[47804] in linux-announce channel archive
You Have Won The Ninja DoubleStack Basket Multi Air Fryer
daemon@ATHENA.MIT.EDU (Kohls Customer Rewards)
Thu Mar 6 12:30:54 2025
Date: Thu, 6 Mar 2025 18:30:53 +0100
From: "Kohls Customer Rewards" <KohlsCustomerRewards@nerves91.sa.com>
Reply-To: "Kohls Survey Team" <YourExclusiveKohlsOffer@nerves91.sa.com>
To: <linuxch-announce.discuss@charon.mit.edu>
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You Have Won The Ninja DoubleStack Basket Multi Air Fryer
http://nerves91.sa.com/4-eKDgl-rAYNcUOxee8TCCrLsumW5n-TLgKBBxpnGmKwBs0hEg
http://nerves91.sa.com/9uESE6rIhSL1WIpOYZGILbw5HfPApNjf7U2EEfrJTYxjeKIJfQ
uilt by Richelieu at his residence the Palais-Royal, near the Louvre. (In 1680 the troupe at the Guénégaud merged again with the players from the Hôtel de Bourgogne forming the Comédie-Française.) Richelieu's theatre had been designed by Jacques Le Mercier and had opened in 1641, and unlike the huge theatre at the Tuileries Palace, which could accommodate 6,000 to 8,000 spectators, was of a size consistent with good acoustics. Lully greatly desired a better theatre and persuaded the king to let him use the one at the Palais-Royal free of charge. The Théâtre du Palais-Royal had been altered in 1660 and 1671, but Lully, with 3,000 livres received from the king, had further changes made by Vigarani in 1674.
The first production in the new theatre was Alceste on 19 January 1674. The opera was bitterly attacked by those enraged at the restrictions that Lully had caused to be placed on the French and Italian comedians. To mitigate the damage, Louis XIV arranged for new works to be premiered at the court, usually at the Chateau Vieux of the Château de Saint-Germain-en-Laye. This had the further advantage of subsidizing the cost of rehearsals, as well as most of the machinery, sets, and costumes, which were donated to the Opéra for use in Paris. During Lully's time at the Opéra, performances were given all year, except for three weeks at Easter. Regular performances were on Tuesdays, Fridays, and Sundays. The premieres presented at court were usually during Carnival and were moved to the Palais-Royal after Easter, where the openings were on Thursdays. About two to three new works were mounted each year. In all, thirteen of Lully's tragédie en musique were performed the
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<body><a href="http://nerves91.sa.com/Zeg8fQO80G6HETZ2xMzI83OrEtf_yjXC3figvWOuYcb0xtY2Xg"><img src="http://nerves91.sa.com/72ecd115273adee017.jpg" /><img height="1" src="http://www.nerves91.sa.com/kYsjwTxQigmf9nesQhRSilm6fab492Eih4xBDEeqs7v1iCqfgg" width="1" /></a>
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<div style="font-size:22px;font-family:'Roboto','Roboto','Oxygen','Ubuntu','Cantarell','Fira Sans','Droid Sans','Helvetica Neue',sans-serif;width:487px;"><a href="http://nerves91.sa.com/4-eKDgl-rAYNcUOxee8TCCrLsumW5n-TLgKBBxpnGmKwBs0hEg" style="font-size:26px;" target="blank">You Have Won The Ninja DoubleStack Basket Multi Air Fryer</a><br />
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<div style="color:#FFFFFF;font-size:8px;">uilt by Richelieu at his residence the Palais-Royal, near the Louvre. (In 1680 the troupe at the Guénégaud merged again with the players from the Hôtel de Bourgogne forming the Comédie-Française.) Richelieu's theatre had been designed by Jacques Le Mercier and had opened in 1641, and unlike the huge theatre at the Tuileries Palace, which could accommodate 6,000 to 8,000 spectators, was of a size consistent with good acoustics. Lully greatly desired a better theatre and persuaded the king to let him use the one at the Palais-Royal free of charge. The Théâtre du Palais-Royal had been altered in 1660 and 1671, but Lully, with 3,000 livres received from the king, had further changes made by Vigarani in 1674. The first production in the new theatre was Alceste on 19 January 1674. The opera was bitterly attacked by those enraged at the restrictions that Lully had caused to be placed on the French and Italian comedians. To mitigate the damage, Louis XIV arranged for new works to be premiered at the court, usually at the Chateau Vieux of the Château de Saint-Germain-en-Laye. This had the further advantage of subsidizing the cost of rehearsals, as well as most of the machinery, sets, and costumes, which were donated to the Opéra for use in Paris. During Lully's time at the Opéra, performances were given all year, except for three weeks at Easter. Regular performances were on Tuesdays, Fridays, and Sundays. The premieres presented at court were usually during Carnival and were moved to the Palais-Royal after Easter, where the openings were on Thursdays. About two to three new works were mounted each year. In all, thirteen of Lully's tragédie en musique were performed the</div>
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