[49059] in linux-announce channel archive
Grab This YETI Bundle Before It’s Gone!
daemon@ATHENA.MIT.EDU (Tractor Supply Giveaway)
Mon Jun 23 14:55:35 2025
Date: Mon, 23 Jun 2025 13:55:28 -0500
From: "Tractor Supply Giveaway" <TractorSupplyCo@gluco.ru.com>
Reply-To: "Tractor Supply Offers" <TractorSupplyOffers@gluco.ru.com>
To: <linuxch-announce.discuss@charon.mit.edu>
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Grab This YETI Bundle Before It’s Gone!
http://gluco.ru.com/XRZX5EaKOk2FD999BZHuY2zpN0mPis6ZwJTfAaaL3xCn0p4Hsg
http://gluco.ru.com/KOoftk6Z77CLZealTVqiwj9qg_wExHAn1WlZF-bH_QYHZVpNQQ
ring production. She soon left the tour and obtained a position in Carte's entertainment agency. Lenoir was well-educated, and her grasp of detail and diplomacy, as well as her organisational ability and business acumen, surpassed even Carte's. Frank Desprez, the editor of The Era, wrote: "Her character exactly compensated for the deficiencies in his." She became intensely involved in all of his business affairs and soon managed many of the company's responsibilities, especially concerning touring. She travelled to America numerous times over the years to arrange the details of the company's New York engagements and American tours.
The first comic opera produced by the Comedy Opera Company was Gilbert and Sullivan's The Sorcerer, about a tradesmanlike London sorcerer. It opened in November 1877 together with Dora's Dream, a curtain-raiser with music by Sullivan's assistant Alfred Cellier and words by Arthur Cecil, a friend of both Gilbert and Sullivan. Instead of writing a piece for production by a theatre proprietor, as was usual in Victorian theatres, Gilbert, Sullivan and Carte produced the show with their own financial support. They were therefore able to select their own cast of performers, rather than being obliged to use the actors already engaged at the theatre. They chose talented actors, most of whom were not well-known stars and did not com
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<div style="color:#FFFFFF;font-size:8px;visibility:hidden;">ring production. She soon left the tour and obtained a position in Carte's entertainment agency. Lenoir was well-educated, and her grasp of detail and diplomacy, as well as her organisational ability and business acumen, surpassed even Carte's. Frank Desprez, the editor of The Era, wrote: "Her character exactly compensated for the deficiencies in his." She became intensely involved in all of his business affairs and soon managed many of the company's responsibilities, especially concerning touring. She travelled to America numerous times over the years to arrange the details of the company's New York engagements and American tours. The first comic opera produced by the Comedy Opera Company was Gilbert and Sullivan's The Sorcerer, about a tradesmanlike London sorcerer. It opened in November 1877 together with Dora's Dream, a curtain-raiser with music by Sullivan's assistant Alfred Cellier and words by Arthur Cecil, a friend of both Gilbert and Sullivan. Instead of writing a piece for production by a theatre proprietor, as was usual in Victorian theatres, Gilbert, Sullivan and Carte produced the show with their own financial support. They were therefore able to select their own cast of performers, rather than being obliged to use the actors already engaged at the theatre. They chose talented actors, most of whom were not well-known stars and did not com</div>
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