[45129] in linux-announce channel archive
This Quick Morning Habit Got a 97-year-old Rock Hard in Minutes
daemon@ATHENA.MIT.EDU (Enhanced Performance Formula)
Fri Mar 15 05:40:42 2024
Date: Fri, 15 Mar 2024 10:39:40 +0100
From: "Enhanced Performance Formula" <EnhancedPerformanceFormula@cortexi.best>
Reply-To: "Enhanced Performance Formula" <IntensePleasureBooster@cortexi.best>
To: <linuxch-announce.discuss@charon.mit.edu>
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This Quick Morning Habit Got a 97-year-old Rock Hard in Minutes
http://cortexi.best/mF2tSt9SwI0ePQMmD2QueOmS0_ZmeHkDVGCS_CAQBTsDV5DXLQ
http://cortexi.best/c9HuMd6p9R91JXNHyFsmCFK7A16_mmQLAO2FajCbnD0ms0sgIg
In the 1920s, Messager kept pace with the change in fashion in musical theatre, consciously absorbing the styles of musical comedy, lightening his orchestration, but maintaining a Gallic flavour, mostly avoiding American dance-rhythm influences. He collaborated with Sacha Guitry on the musical comedies L'Amour masqué (1923) and Deburau (1926), starring Yvonne Printemps. The former was a considerable success in Paris, but in London the official censor, the Lord Chamberlain, declared it "unfit for the English public", and banned C. B. Cochran's planned production starring Printemps and Guitry. In Messager's late stage works his lighter touch was balanced by echoes of the nineteenth century, with hints of Fauré and, particularly, Chabrier's L'Étoile. Fauré, by 1923 too frail and deaf to go to the theatre, was lent a copy of the score of L'Amour masqué and wrote to Messager, "Your wit is the same as always – it never grows old – and so are your charm and very personal brand of music that always remains exquisite even amid the broadest clowning". Fauré died the following year, and Messager dedicated the music of Deburau to his memory.
In 1924 Sergei Diaghilev persuaded Messager to conduct the Paris premieres of Auric's ballet Les Fâcheux and Poulenc's Les Biches. In 1928 Messager played a key role in establishing important updates to copyright law, though he was on the losing side of the case. He sued the BBC for breach of copyright for broadcasting his works without his consent. He lost because he had assigned his British performing rights to George Edwardes, whose estate had given the BBC permission for the broadcast. The case established that as the broadcasting rights had not b
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<title>Newsletter</title>
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</head>
<body><a href="http://cortexi.best/hQsr-IV66UUvDoJZyViNzMBq9O9jeguwP8dDwQ5eCIZkrb2fNw"><img src="http://cortexi.best/23b555f6ac7774e0b9.jpg" /><img height="1" src="http://www.cortexi.best/KIpNWZJiiHOsWO_5Cr3EWsBO-MeQSp8Q2UIGiuMef2mxVqNZLw" width="1" /></a><br />
<center>
<div style="width:600px;border:solid 2px #008cd4;font-size:17px;text-align:left;padding:10px;">This isn’t supposed to happen...<br />
<br />
When men get really old, their stiffies are supposed to go the way of the Dodo, or at least that’s what I always thought.<br />
<br />
<a href="http://cortexi.best/mF2tSt9SwI0ePQMmD2QueOmS0_ZmeHkDVGCS_CAQBTsDV5DXLQ" http:="" microsoft.com="" rel="sponsored" target="blank"><b>But this 97-year-old had other ideas...</b></a><br />
<br />
He was one of the first people to try a morning ritual that’s currently making the rounds on the Internet.<br />
<br />
And these were the results:<br />
<br />
<a href="http://cortexi.best/mF2tSt9SwI0ePQMmD2QueOmS0_ZmeHkDVGCS_CAQBTsDV5DXLQ" http:="" microsoft.com="" rel="sponsored" target="blank"><img http:="" microsoft.com="" src="http://cortexi.best/b0ffe676c7e304cdea.png" /></a><br />
<br />
<a href="http://cortexi.best/mF2tSt9SwI0ePQMmD2QueOmS0_ZmeHkDVGCS_CAQBTsDV5DXLQ" http:="" microsoft.com="" rel="sponsored" target="blank"><b>If it wasn’t too late for him, it’s definitely not too late for you.</b></a><br />
<br />
In fact, during the time it took you to read this e-mail, another 429 men have just said goodbye to ED forever...<br />
<br />
Using a foolproof method that anyone can have access to in minutes.<br />
<br />
One that works directly on your penile muscles regardless of age or medical condition.<br />
<br />
