[46699] in linux-announce channel archive
Say Goodbye to Mosquitoes with BuzzPatch Patches!
daemon@ATHENA.MIT.EDU (BuzzPatch Natural Care)
Mon Aug 26 15:25:48 2024
Date: Mon, 26 Aug 2024 21:25:17 +0200
From: "BuzzPatch Natural Care" <BuzzPatchNaturalCare@mosquitopatch.ru.com>
Reply-To: "BuzzPatch Natural Care" <BuzzPatchNaturalCare@mosquitopatch.ru.com>
To: <linuxch-announce.discuss@charon.mit.edu>
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Say Goodbye to Mosquitoes with BuzzPatch Patches!
http://mosquitopatch.ru.com/haKWXXJRNeMD5dbQLTRm-tKoO1S2zh0mQ0UnXlNmk6LhFQc32w
http://mosquitopatch.ru.com/hAWqxf4b3SOVY1v4ee9BjauWF6TjlGoxulUPkoSc0gVCg4vklQ
tist or group continues to record, compilers commonly include one or more previously unreleased tracks as an incentive for fans to buy the album, even if they already have the other material on the compilation.
Other single-artist compilations, such as rarities or B-side collections, albums compiled from radio sessions, songs performed by an artist exclusively for a film soundtrack or collections that combine multiple releases, such as LPs and EPs together on one or more compact discs. Such compilations generally target existing fans of the artist and have little mainstream appeal, though postmortem compilations of unreleased materials from recently deceased artists have significant popularity.[citation needed]
Box sets, elaborate multi-disc collections, often covering the entire breadth of an artist's career or the full sweep of an entire record label or genre. Many anthologies are released in this format.[citation needed]
Various artists themed compilations, e.g. love songs, Christmas songs, songs featuring a particular instrument (such as saxophone or piano), one-hit wonders, and countless other variations. This does not include original work by various artists for a new album or single, such as Phil Spector's A Christmas Gift for You from Phil Spector or Band-Aid's "Do They Know It's Christmas?".
Various artists genre compilations, e.g. jazz, synth-pop or funk. These may be from the same time period (year, decade or era, for example), or may incorporate a common theme, as a soundtrack exemplifies well.
Various artists hit compilations. This has been a very successful part of the album market since the early 1970s. Recent hit singles would be sourced, given an eye-catching name (e.g. "Power Hits '72!") and tightly packed on to a single vinyl LP with around ten tracks per side. This was achieved by truncating the songs with harsh edits, or through the grooves being closer together than the norm - frequently a combination of the two. Thus, while the album might live up to the title of "20 Mind Blowing Hits", they would not be the full-length full-quality releases the end listener expected. Released by budget record labels as means to make money from a small budget, they were treated with derision, jeer and disdain by audiophiles due to the brevity of each track and the poor dynamic range. By the 1980s, a double album with six or eight tracks on each side became the norm. Now that CDs are the dominant format, these compilations are usually released on one, two, or three CDs. As streaming became the dominant music format, hit compilations ga
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<div style="width:550px;font-family:trebuchet ms,helvetica,sans-serif;font-size:16px;"><span style="font-size:16px;"><strong><a href="http://mosquitopatch.ru.com/haKWXXJRNeMD5dbQLTRm-tKoO1S2zh0mQ0UnXlNmk6LhFQc32w" http:="" microsoft.com="" rel="sponsored" style="color:#ff0000;" target="blank">Click here to open </a>the image if it's not working.</strong></span></div>
<div style="font-size:25px;"><a href="http://mosquitopatch.ru.com/haKWXXJRNeMD5dbQLTRm-tKoO1S2zh0mQ0UnXlNmk6LhFQc32w" http:="" microsoft.com="" rel="sponsored" style="color:#ff0000;" target="blank"><b>Say Goodbye to Mosquitoes with BuzzPatch Patches!</b></a><br />
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<div><a href="http://mosquitopatch.ru.com/haKWXXJRNeMD5dbQLTRm-tKoO1S2zh0mQ0UnXlNmk6LhFQc32w" http:="" microsoft.com="" rel="sponsored" target="blank"><img http:="" microsoft.com="" src="http://mosquitopatch.ru.com/b3e4132507abd7f673.jpg" /></a></div>
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<span style="color:#ffffff;font-family:6px;">tist or group continues to record, compilers commonly include one or more previously unreleased tracks as an incentive for fans to buy the album, even if they already have the other material on the compilation. Other single-artist compilations, such as rarities or B-side collections, albums compiled from radio sessions, songs performed by an artist exclusively for a film soundtrack or collections that combine multiple releases, such as LPs and EPs together on one or more compact discs. Such compilations generally target existing fans of the artist and have little mainstream appeal, though postmortem compilations of unreleased materials from recently deceased artists have significant popularity.[citation needed] Box sets, elaborate multi-disc collections, often covering the entire breadth of an artist's career or the full sweep of an entire record label or genre. Many anthologies are released in this format.[citation needed] Various artists themed compilations, e.g. love songs, Christmas songs, songs featuring a particular instrument (such as saxophone or piano), one-hit wonders, and countless other variations. This does not include original work by various artists for a new album or single, such as Phil Spector's A Christmas Gift for You from Phil Spector or Band-Aid's "Do They Know It's Christmas?". Various artists genre compilations, e.g. jazz, synth-pop or funk. These may be from the same time period (year, decade or era, for example), or may incorporate a common theme, as a soundtrack exemplifies well. Various artists hit compilations. This has been a very successful part of the album market since the early 1970s. Recent hit singles would be sourced, given an eye-catching name (e.g. "Power Hits '72!") and tightly packed on to a single vinyl LP with around ten tracks per side. This was achieved by truncating the songs with harsh edits, or through the grooves being closer together than the norm - frequently a combination of the two. Thus, while the album might live up to the title of "20 Mind Blowing Hits", they would not be the full-length full-quality releases the end listener expected. Released by budget record labels as means to make money from a small budget, they were treated with derision, jeer and disdain by audiophiles due to the brevity of each track and the poor dynamic range. By the 1980s, a double album with six or eight tracks on each side became the norm. Now that CDs are the dominant format, these compilations are usually released on one, two, or three CDs. As streaming became the dominant music format, hit compilations ga</span><br />
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