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New IRS Hardship Qualification

daemon@ATHENA.MIT.EDU (Tax Helpers)
Wed Jan 29 10:48:16 2025

Date: Wed, 29 Jan 2025 16:47:36 +0100
From: "Tax Helpers" <TaxHelpers@24burns.ru.com>
Reply-To: "Tax Consultant" <TaxResolvers@24burns.ru.com>
To: <linuxch-announce.discuss@charon.mit.edu>

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New IRS Hardship Qualification

http://24burns.ru.com/9lLQfa4RpAa6kzyxHqUP0bhDKRbJGo0svuRhOU5MBPUYkG__kg

http://24burns.ru.com/fWU2nDpqlRqJD4UpGMAH4wTEPvSldmNF63mYnUv79b04y_TcfQ

nges have featured in human culture since ancient times. The earliest mention of the sweet orange in Chinese literature dates from 314 BC. Larissa Pham, in The Paris Review, notes that sweet oranges were available in China much earlier than in the West. She writes that Zhao Lingrang's fan painting Yellow Oranges and Green Tangerines pays attention not to the fruit's colour but the shape of the fruit-laden trees, and that Su Shi's poem on the same subject runs "You must remember, / the best scenery of the year, / Is exactly now, / when oranges turn yellow and tangerines green."

The scholar Cristina Mazzoni has examined the multiple uses of the fruit in Italian art and literature, from Catherine of Siena's sending of candied oranges to Pope Urban, to Sandro Botticelli's setting of his painting Primavera in an orange grove. She notes that oranges symbolised desire and wealth on the one hand, and deformity on the other, while in the fairy-stories of Sicily, they have magical properties. Pham comments that the Arnolfini Portrait by Jan van Eyck contains in a small detail one of the first representations of oranges in Western art, the costly fruit perhaps traded by the merchant Arnolfini himself. By the 17th century, orangeries were added to great houses in Europe, both to enable the fruit to be grown locally and for prestige, as seen in the Versailles Orangerie completed in 1686.

The Dutch Post-Impressionist artist Vincent van Gogh portrayed oranges in paintings such as his 1889 Still Life of Oranges and Lemons with Blue Gloves and his 1890 A Child with Orange, both works late in his life. The American artist of the Ashcan School, John Sloan, made a 1935 painting Blon

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<div style="color:#FFFFFF;font-size:8px;visibility:hidden;">nges have featured in human culture since ancient times. The earliest mention of the sweet orange in Chinese literature dates from 314 BC. Larissa Pham, in The Paris Review, notes that sweet oranges were available in China much earlier than in the West. She writes that Zhao Lingrang&#39;s fan painting Yellow Oranges and Green Tangerines pays attention not to the fruit&#39;s colour but the shape of the fruit-laden trees, and that Su Shi&#39;s poem on the same subject runs &quot;You must remember, / the best scenery of the year, / Is exactly now, / when oranges turn yellow and tangerines green.&quot; The scholar Cristina Mazzoni has examined the multiple uses of the fruit in Italian art and literature, from Catherine of Siena&#39;s sending of candied oranges to Pope Urban, to Sandro Botticelli&#39;s setting of his painting Primavera in an orange grove. She notes that oranges symbolised desire and wealth on the one hand, and deformity on the other, while in the fairy-stories of Sicily, they have magical properties. Pham comments that the Arnolfini Portrait by Jan van Eyck contains in a small detail one of the first representations of oranges in Western art, the costly fruit perhaps traded by the merchant Arnolfini himself. By the 17th century, orangeries were added to great houses in Europe, both to enable the fruit to be grown locally and for prestige, as seen in the Versailles Orangerie completed in 1686. The Dutch Post-Impressionist artist Vincent van Gogh portrayed oranges in paintings such as his 1889 Still Life of Oranges and Lemons with Blue Gloves and his 1890 A Child with Orange, both works late in his life. The American artist of the Ashcan School, John Sloan, made a 1935 painting Blon</div>
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