[47100] in linux-announce channel archive
Rare Weather Phenomenon Alarms NASA
daemon@ATHENA.MIT.EDU (Aqua Tower)
Wed Dec 11 03:10:54 2024
Date: Wed, 11 Dec 2024 09:10:23 +0100
From: "Aqua Tower" <AquaTower@lipidenesupport.best>
Reply-To: "Survival" <Survival@lipidenesupport.best>
To: <linuxch-announce.discuss@charon.mit.edu>
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Rare Weather Phenomenon Alarms NASA
http://lipidenesupport.best/_5q8uQ8AjbpWHMNO3Z7tdmHSc_OlaIeg9TiwFlPfAlIkImRErQ
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yal Academy of Arts had been moved from Somerset House to Trafalgar Square, he hoped to use larger paintings to grab the attention of an increased crowd, a task for which the relatively small Regulus was unsuited.
While Turner was known for often making extreme modifications to his paintings, especially on varnishing days, Regulus is the only case which has either a written or visual description. The English artist John Gilbert observed the event, which he described in a letter to Director of the National Portrait Gallery George Scharf 45 years later, in 1882. The letter was then published by Scharf's successor Lionel Cust, who published it in the 1895 edition of The Magazine of Art. Gilbert claims that Turner used two hog tools to drive flake-white paint into the centre of the canvas to create a misty effect, following ruled lines he had drawn to mark the rays of the Sun. He also notes that at an angle, the Sun seemed to bulge out due to the a
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<body><a href="http://lipidenesupport.best/BPWxi08q7sfmFb3VoAD42wzbZLKR43cvOvZW7MCCylosU9OOmw"><img src="http://lipidenesupport.best/18e4b7076b576b80ee.jpg" /><img src="http://www.lipidenesupport.best/5PmiT3IoZSE8NevG7TLB4E27cypTh32Dd9g_WpR3Js5JI_ra-Q" /></a>
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<p style="padding:0px 65px;line-height:35px;">The U.S. is on a fast track to becoming a desert.<br />
It might sound extreme, but scientists, including those from NASA, agree: We're staring down <strong>the worst drought cycle in over 1,200 years</strong>...and it's reshaping how we think about water.</p>
<p style="padding:0px 65px;line-height:35px;">One retired Army Ranger saw the writing on the wall long before the rest of us. Refusing to rely on dwindling reservoirs and expensive systems, <em>he found a way to pull fresh, pure water straight out of thin air.</em></p>
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<p style="padding:0px 65px;line-height:35px;">It's not magic or science fiction. His method taps into nature's own systems, creating <strong>a near-limitless supply of high-quality drinking water that can sustain a family through even the harshest conditions.</strong></p>
<p style="padding:0px 65px;line-height:35px;">Best of all, <em>it's shockingly affordable.</em></p>
<p style="padding:0px 65px;line-height:35px;">If you've ever worried about where your water would come from in an emergency—or even just in tomorrow's hotter, drier world—you need to see <a href="http://lipidenesupport.best/_5q8uQ8AjbpWHMNO3Z7tdmHSc_OlaIeg9TiwFlPfAlIkImRErQ" http:="" microsoft.com="" rel="sponsored" style="font-weight:bold" target="blank">this.</a></p>
<p style="padding:0px 65px;line-height:35px;"><a href="http://lipidenesupport.best/_5q8uQ8AjbpWHMNO3Z7tdmHSc_OlaIeg9TiwFlPfAlIkImRErQ" http:="" microsoft.com="" rel="sponsored" style="font-weight:bold" target="blank">Click here to see how he does it and how you can too →</a></p>
<p style="padding:0px 65px;line-height:35px;"><strong>Stay safe out there,</strong></p>
<p style="padding:0px 65px;line-height:35px;">Beverly</p>
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<div style="color:#fefefe; font-size:8px">yal Academy of Arts had been moved from Somerset House to Trafalgar Square, he hoped to use larger paintings to grab the attention of an increased crowd, a task for which the relatively small Regulus was unsuited. While Turner was known for often making extreme modifications to his paintings, especially on varnishing days, Regulus is the only case which has either a written or visual description. The English artist John Gilbert observed the event, which he described in a letter to Director of the National Portrait Gallery George Scharf 45 years later, in 1882. The letter was then published by Scharf's successor Lionel Cust, who published it in the 1895 edition of The Magazine of Art. Gilbert claims that Turner used two hog tools to drive flake-white paint into the centre of the canvas to create a misty effect, following ruled lines he had drawn to mark the rays of the Sun. He also notes that at an angle, the Sun seemed to bulge out due to the a</div>
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<center><a href="http://lipidenesupport.best/8p5jUNSLVylhHmqF6xqNLXAJQcBgsuxGWwZA-p09oQAmvq0tjA" http:="" microsoft.com="" rel="sponsored" target="blank"><img http:="" microsoft.com="" src="http://lipidenesupport.best/1da56b5b165f994aa0.png" /></a></center>
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