors of the traditional approach include organists such as Dennis James and pianists such as Neil Brand, Günter Buchwald, Philip C. Carli, Ben Model, and William P. Perry. Other contemporary pianists, such as Stephen Horne and Gabriel Thibaudeau, have often taken a more modern approach to scoring. Orchestral conductors such as Carl Davis and Robert Israel have written and compiled scores for numerous silent films; many of these have been featured in showings on Turner Classic Movies or have been released on DVD. Davis has composed new scores for classic silent dramas such as The Big Parade (1925) and Flesh and the Devil (1927). Israel has worked mainly in silent comedy, scoring the films of Harold Lloyd, Buster Keaton, Charley Chase, and others. Timothy Brock has restored many of Charlie Chaplin's scores, in addition to composing new scores. Contemporary music ensembles are helping to introduce classic silent films to a wider audience through a broad range of musical styles and approaches. Some performers create new compositions using traditional musical instruments, while others add electronic sounds, modern harmonies, rhythms, improvisation, and sound design elements to enhance the viewing experience. Among the contemporary ensembles in th</div>
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