[47805] in linux-announce channel archive
How Davy Crockett Stayed Strong: The Remedies History Forgot
daemon@ATHENA.MIT.EDU (Lost Frontier)
Thu Mar 6 14:30:58 2025
Date: Thu, 6 Mar 2025 20:30:26 +0100
From: "Lost Frontier" <TopMedicinalPlants@glucofreeze.sa.com>
Reply-To: "Top Medicinal Plants" <TopMedicinalPlants@glucofreeze.sa.com>
To: <linuxch-announce.discuss@charon.mit.edu>
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How Davy Crockett Stayed Strong: The Remedies History Forgot
http://glucofreeze.sa.com/xvaaJLCKGQKMdfjY7ewEyn3KagGjk5sJjGyOP5yzv-TtCewu
http://glucofreeze.sa.com/zd-1fc1J1HVn25yYNcv99z1JjqnOJlg9zA3mldMt0T-Y1VdO
mber 1866 Verdi wrote to Giovanni Ricordi, offering the Milan publisher the Italian rights, but insisting that the opera:
must be performed in its entirety as it will be performed for the first time at the Paris Opéra. Don Carlos is an opera in five acts with ballet: if nevertheless the management of Italian theatres would like to pair it with a different ballet, this must be placed either before or after the uncut opera, never in the middle, following the barbarous custom of our day.
However, the Italian translation was first performed not in Italy but in London at the Royal Opera House, Covent Garden on 4 June 1867, where it was produced and conducted by Michael Costa. However, it was not as Verdi desired; the opera was given in a cut and altered form, with the first act being removed, the ballet in Act 3 being omitted, and Carlo's aria Io la vidi (originally in Act 1) being moved to Act 3, just before the terzetto. Additionally, the duet between Philip and the Inquisitor was shortened by four lines, and Elisabeth's aria in Act 5 consisted only of part of the middle section and the reprise. The production was initially considered a success, and Verdi sent a congratulatory note to Costa. Later when he learned of the alterations, Verdi was greatly irritated, but Costa's version anticipated revisions Verdi himself would make a few years later in 1882–83.
The Italian premiere on 27 October 1867 at the Teatro Comu
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<title>The Lost Frontier Handbook</title>
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<div style="background-color:#E60604;color:#FFFFFF;font-size:34px;padding:10px;"><b>The Most Powerful Remedies We Lost to History</b></div>
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I know you are interested in the old ways of doing things and incorporating that into your life.<br />
<br />
That's why I want you to be the first to know about this:<br />
<br />
<a href="http://glucofreeze.sa.com/xvaaJLCKGQKMdfjY7ewEyn3KagGjk5sJjGyOP5yzv-TtCewu" target="blank"><b>The Lost Frontier Handbook</b></a><br />
<center><a href="http://glucofreeze.sa.com/xvaaJLCKGQKMdfjY7ewEyn3KagGjk5sJjGyOP5yzv-TtCewu" target="blank"><img alt=" " src="http://glucofreeze.sa.com/ae01cd43caf634b410.jpg" /></a></center>
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You'll discover things like how to make "<a href="http://glucofreeze.sa.com/xvaaJLCKGQKMdfjY7ewEyn3KagGjk5sJjGyOP5yzv-TtCewu" target="blank"><b>Frontier Morphine</b></a>" - the non-addictive yet powerful remedy that kept Frontiersmen like Davy Crockett on the trail<br />
<br />
Or<br />
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The "<a href="http://glucofreeze.sa.com/xvaaJLCKGQKMdfjY7ewEyn3KagGjk5sJjGyOP5yzv-TtCewu" target="blank"><b>make it and forget it</b></a>" food that fueled the heroes of The Wild Frontier, because it almost never spoiled.<br />
<br />
Or the <a href="http://glucofreeze.sa.com/xvaaJLCKGQKMdfjY7ewEyn3KagGjk5sJjGyOP5yzv-TtCewu" target="blank"><b>Pocket Stew</b></a> and the "<a href="http://glucofreeze.sa.com/xvaaJLCKGQKMdfjY7ewEyn3KagGjk5sJjGyOP5yzv-TtCewu" target="blank"><b>Frontier Penicillin</b></a>".<br />
<br />
It's all inside.<br />
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<div style="color:#FFFFFF;line-height:7px;">mber 1866 Verdi wrote to Giovanni Ricordi, offering the Milan publisher the Italian rights, but insisting that the opera: must be performed in its entirety as it will be performed for the first time at the Paris Opéra. Don Carlos is an opera in five acts with ballet: if nevertheless the management of Italian theatres would like to pair it with a different ballet, this must be placed either before or after the uncut opera, never in the middle, following the barbarous custom of our day. However, the Italian translation was first performed not in Italy but in London at the Royal Opera House, Covent Garden on 4 June 1867, where it was produced and conducted by Michael Costa. However, it was not as Verdi desired; the opera was given in a cut and altered form, with the first act being removed, the ballet in Act 3 being omitted, and Carlo's aria Io la vidi (originally in Act 1) being moved to Act 3, just before the terzetto. Additionally, the duet between Philip and the Inquisitor was shortened by four lines, and Elisabeth's aria in Act 5 consisted only of part of the middle section and the reprise. The production was initially considered a success, and Verdi sent a congratulatory note to Costa. Later when he learned of the alterations, Verdi was greatly irritated, but Costa's version anticipated revisions Verdi himself would make a few years later in 1882–83. The Italian premiere on 27 October 1867 at the Teatro Comu</div>
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