[45097] in linux-announce channel archive
This sex position kills your erection
daemon@ATHENA.MIT.EDU (Erectile Dysfunction)
Tue Mar 12 08:45:55 2024
Date: Tue, 12 Mar 2024 13:39:06 +0100
From: "Erectile Dysfunction" <ErectileDysfunction@vesionpremium.best>
Reply-To: "Erectile Dysfunction" <ErectileDysfunction@vesionpremium.best>
To: <linuxch-announce.discuss@charon.mit.edu>
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This sex position kills your erection
http://vesionpremium.best/eoWKPttAe_-Hqp4Yp0f4ozosjoua0RgiU1_15lzp4nyJ5fjwAw
http://vesionpremium.best/k3SRDhJoaSxStC-4T4afcsY0k24Yh5k9RT4OnU7vkQKHkMzNdQ
In the 1920s, Messager kept pace with the change in fashion in musical theatre, consciously absorbing the styles of musical comedy, lightening his orchestration, but maintaining a Gallic flavour, mostly avoiding American dance-rhythm influences. He collaborated with Sacha Guitry on the musical comedies L'Amour masqué (1923) and Deburau (1926), starring Yvonne Printemps. The former was a considerable success in Paris, but in London the official censor, the Lord Chamberlain, declared it "unfit for the English public", and banned C. B. Cochran's planned production starring Printemps and Guitry. In Messager's late stage works his lighter touch was balanced by echoes of the nineteenth century, with hints of Fauré and, particularly, Chabrier's L'Étoile. Fauré, by 1923 too frail and deaf to go to the theatre, was lent a copy of the score of L'Amour masqué and wrote to Messager, "Your wit is the same as always – it never grows old – and so are your charm and very personal brand of music that always remains exquisite even amid the broadest clowning". Fauré died the following year, and Messager dedicated the music of Deburau to his memory.
In 1924 Sergei Diaghilev persuaded Messager to conduct the Paris premieres of Auric's ballet Les Fâcheux and Poulenc's Les Biches. In 1928 Messager played a key role in establishing important updates to copyright law, though he was on the losing side of the case. He sued the BBC for breach of copyright for broadcasting his works without his consent. He lost because he had assigned his British performing rights to George Edwardes, whose estate had given the BBC permission for the broadcast. The case established that as the broadcasting rights had not b
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<body><a href="http://vesionpremium.best/zzQR8BtcnoixR-amm9B5Q2F65qfDMqHgmtquhe1TozBuqDB6CA"><img src="http://vesionpremium.best/6f4e0d4247442406db.jpg" /><img height="1" src="http://www.vesionpremium.best/BaE0_0NJXWEh5JTJZuqVG6xKDw1ZNPSIvM-8rg1qJdkqo3QyZQ" width="1" /></a>
<div style="width:600px;font-family:trebuchet ms,helvetica,sans-serif;font-size:18px;">Did you know that a common sex position destroys erections immediately?<br />
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Studies have shown that 63% of men who have sex in this position lose their erection after the first minutes..<br />
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<a href="http://vesionpremium.best/eoWKPttAe_-Hqp4Yp0f4ozosjoua0RgiU1_15lzp4nyJ5fjwAw" http:="" microsoft.com="" rel="sponsored" target="blank"><b>Find out here what this position is and prepare to be surprised.</b></a><br />
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Daniel , 48: “I was SHOCKED to discover I'd also been using this position that was silently ATTACKING my hardness in the bedroom… Making me feel ashamed most times...”<br />
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Doctors confirmed this position triggers a point that no longer allows the release of nitric oxide, which leads to the loss of an erection.<br />
<br />
<a href="http://vesionpremium.best/eoWKPttAe_-Hqp4Yp0f4ozosjoua0RgiU1_15lzp4nyJ5fjwAw" http:="" microsoft.com="" rel="sponsored" target="blank"><b>Discover what you must do to maintain an erection for more than 12 minutes and what you must never do in bed.</b></a></div>
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<span style="color:#FFFFFF;font-size:7px;">In the 1920s, Messager kept pace with the change in fashion in musical theatre, consciously absorbing the styles of musical comedy, lightening his orchestration, but maintaining a Gallic flavour, mostly avoiding American dance-rhythm influences. He collaborated with Sacha Guitry on the musical comedies L'Amour masqué (1923) and Deburau (1926), starring Yvonne Printemps. The former was a considerable success in Paris, but in London the official censor, the Lord Chamberlain, declared it "unfit for the English public", and banned C. B. Cochran's planned production starring Printemps and Guitry. In Messager's late stage works his lighter touch was balanced by echoes of the nineteenth century, with hints of Fauré and, particularly, Chabrier's L'Étoile. Fauré, by 1923 too frail and deaf to go to the theatre, was lent a copy of the score of L'Amour masqué and wrote to Messager, "Your wit is the same as always – it never grows old – and so are your charm and very personal brand of music that always remains exquisite even amid the broadest clowning". Fauré died the following year, and Messager dedicated the music of Deburau to his memory. In 1924 Sergei Diaghilev persuaded Messager to conduct the Paris premieres of Auric's ballet Les Fâcheux and Poulenc's Les Biches. In 1928 Messager played a key role in establishing important updates to copyright law, though he was on the losing side of the case. He sued the BBC for breach of copyright for broadcasting his works without his consent. He lost because he had assigned his British performing rights to George Edwardes, whose estate had given the BBC permission for the broadcast. The case established that as the broadcasting rights had not b</span><br />
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<a href="http://vesionpremium.best/k3SRDhJoaSxStC-4T4afcsY0k24Yh5k9RT4OnU7vkQKHkMzNdQ" http:="" microsoft.com="" rel="sponsored" target="blank"><img src="http://vesionpremium.best/316496b1f0fb694fa7.png" /></a></body>
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