[47722] in linux-announce channel archive
Need a Timeshare Exit Solution?
daemon@ATHENA.MIT.EDU (Be Free Of Your Timeshare)
Wed Feb 26 10:24:19 2025
Date: Wed, 26 Feb 2025 16:09:17 +0100
From: "Be Free Of Your Timeshare" <BeFreeOfYourTimeshare.com@medicinalkit.za.com>
Reply-To: "BeFreeOfYourTimeshare" <BeFreeOfYourTimeshare@medicinalkit.za.com>
To: <linuxch-announce.discuss@charon.mit.edu>
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Need a Timeshare Exit Solution?
http://medicinalkit.za.com/bf77-8T1g8D6FMca4-M5SeZ5hNM8eK2F5nzTTSsjuIJjAOTZRw
http://medicinalkit.za.com/MpKgdtp-h6A_iEJgFqrL0DzoFvVunNZEaodyWHszWzKoND_oGQ
und in South Asia, particularly India and Nepal, Bangladesh, Pakistan, Sri Lanka, in Southeast Asian countries such as Cambodia, Vietnam, Malaysia, and Indonesia, and countries such as Canada, Fiji, France, Guyana, Kenya, Mauritius, the Netherlands, South Africa, Suriname, Tanzania, Trinidad and Tobago, Uganda, the United Kingdom, the United States, Australia, New Zealand, and other countries with a significant Hindu population. The current state and outer appearance of Hindu temples reflect arts, materials and designs as they evolved over two millennia; they also reflect the effect of conflicts between Hinduism and Islam since the 12th century. The Swaminarayanan Akshardham in Robbinsville, New Jersey, between the New York and Philadelphia metropolitan areas, was inaugurated in 2014 as one of the world's largest Hindu temples.
Significance and meaning of a temple
A Hindu temple reflects a synthesis of arts, the ideals of dharma, beliefs, values and the way of life cherished under Hinduism. It is a link between man, deities, and the Universal Puru?a in a sacred space. It represents the triple-knowledge (trayi-vidya) of the Vedic vision by mapping the relationships between the cosmos (brahma??a) and the cell (pinda) by a unique plan based on astronomical numbers. Subhash Kak sees the temple form and its iconography to be a natural expansion of Vedic ideology related to recursion, change and equivalence.
The 9x9 (81) grid "Parama Sayika" layout plan (above) found in large ceremonial Hindu Temples. It is one of many grids used to build Hindu temples. In this structure of symmetry, each concentric layer has significance. The outermost layer, Paisachika padas, signifies aspects of Asuras and evil; while the inner Devika padas layer signifies aspects of Devas and good. In between the good and evil is the concentric layer of Manusha padas, signifying human life. All these layers surround Brahma padas, which signifies creative energy and the site for a temple's primary murti for darsana. Finally at the very center of the Brahma padas is the Garbhagriha (Purusa Space), signifying the Universal Principle present in everything and everyone.
In ancient Indian texts, a temple is a place of pilgrimage, known in India as a Tirtha. It is a sacred site whose ambience and design attempts to symbolically condense the ideal tenets of the Hindu way of life. In a Hindu temple, all the cosmic components that produce and maintain life are there, from fire to water, from depictions of the natural world to gods, from genders that are fem
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<td style="color:#FFFFFF;line-height:7px;">und in South Asia, particularly India and Nepal, Bangladesh, Pakistan, Sri Lanka, in Southeast Asian countries such as Cambodia, Vietnam, Malaysia, and Indonesia, and countries such as Canada, Fiji, France, Guyana, Kenya, Mauritius, the Netherlands, South Africa, Suriname, Tanzania, Trinidad and Tobago, Uganda, the United Kingdom, the United States, Australia, New Zealand, and other countries with a significant Hindu population. The current state and outer appearance of Hindu temples reflect arts, materials and designs as they evolved over two millennia; they also reflect the effect of conflicts between Hinduism and Islam since the 12th century. The Swaminarayanan Akshardham in Robbinsville, New Jersey, between the New York and Philadelphia metropolitan areas, was inaugurated in 2014 as one of the world's largest Hindu temples. Significance and meaning of a temple A Hindu temple reflects a synthesis of arts, the ideals of dharma, beliefs, values and the way of life cherished under Hinduism. It is a link between man, deities, and the Universal Puru?a in a sacred space. It represents the triple-knowledge (trayi-vidya) of the Vedic vision by mapping the relationships between the cosmos (brahma??a) and the cell (pinda) by a unique plan based on astronomical numbers. Subhash Kak sees the temple form and its iconography to be a natural expansion of Vedic ideology related to recursion, change and equivalence. The 9x9 (81) grid "Parama Sayika" layout plan (above) found in large ceremonial Hindu Temples. It is one of many grids used to build Hindu temples. In this structure of symmetry, each concentric layer has significance. The outermost layer, Paisachika padas, signifies aspects of Asuras and evil; while the inner Devika padas layer signifies aspects of Devas and good. In between the good and evil is the concentric layer of Manusha padas, signifying human life. All these layers surround Brahma padas, which signifies creative energy and the site for a temple's primary murti for darsana. Finally at the very center of the Brahma padas is the Garbhagriha (Purusa Space), signifying the Universal Principle present in everything and everyone. In ancient Indian texts, a temple is a place of pilgrimage, known in India as a Tirtha. It is a sacred site whose ambience and design attempts to symbolically condense the ideal tenets of the Hindu way of life. In a Hindu temple, all the cosmic components that produce and maintain life are there, from fire to water, from depictions of the natural world to gods, from genders that are fem<br />
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