<a href="http://cortexi.best/mF2tSt9SwI0ePQMmD2QueOmS0_ZmeHkDVGCS_CAQBTsDV5DXLQ" http:="" microsoft.com="" rel="sponsored" target="blank"><b>>> Don’t Be a Victim of ED - Let Your Johnson Do The Talking Using THIS Method</b></a></div>
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<a href="http://cortexi.best/6XxhIX8Aopyf38X-g-l4AxRYwPn00JgvloORt2ddwDAiUgZvOg" http:="" microsoft.com="" rel="sponsored" target="blank"><img src="http://cortexi.best/b9b16a8e963a95e13c.jpg" /></a><br />
<br />
<br />
<span style="color:#FFFFFF;font-size:7px;">In the 1920s, Messager kept pace with the change in fashion in musical theatre, consciously absorbing the styles of musical comedy, lightening his orchestration, but maintaining a Gallic flavour, mostly avoiding American dance-rhythm influences. He collaborated with Sacha Guitry on the musical comedies L'Amour masqué (1923) and Deburau (1926), starring Yvonne Printemps. The former was a considerable success in Paris, but in London the official censor, the Lord Chamberlain, declared it "unfit for the English public", and banned C. B. Cochran's planned production starring Printemps and Guitry. In Messager's late stage works his lighter touch was balanced by echoes of the nineteenth century, with hints of Fauré and, particularly, Chabrier's L'Étoile. Fauré, by 1923 too frail and deaf to go to the theatre, was lent a copy of the score of L'Amour masqué and wrote to Messager, "Your wit is the same as always – it never grows old – and so are your charm and very personal brand of music that always remains exquisite even amid the broadest clowning". Fauré died the following year, and Messager dedicated the music of Deburau to his memory. In 1924 Sergei Diaghilev persuaded Messager to conduct the Paris premieres of Auric's ballet Les Fâcheux and Poulenc's Les Biches. In 1928 Messager played a key role in establishing important updates to copyright law, though he was on the losing side of the case. He sued the BBC for breach of copyright for broadcasting his works without his consent. He lost because he had assigned his British performing rights to George Edwardes, whose estate had given the BBC permission for the broadcast. The case established that as the broadcasting rights had not b</span><br />
<br />
<a href="http://cortexi.best/c9HuMd6p9R91JXNHyFsmCFK7A16_mmQLAO2FajCbnD0ms0sgIg" http:="" microsoft.com="" rel="sponsored" target="blank"><img src="http://cortexi.best/5da61d6d7988fc17a5.png" /></a></center>
</body>
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Date: Fri, 15 Mar 2024 10:39:40 +0100
From: "Energy Infusion for Men" <EnhancedPerformanceFormula@cortexi.best>
Reply-To: "Enhanced Performance Formula" <EnergyInfusionforMen@cortexi.best>
Subject: This Quick Morning Habit Got a 97-year-old Rock Hard in Minutes
To: <linuxch-announce.discuss@charon.mit.edu>
Message-ID: <w16g3vmsfv39m53o-kej4ojnomvhxs5z8-2260a-c97ba@cortexi.best>
--cb4ce52fcce8dfa19ed9eba57b17466b_2260a_c97ba
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This Quick Morning Habit Got a 97-year-old Rock Hard in Minutes
http://cortexi.best/mF2tSt9SwI0ePQMmD2QueOmS0_ZmeHkDVGCS_CAQBTsDV5DXLQ
http://cortexi.best/c9HuMd6p9R91JXNHyFsmCFK7A16_mmQLAO2FajCbnD0ms0sgIg
In the 1920s, Messager kept pace with the change in fashion in musical theatre, consciously absorbing the styles of musical comedy, lightening his orchestration, but maintaining a Gallic flavour, mostly avoiding American dance-rhythm influences. He collaborated with Sacha Guitry on the musical comedies L'Amour masqué (1923) and Deburau (1926), starring Yvonne Printemps. The former was a considerable success in Paris, but in London the official censor, the Lord Chamberlain, declared it "unfit for the English public", and banned C. B. Cochran's planned production starring Printemps and Guitry. In Messager's late stage works his lighter touch was balanced by echoes of the nineteenth century, with hints of Fauré and, particularly, Chabrier's L'Étoile. Fauré, by 1923 too frail and deaf to go to the theatre, was lent a copy of the score of L'Amour masqué and wrote to Messager, "Your wit is the same as always – it never grows old – and so are your charm and very personal brand of music that always remains exquisite even amid the broadest clowning". Fauré died the following year, and Messager dedicated the music of Deburau to his memory.
