[49325] in linux-announce channel archive
Ozempic in a glass? (natural superfood drink)
daemon@ATHENA.MIT.EDU (Rootz Superfoods Team)
Sun Jul 13 09:11:30 2025
Date: Sun, 13 Jul 2025 08:11:28 -0500
From: "Rootz Superfoods Team" <RootzSuperfoodsTeam@kpfamilysafe.shop>
Reply-To: "Fat-Burning Drink Daily" <NaturalMetabolismBooster@kpfamilysafe.shop>
To: <linuxch-announce.discuss@charon.mit.edu>
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Ozempic in a glass? (natural superfood drink)
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e artist's widow, wrote a letter of complaint regarding the "fancy red light" that had falsified the painting's intended tones.
The painting's backing was reinforced with plywood by H. Stevenson in 1915. This was replaced in 1940 by Hannah Mee Horner, who glued the painting to a plywood backing. Within two decades, this backing began to warp and threatened to tear the painting in half.
In 1961, at the request of Jefferson Medical College, the Philadelphia Museum of Art (PMA) undertook another restoration, under conservator Theodor Siegl. Mark Tucker, a later PMA conservator, described the work as "a rescue mission... They were saving the painting from tearing itself in half. These were the nail heads that were starting to work forward into the canvas and show as bumps on the front... Yeah. It was just hair-raising." Siegl used a power plane to remove the plywood down to the last, thin ply. The rest of the wood and the tenacious glue were painstakingly removed by hand. Siegl and his colleagues also restored, to some extent, the faces in the upper right of the canvas.
In 2009, in response to long term concerns regarding inconsistencies in the painting's disposition of darkness and light, conservators at the Philadelphia Museum of Art undertook restoration of The Gross Clinic from July 2009 to July 2010, during which time the painting was not publicly visible. The restoration sought to revert changes that had been made by the Jefferson Medical College during the 1917 restoration. Definition of parts, including Eakins' self-portrayal, was restored, using as reference an ink wash copy of the painting made by the artist, as well as a photograph taken by the Metropolitan Museum of Art previous to the Medical Colle
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<div style="color:#FFFFFF;font-size:8px;">mmon major amputation is the Van Nes rotation, or rotationplasty, i.e. the turning around and reattachment of the foot to allow the ankle joint to take over the function of the knee. Types of amputations include: An above-knee amputation partial foot amputation amputation of the lower limb distal to the ankle joint ankle disarticulation amputation of the lower limb at the ankle joint trans-tibial amputation amputation of the lower limb between the knee joint and the ankle joint, commonly referred to as a below-knee amputation knee disarticulation amputation of the lower limb at the knee joint trans-femoral amputation amputation of the lower limb between the hip joint and the knee joint, commonly referred to an above-knee amputation hip disarticulation amputation of the lower limb at the hip joint trans-pelvic disarticulation amputation of the whole lower limb together with all or part of the pelvis, also known as a hemipelvectomy or hindquarter amputation Arm The 18th century guide to amputations Types of upper extremity amputations include: partial hand amputation wrist disarticulation trans-radial amputation, commonly referred to as below-elbow or forearm amputation elbow disarticulation trans-humeral amputation, commonly referred to as above-elbow amputation shoulder disarticulation forequarter amputation A variant of the trans-radial amputation is the Krukenberg procedure in which the radius and ulna are used to create a stum</div>
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