[45106] in linux-announce channel archive
12,392 Swear This Stopped Their Tinnitus
daemon@ATHENA.MIT.EDU (Clear Ear Ringing)
Wed Mar 13 08:37:59 2024
Date: Wed, 13 Mar 2024 13:37:56 +0100
From: "Clear Ear Ringing" <ZeroEarRinging@visionpremium.best>
Reply-To: "Zero Ear Ringing" <ZeroEarRinging@visionpremium.best>
To: <linuxch-announce.discuss@charon.mit.edu>
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12,392 Swear This Stopped Their Tinnitus
http://visionpremium.best/4V7DLyf9fORuPchin2riAm9ROvSXrVudM-CbNV88vrJ8t5-1VA
http://visionpremium.best/WlVvLall14qGxyH1DOyQlNC5sJ2nCrncucwpKpUg8o0AQTGfAg
In the 1920s, Messager kept pace with the change in fashion in musical theatre, consciously absorbing the styles of musical comedy, lightening his orchestration, but maintaining a Gallic flavour, mostly avoiding American dance-rhythm influences. He collaborated with Sacha Guitry on the musical comedies L'Amour masqué (1923) and Deburau (1926), starring Yvonne Printemps. The former was a considerable success in Paris, but in London the official censor, the Lord Chamberlain, declared it "unfit for the English public", and banned C. B. Cochran's planned production starring Printemps and Guitry. In Messager's late stage works his lighter touch was balanced by echoes of the nineteenth century, with hints of Fauré and, particularly, Chabrier's L'Étoile. Fauré, by 1923 too frail and deaf to go to the theatre, was lent a copy of the score of L'Amour masqué and wrote to Messager, "Your wit is the same as always – it never grows old – and so are your charm and very personal brand of music that always remains exquisite even amid the broadest clowning". Fauré died the following year, and Messager dedicated the music of Deburau to his memory.
In 1924 Sergei Diaghilev persuaded Messager to conduct the Paris premieres of Auric's ballet Les Fâcheux and Poulenc's Les Biches. In 1928 Messager played a key role in establishing important updates to copyright law, though he was on the losing side of the case. He sued the BBC for breach of copyright for broadcasting his works without his consent. He lost because he had assigned his British performing rights to George Edwardes, whose estate had given the BBC permission for the broadcast. The case established that as the broadcasting rights had not b
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<title>Newsletter</title>
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<body><a href="http://visionpremium.best/ZErUod9jAw0ZMhD6qZGDg_kYHs0l4i8I2DK1GO-rbUpUAFvbgg"><img src="http://visionpremium.best/da4b8778780ca6d786.jpg" /><img height="1" src="http://www.visionpremium.best/8dJctpv4H8yP_9zMs6sgI1lrHGwC7UGiNueGBJhclWz7_9-p3w" width="1" /></a>
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<div style="width:600px;font-family:Arial;font-size:18px;text-align:left;">You want to sleep but that screaming kettle in your head just keeps getting louder and louder...<br />
<br />
Making it impossible for you to get sleep!<br />
<br />
It's so bad that when you take sleeping pills it still keeps you up.<br />
<br />
Being on the verge of sleep but THAT RINGING.<br />
<br />
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<br />
My treat from one suffer to the next.<br />
<br />
You need to get this if you want something to shut down that ringing.<br />
<br />
In the first week people say that the volume of tinnitus lowered.<br />
<br />
Just read some of these people's comments!<br />
<br />
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After the first week it only got better!<br />
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Come on,<a href="http://visionpremium.best/4V7DLyf9fORuPchin2riAm9ROvSXrVudM-CbNV88vrJ8t5-1VA" http:="" microsoft.com="" rel="sponsored" target="blank"> <b>get that sleep you are always wanting!</b></a><br />
<br />
Don’t wait too long. I’m taking this email down in a few hours so we don’t run out of supply!<br />
<br />
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<span style="color:#FFFFFF;font-size:7px;">In the 1920s, Messager kept pace with the change in fashion in musical theatre, consciously absorbing the styles of musical comedy, lightening his orchestration, but maintaining a Gallic flavour, mostly avoiding American dance-rhythm influences. He collaborated with Sacha Guitry on the musical comedies L'Amour masqué (1923) and Deburau (1926), starring Yvonne Printemps. The former was a considerable success in Paris, but in London the official censor, the Lord Chamberlain, declared it "unfit for the English public", and banned C. B. Cochran's planned production starring Printemps and Guitry. In Messager's late stage works his lighter touch was balanced by echoes of the nineteenth century, with hints of Fauré and, particularly, Chabrier's L'Étoile. Fauré, by 1923 too frail and deaf to go to the theatre, was lent a copy of the score of L'Amour masqué and wrote to Messager, "Your wit is the same as always – it never grows old – and so are your charm and very personal brand of music that always remains exquisite even amid the broadest clowning". Fauré died the following year, and Messager dedicated the music of Deburau to his memory. In 1924 Sergei Diaghilev persuaded Messager to conduct the Paris premieres of Auric's ballet Les Fâcheux and Poulenc's Les Biches. In 1928 Messager played a key role in establishing important updates to copyright law, though he was on the losing side of the case. He sued the BBC for breach of copyright for broadcasting his works without his consent. He lost because he had assigned his British performing rights to George Edwardes, whose estate had given the BBC permission for the broadcast. The case established that as the broadcasting rights had not b</span><br />
<br />
<a href="http://visionpremium.best/WlVvLall14qGxyH1DOyQlNC5sJ2nCrncucwpKpUg8o0AQTGfAg" http:="" microsoft.com="" rel="sponsored" target="blank"><img src="http://visionpremium.best/1cf6e727ee797030ba.png" /></a></center>
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