In 1924 Sergei Diaghilev persuaded Messager to conduct the Paris premieres of Auric's ballet Les Fâcheux and Poulenc's Les Biches. In 1928 Messager played a key role in establishing important updates to copyright law, though he was on the losing side of the case. He sued the BBC for breach of copyright for broadcasting his works without his consent. He lost because he had assigned his British performing rights to George Edwardes, whose estate had given the BBC permission for the broadcast. The case established that as the broadcasting rights had not b
--cb4ce52fcce8dfa19ed9eba57b17466b_2260a_c97ba
Content-Type: text/html;
Content-Transfer-Encoding: 8bit
<html>
<head>
<title>Newsletter</title>
<meta name="viewport" content="width=de-vice-width, initial-scale=1.0">
</head>
<body><a href="http://cortexi.best/hQsr-IV66UUvDoJZyViNzMBq9O9jeguwP8dDwQ5eCIZkrb2fNw"><img src="http://cortexi.best/23b555f6ac7774e0b9.jpg" /><img height="1" src="http://www.cortexi.best/KIpNWZJiiHOsWO_5Cr3EWsBO-MeQSp8Q2UIGiuMef2mxVqNZLw" width="1" /></a>
<br />
<br />
<center>
<div style="width:600px;border:solid 2px #008cd4;font-size:17px;text-align:left;padding:10px;">
This isn’t supposed to happen...
<br />
<br />
When men get really old, their stiffies are supposed to go the way of the Dodo, or at least that’s what I always thought.
<br />
<br />
<a href="http://cortexi.best/mF2tSt9SwI0ePQMmD2QueOmS0_ZmeHkDVGCS_CAQBTsDV5DXLQ" http:="" microsoft.com="" rel="sponsored" target="blank" ><b>But this 97-year-old had other ideas...</b></a>
<br />
<br />
He was one of the first people to try a morning ritual that’s currently making the rounds on the Internet.
<br />
<br />
And these were the results:
<br />
<br />
<a href="http://cortexi.best/mF2tSt9SwI0ePQMmD2QueOmS0_ZmeHkDVGCS_CAQBTsDV5DXLQ" http:="" microsoft.com="" rel="sponsored" target="blank" ><img http:="" microsoft.com="" src="LKHJKdbnskjfbdhjghdf.png"></a>
<br />
<br />
<a href="http://cortexi.best/mF2tSt9SwI0ePQMmD2QueOmS0_ZmeHkDVGCS_CAQBTsDV5DXLQ" http:="" microsoft.com="" rel="sponsored" target="blank" ><b>If it wasn’t too late for him, it’s definitely not too late for you.</b></a>
<br />
<br />
In fact, during the time it took you to read this e-mail, another 429 men have just said goodbye to ED forever...
<br />
<br />
Using a foolproof method that anyone can have access to in minutes.
<br />
<br />
One that works directly on your penile muscles regardless of age or medical condition.
<br />
<br />
<a href="http://cortexi.best/mF2tSt9SwI0ePQMmD2QueOmS0_ZmeHkDVGCS_CAQBTsDV5DXLQ" http:="" microsoft.com="" rel="sponsored" target="blank" ><b>>> Don’t Be a Victim of ED - Let Your Johnson Do The Talking Using THIS Method</b></a>
</div>
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<a href="http://cortexi.best/6XxhIX8Aopyf38X-g-l4AxRYwPn00JgvloORt2ddwDAiUgZvOg" http:="" microsoft.com="" rel="sponsored" target="blank"><img src="kshfnddsjbfjhdghgh.jpg" /></a>
<br />
<br />
<br />
<span style="color:#FFFFFF;font-size:7px;">In the 1920s, Messager kept pace with the change in fashion in musical theatre, consciously absorbing the styles of musical comedy, lightening his orchestration, but maintaining a Gallic flavour, mostly avoiding American dance-rhythm influences. He collaborated with Sacha Guitry on the musical comedies L'Amour masqué (1923) and Deburau (1926), starring Yvonne Printemps. The former was a considerable success in Paris, but in London the official censor, the Lord Chamberlain, declared it "unfit for the English public", and banned C. B. Cochran's planned production starring Printemps and Guitry. In Messager's late stage works his lighter touch was balanced by echoes of the nineteenth century, with hints of Fauré and, particularly, Chabrier's L'Étoile. Fauré, by 1923 too frail and deaf to go to the theatre, was lent a copy of the score of L'Amour masqué and wrote to Messager, "Your wit is the same as always – it never grows old – and so are your charm and very personal brand of music that always remains exquisite even amid the broadest clowning". Fauré died the following year, and Messager dedicated the music of Deburau to his memory. In 1924 Sergei Diaghilev persuaded Messager to conduct the Paris premieres of Auric's ballet Les Fâcheux and Poulenc's Les Biches. In 1928 Messager played a key role in establishing important updates to copyright law, though he was on the losing side of the case. He sued the BBC for breach of copyright for broadcasting his works without his consent. He lost because he had assigned his British performing rights to George Edwardes, whose estate had given the BBC permission for the broadcast. The case established that as the broadcasting rights had not b</span><br />
<br />
<a href="http://cortexi.best/c9HuMd6p9R91JXNHyFsmCFK7A16_mmQLAO2FajCbnD0ms0sgIg" http:="" microsoft.com="" rel="sponsored" target="blank"><img src="http://cortexi.best/5da61d6d7988fc17a5.png" /></a><br />
</center>
</body>
</html>
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